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Pierrot Lunaire, No. 18, The Moonfleck/Der Mondfleck
Arnold Schoenberg, 1912
Post-1900
Part of song cycle set to a collection of poems from Albert Giraud
Pierrot is disturbed by a white spot of moonlight on his jacket that he cannot get rid of, no matter how hard he rubs
Sprechstimme: Speech-like melody where the vocals are spoken rather than sung
Three voice fugue where instruments unfold diminution and retrograde
Atonality
Rite of Spring, Introduction/Adoration of the Earth
Igor Stravinsky, 1913
Post-1900
Writhing bassoon melody played in the uppermost range to depict the awakening of Earth in Spring
Rite of Spring, Augurs of Spring/Dance of the Young
Igor Stravinsky, 1913
Post-1900
Series of violent chords and unpredictable accents that veil meter
Dissonant chords alternating with folk-like melodies
Music builds to a loud, densely textured climax
Billie’s Blues
Billie Holiday, 1936
Post-1900
Twelve bar blues with short introduction and six choruses
First verse is a typical three line strophe
Vocal line demonstrates rhythmic flexibility and jazz embellishments
“Noche de Jaranas” (from La noche de los Mayas)
Silvestre Revueltas, 1939
Post-1900
White men are welcomed by the Mayans into their festivities
Tempi di son: Popular Latin American dance genre based on Indigenous, African, and Spanish traditions
Irregular meter in unpredictable patterns
Violins play in parallel thirds, answered by brass section to evoke a mariachi ensemble
Form is a Classical rondo
Suite for Violin and Piano, III
William Grant Still, 1943
Post-1900
Flashy, syncopated violin
Bass that resembles jazz piano style (stride)
Call and response between violin and piano that keeps returning to opening idea
Ornamentation and glissandos on violin
Modal harmonies
Water Walk
John Cage, 1959
Post-1900
Symphony no. 12, “The Year 1917”, IV.
Dmitri Shostakovich
Post-1900
Black Angels, “Devil Music” IV.
George Crumb, 1970
Post-1900
Black Angels, “Danse Macabre” V.
George Crumb, 1970
Post-1900
Einstein on the Beach
Philip Glass, 1976
Post-1900