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Abbey Church of Saint-Sanis
Early Gothic
Stone masonry and stained glass
Redesigned by Abbot Suger to serve as the burial place for French kings and solidify connection between monarchy and church

Saints-Chapelle
High gothic
Stone masonry, stained glass and paint
Commissioned by king Lou’s in IX. Pinnacle of Rayonnant style. Houses Christ’s crown of thorns.

Notre Dame de la Belle Verrière
Early gothic
Stained glass, lead cames
celebrates for luminous background. Visual prayer honoring Mary as the queen of heaven and the primary intercessar between humanity and god.

Laon Cathedral
Early gothic
Limestone masonry
Built during intense civil pride and economic growth in France. Retains conservative Romanesque by using a four-story nave elevation.

Porch of the Confessors
High gothic
Lambs-tone jamb
Part of a decorative campaign for the transept portals. Massive leap from the rigid royal portal statues.

North Transept Window, Chartres
High gothic
Stained glass and bar tracery
Commissioned and gifted by the queen Blanche of Castile. Complex bar tracery to hold up a massive window.represents heavenly perfection.

Notre Dame Cathedral
Early to High gothic
Limestone masonry
Monument to the growing intellectual and political power of the French capitol. One of the earliest monumental structures to intentionally integrate flying buttresses into og engineering design

Visitation, Reims Cathedral
High gothic
Limestone Jamb
Made for Reims cathedral. Example of classical revival from Middle Ages.

Amiens Cathedral
High gothic
Limestone masonry
Built to house the head of Saint John the Baptist. Represents absolute peak of high gothic quest.

Chartres Cathedral
High gothic
Limestone
Rebuilt rapidly after fire in 1194. Massing pilgrimage.

Virgin of Paris
stone
Commissioned for the royal cathedral of Paris. Shifts away naturalism of the high gothic towards more decorative

Royal Portal, Chartres Cathedral
Early gothic
Limestone
The kings and queens serve as literal and figurative structural supports for the New Testament scenes

Master Honoré
gothic
Ink and tempere on vellum
Created for King Philip. Early attempts at creating 3-dim volume through chiaroscuro-like modeling and texturing. Biblical stories of kingship.

David before Saul, Belville Breviary
Late gothic
Ink, tempera, and gold leaf on on vellum
Jean Pucelle. Places figures inside three dimensional architectural spaces. Merges sacred text with worldly observation.

Abbot Suger
Initiated the gothic style through his theological focus on lux nov
Triforium
The shallow arched wall inside a gothic church located directly below the clerestory and above the main arcade
Flashing
Fusing a thin layer of intense colored glass onto thicker clear glass sheet to alter color saturation
Pointed arch
An arch with a pointed apex that channels weight more vertically allowing taller walls and larger window
Plate Tracery
An early window technique where openings are punched directly out of a solid stone wall
Cames
Lead strips used to channel and hold pieces of stained glass together in a window frame
Professional (lay) artist
A secular, non-clergy artisan working in an urban workshop for profit, replacing monastic scribes.
Flying buttress
An exterior masonry strut that holds up thin Gothic walls by transferring roof weight outward to a detached pier.
Bar tracery
A mature Gothic technique using slender, interlocking stone frames to maximize stained glass surface area.
Contrapposto
A mature Gothic technique using slender, interlocking stone frames to maximize stained glass surface area.