IHUM 202 Final: Stirling BYU

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Last updated 3:20 AM on 6/17/26
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247 Terms

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<p>Nature Morte: Intérieur d’un cabinet curiosités </p>

Nature Morte: Intérieur d’un cabinet curiosités

Toward the Modern Era

(Daguerre, photography)

Louis-Jacques-Mandé Daguerre’s oldest known daguerreotype. This groundbreaking still life features a meticulously arranged, dense collection of classical objects—including plaster putti, a bas-relief panel, and other curiosities—designed to validate photography as a fine art form by matching traditional painting hierarchies.

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<p>Nymphs and Satyr (Bouguereau)</p>

Nymphs and Satyr (Bouguereau)

Toward the Modern Era
Academic Art

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<p>Luncheon on the Grass (Manet)</p>

Luncheon on the Grass (Manet)

Toward the Modern Era

Ordinary, identifiable people from the middle class having a picnic in the park - but why is she nude?

His painting style was not Academic

Depth is compressed, not realistic

Created a huge stir

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<p>Olympia (Manet)</p>

Olympia (Manet)

Toward the Modern Era

Similar to Titian’s Venus of Urbino

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<p>A Bar at the Folies-Bergère (Manet)</p>

A Bar at the Folies-Bergère (Manet)

Toward the Modern Era

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Charles Baudelaire

Toward the Modern Era

Essayist, poet, art critic in France at the same time as Manet

Fleur du Mal (Flower of Evil) which is about the changing nature of beauty in Paris during this time of rapid industrialization

He coined the term “modernité” to describe fleeting experience

of life in an urban area and said it was the responsibility of

artists to capture the experience of “the transitory, the fugitive”-

Modern world is one of “artificial desires” that are only satiated

by commodities: clothing, fashion, pleasure, entertainment,

makeup, sex (prostitution), etc.

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Friedrich Nietzsche

Toward the Modern Era

Nietzsche's central philosophy was "life-affirmation". He believed individuals should actively embrace the inherent struggles and suffering of existence rather than relying on religious or societal constructs. To achieve true personal excellence, he challenged people to reject traditional morality and forge their own values

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Photography, daguerretype

the world’s first publicly available photographic process. Invented by Louis Daguerre in 1837 and introduced in 1839, it produced highly detailed, one-of-a-kind images on a mirror-polished, silver-plated copper plate. Because it involved no negatives, every daguerreotype is a unique physical object.

Photography was a Democratic equalizer — easy portraits for the growing middle class

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Realism

the practice of accepting a situation as it is and being prepared to deal with it accordingly.

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War photography

realism in real time

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Royal Art Academies

- Académie Royale de Peinture et de Sculpture (Royal Academy of Painting and Sculpture) in Paris, established in 1648 becomes the Académie des Beaux Arts in 1816

- Controlled the art scene of Europe by sponsoring exhibitions (salons) that showcased art that complied with the standards of the academy

- Traditional subjects like history, mythology, nudes

- Had moved to an almost photographic realism as shown by Bouguereau- So realistic, you almost can’t see the “hand” of the artist

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Salon de Refusés

  • Rejected by the salon and presented all together

  • Banded against the Academy

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Modernity (modernité)

describe fleeting experience of life in an urban area and said it was the responsibility of artists to capture the experience of “the transitory, the fugitive”

- Modern world is one of “artificial desires” that are only satiated by commodities: clothing, fashion, pleasure, entertainment, makeup, sex (prostitution), etc.

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Übermensch

a foundational concept in the philosophy of Friedrich Nietzsche. It represents an ideal, evolved human who overcomes traditional religious and societal morality to create their own values and meaning in a world without God

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“Will to power”

a central concept in the philosophy of Friedrich Nietzsche. It describes the fundamental driving force in all human behavior: not merely the pursuit of physical control over others, but the internal drive for self-actualization, self-mastery, growth, and the realization of one's utmost potential

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<p>Impression, Sunrise (Monet)</p>

Impression, Sunrise (Monet)

Impressionism

Just an impression, not realism

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<p>Rouen Cathedral Series (Monet)</p>

Rouen Cathedral Series (Monet)

Impressionism

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<p>Water Lilies (Monet)</p>

Water Lilies (Monet)

Impressionism

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<p>The Gare St. Lazare (Monet)</p>

The Gare St. Lazare (Monet)

Impressionism

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<p>Le Moulin de la Galette (Renoir)</p>

Le Moulin de la Galette (Renoir)

Impressionism

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<p>Young Girl by the Window (Morisot)</p>

Young Girl by the Window (Morisot)

Impressionism

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<p>Self Portrait (Morisot)</p>

Self Portrait (Morisot)

Impressionism

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<p>The Rehearsal (Degas)</p>

The Rehearsal (Degas)

Impressionism

How is it like Japanese woodcuts and photography? - unusual angles and directional lines of perspective. Everyday urban scenes, close cropped portraits. Intimate domestic scenes

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<p>L’Absinthe (Degas)</p>

L’Absinthe (Degas)

Impressionism

a stark visual essay on the alienation, emotional coldness, and social isolation that accompanied rapid urbanization and the rise of industrialization in 19th-century Paris.

