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Jacobean assessment of female worth - MALFI
ties to sexual availability - old lady has lost her sexuality
medieval attitudes to old women - MALFI
Epicene (Jonson) - early modern writers used old women as objects of ridicule or moral corruption
view of cosmetics - MALFI
considered akin to witchcraft for trying to improve a God-crafted face
Jacobean widows - MALFI
Sir Thomas Overbury’s character sketches were against them remarrying
culturally coded as sexually voracious
over half between 1600-59 DID remarry so moral opposition is undermined
literature of Vives and Fuller remarriage was seen as betrayal
lusty widow was a stock figure in Jacobean drama - Middleton’s plays feature them
pheasants and quails - MALFI
game birds raised in enclosed warrens for elite consumption
fattened then killed
hunting metaphor extends to women hunted by men as property
Palace of Pleasure (Painter 1567) descriptions of the Duchess - MALFI
there Duchess described as ‘foolish woman’
Webster prioritises Ant’s description to frame her morality
early modern views on twins - MALFI
belief in a shared soul
cultural belief of shared body or blood
possession
social anxieties about relationships - MALFI
sees disruption to the Great Chain of Being
(Duchess’ marriage transcends this, Fred in aristocracy is furious at contamination, Duchess = object moving through society)
mediterranean honour culture - MALFI
Malfi in Italian setting
male relatives had customary right to punish female sexual transgression, also to protect lineage - Webster explores critically
Jacobean view on female role - MALFI
The Ladies Calling (1673 encoding earlier norms) - said women belonged in domestic
Revenge tragedy - MALFI
Francis Bacon ‘revenge is a kind of wild justice’
first RevengeTragedy was ‘The Spanish Tragedy’ by Kid
Ferdinand’s humour - MALFI
excess of choleric humour
‘angels’ in Jacobean society - MALFI
also meant Jacobean gold coins worth ten shillings
corrupt devilish payment
Calvinist ideas of sinful society - MALFI
Eve’s Fall of Man had ruined human race
religious anxieties of era - MALFI
post Reformation end of 16th C
fear of Catholicism counter-reformation
set in Catholic Italy
Catholic Gunpowder Plot 1605 - attempt to blow up Parl + kill JI, cultural anxiety about corruption spreading from top down
book on female virtue - MALFI
A Crystal Glass for Christian Women (Stubbe 1591) - female virtue to be measured in its ability to suppress desire
the ‘Virgin Queen’ - MALFI
‘political celibacy’
(links to when Ant speaks of D’s ‘divine continence’)
Petrarchan love convention - MALFI
lovesick narrator worshipping unattainable woman - man emasculated in inaction
Hortus Concluss (from SoS)
symbol of wife’s locked chastity and male ownership
‘shrewish wife’ in literature
De Nugis Curialum (Map 1180)
Theoprastus’ anti-marriage tract
Eden + Roman de la Rose
ironic as gardens references are sites of transgression
Pluto + Proserpina
Pluto builds underworld to contain Prospering = Jan builds wall
shapes what we think of the act
story recounted in De Raptu Proserpinae + Ovid’s Metamorphoses
Pluto bases his argument in Ecclesiastes
women as property
women treated almost as ‘chattel;
celebrated only as objects for men
Mary vs Eve imagery imposed on women by men
women are both a divine gift and the cause of original sin - impossible dual standard
medieval marriages as economic transactions
not uncommon to buy a wife
Chaucer’s niece was bought
women also become husband’s property through coverture
economy in Chaucer (merchants)
Chaucer was made Head of Customs Dept in London 1374
merchants seen to be causing disruption in society by moving through the 3 estates
maistrie (sovereignty/control in marriage)
WoB believes women should have this
Clerk believes men should have it
Merchant believes men should
Jan believes he is enforcing it BUT really it is May who is
anti-feminist tradition
Jerome + Walter Map + Theophrastus - all say women are devil’s instrument
Early-modern debate rejecting anti-feminist tradition
Book of the City of Ladies (1405) - rebutted idea of women as devil’s isnstrument
importance of beauty
early ideas of physiognomy
women married very young and beautiful - May (~20) marries Jan (60+), women only exist for v short period
irony that May’s beauty and desirability are what Jan wants but also what drives the fabliaux’s plot
courtly love ridiculed
most loved literature in Europe second only to religious lit
typically has lots of dialogue (courage) but here doesn’t
Lancelot and Genevieve are examples of the convention
Damyan’s lovesickness is considered real medical condition in humour theory - this suffering is half-assed (not like tragedies of Troilus & Cressida so nobility of emotion undercut)