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<p>The Child’s Bath (Cassatt)</p>

The Child’s Bath (Cassatt)

Impressionism

  • intimate scene of mother and child - references Mother Mary and Marie Antoinette

  • Tactile—can feel the pressure of the mother’s hands on the child and child on mother

  • Japanese influence of intimate scene and close up portrait. Floral aspect

  • Photography from above

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<p>In the Loge (Cassatt)</p>

In the Loge (Cassatt)

Impressionism

Opera house was the center of life at this time

Artists would often paint there

Public display of audience before/after performance

See and be seen

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Modern Era

  • constant shift and change to what we see as reality

    • social and polititcal revolutions had replaced monarchies

    • Scientific and technological developments had moved people from an agrarian life to industrialized cities

  • Belle Epoquem = The Beautiful Age

  • Massive migration to the US

  • Religion has lost hold over intellectual circles

  • Women’s movements, especially the right to vote

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Impressionism

  • Often social places of the city, yet showing isolation and reflection

  • Late 1800s, group of artists banded together against the strictness of the Academy

  • Often painted outdoors (en plen aire) rather than in a studio

  • Studied the dramatic effects of light and atmosphere on nature, people, architecture

  • Studied how colors and their varied juxtapositions could imitate the effects of light

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Japonisme/Japanese Woodcuts–influence on Impressionism

  • Unusual angles and directional lines of perspective

  • Everyday, urban scenes

  • Close cropped portraits

  • Floral motifs

  • Intimate domestic scenes—especially women with children or a woman’s toilette

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Plein Air

painting out in the open

Impressionism

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Color Theory

Impressionist color theory shifted away from dark, traditional chiaroscuro in favor of painting subjective light and atmosphere. Artists applied pure, unmixed pigments using scientific optical mixing, complementary contrasts, and high-chroma palettes to make the canvas vibrate with the intensity of natural sunlight

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At the Moulin Rouge (Lautrec)

Post-Impressionism

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La Goulue (Lautrec)

Post-Impressionism

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A Sunday Afternoon on the Island of La Grande Jatte (Seurat)

Post-Impressionism

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Still Life with Basket of Apples (Cézanne)

Post-Impressionism

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Mont Sainte-Victoire (Cézanne)

Post-Impressionism

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Vision after the Sermon (Jacob Wrestling with The Angel) (Gauguin)

Post-Impressionism

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Starry Night over the Rhone (van Gogh)

Post-Impressionism

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Café Terrace at Night (van Gogh)

Post-Impressionism

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The Night Café (van Gogh)

Post-Impressionism

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The Starry Night (van Gogh)

Post-Impressionism

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Lithograph (Lautrec posters)
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Pointillism
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Synthetism
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Impasto
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Post-Impressionism
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Burghers of Calais (Auguste Rodin)

The Turn of the Century

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“The Thinker” from Gates of Hell (Auguste Rodin)

The Turn of the Century

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The Kiss (Auguste Rodin)

The Turn of the Century

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Charing Cross Bridge, London (André Derain)

Fauvism

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Woman with a Hat (Henri Matisse)

Fauvism

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Harmony in Red (Henri Matisse)

Fauvism

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The Scream (Edvard Munch)

Expressionism

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Improvisation No. 28 (Vassily Kandinsky)

Expressionism

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The Old Guitarist (Pablo Picasso, Blue Period)

Blue Period

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Acrobat and Young Harlequin (Pablo Picasso)

Rose Period

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Les Demoiselles d’Avignon (Pablo Picasso)

Analytic Cubism

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Guitar, Sheet Music, and Glass (Pablo Picasso)

Synthetic Cubism

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Violin and Candlestick (Georges Braque)

Analytic Cubism

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Still Life with Violin and Pipe (Georges Braque)

Synthetic Cubism)

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Unique Forms of Continuity in Space (Umberto Boccioni, sculpture)

Futurism

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Street Light (Giacomo Balla)

Futurism

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Eiffel Tower (Gustave Eiffel)

The Turn of the Century

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Wainwright Building (Louis Sullivan)

The Turn of the Century

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Casa Mila (Antoni Gaudí)

The Turn of the Century

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Sagrada Familia (Antoni Gaudí)

The Turn of the Century

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Futurism Manifesto (Filippo Marinetti)

The Turn of the Century

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Remembrance of Things Past (Marcel Proust)

The Turn of the Century

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Au Bonheur des Dames (The Ladies’ Delight) (Emile Zola)

The Turn of the Century

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The Importance of Being Earnest (Oscar Wilde)

The Turn of the Century

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A Doll’s House (Henrik Ibsen)

The Turn of the Century

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Opera:
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Carmen (George Bizet)

The Turn of the Century

Opera

“Habanera (L'amour est un oiseau rebelle)”

“Toreador Song”

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Madame Butterfly (Giacomo Puccini)

Turn of the century: opera

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Light Opera/Opera Buffa
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“I’ve Got a Little List” from The Mikado (Gilbert and Sullivan)

Light Opera/Opera Buffa

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“Modern Major General” patter song from The Pirates of Penzance (Gilbert and Sullivan)

Light Opera/Opera Buffa

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An Alpine Symphony (Richard Strauss)

Symphonic music:

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The Nutcracker (Piotr Illch Tchaikovsky) - Danses Caracterisiques

Symphonic music:

“Arabian Dance”

“Chinese Dance”

“Russian Dance”

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1812 Overture (Piotr Illch Tchaikovsky)

Symphonic music

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“Clair de Lune” (Claude Debussy)

Symphonic music

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“Augurs of Spring” from The Rite of Spring (Le Sacre du Printemps) (Igor Stravinsky)

Symphonic music

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“Infernal Dance” from The Firebird (Igor Stravinsky)

Symphonic music

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Suite for Piano Op. 25 (Arnold Shönberg, 12-tone technique)

Symphonic music

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“Mondestrunken” from Pierrot Lunaire (Arnold Shönberg, sprechtstimme)

Symphonic music

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Patter Song
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Program Music
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Tone Poem
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Atonal Music
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Sprechstimme
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12-Tone Technique
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Bronze Casting
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Abstraction
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Free Association (especially with Kandinsky’s abstract paintings)
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Blue Period (Picasso)
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Rose Period (Picasso)
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Monochromatic
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Collage
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Dynamism
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Cast Iron