AH207 Age of Michelangelo Midterm 2026

Paintings/Buildings/Statues and their associated titles

Daniele da Volterra, Portrait of Michelangelo Buonarroti (detail), ca. 1545. Oil on wood

Jacopo Zucchi, Portrait of Giorgio Vasari, ca. 1571-1574. Oil on wood

Raphael, Portrait of Leo X with cardinals Giulio de' Medici (later Pope Clement VII) and Luigi de' Rossi, his first cousins, c. 1518-1520. Oil on wood panel

Michelangelo Buonarroti, Head of a Satyr in Profile, 1520-25. Pen and ink

Duccio, Virgin and Child Enthroned with Saints (MaestàAltarpiece), 1308-11. Tempera on wood

Giotto, Exterior of the Arena Chapel (Capella Scrovegni), Padua, 1305-06. Mixed media

Giotto, Interior of the Arena Chapel (Capella Scrovegni), Padua, 1305-06. Fresco

Michelangelo Buonarroti, Madonna of the Steps, ca. 1490. Marble

Michelangelo Buonarroti, Kneeling Angel Candelabra, Tomb of St. Dominic, Bologna, 1494. Marble

Giuseppe Canella, Piazza della Signoria, Florence, early 19th c. Oil on canvas

This is a photograph of the building depicted in the painting, it is the same perspective

Michelangelo Buonarroti, David, c. 1501-1504. Marble

Laocoön and his sons, ca. 42-19 BCE. Marble

Anastasio Fontebuoni, Michelangelo and Julius II, ca. 1600. Oil on canvas

Michelangelo Buonarroti, Tomb for Julius II, begun 1505. Marble

Michelangelo Buonarroti, Staircase, Laurentian Library, begun 1525. Stone

Michelangelo Buonarroti, Reading Room, Laurentian Library, begun 1525. Stone

Michelangelo, Holy Family (aka the Doni Tondo), c. 1504, tempera and oil on panel

Siena Cathedral, Siena, Italy, 12th-14th centuries

Simone Martini and Lippo Memmi, Annunciation, 1333. Tempera on wood panel

Palazzo Pubblico (Public Palace/City Hall), Siena, Italy. Begun 1297

AMBROGIO LORENZETTI, Effects of Bad Government on the City, 1338-1339. Fresco

AMBROGIO LORENZETTI, Peaceful City: Effects of Good Government in the City, 1338-1339. Fresco

MBROGIO LORENZETTI, Good Government, (allegorical figure of Justice at far right), 1338-1339. Fresco

Giotto, Justice, Arena Chapel (Capella Scrovegni, Padua), 1305. Fresco

Biagio di Antonio Tucci, Allegory of Justice, ca. 1470-1475. Oil on wood

Anonymous Florentine, Story of Antonio Giuseppe Rinaldeschi, ca. 1502. Tempera on wood panel

Florentine goldsmith. Reliquary of St. Sebastian, 1616. Embossed, chiseled, cast and gilded copper, silver

Giorgio Vasari, Lorenzo the Magnificent de' Medici ("Il Magnifico") ca. 1533-34, tempera on panel

Unknown Artist, Grid Iron of San Lorenzo (St Lawrence), 15th c. Terracotta

Alessandro Filipepi (aka, Botticelli), Martyrdom and Glory of San Lorenzo (St Lawrence), ca. 1480. Tempera on wood

Michelangelo Buonarroti, Tomb of Giuliano de' Medici, ft. Night and Day, c. 1525. Marble

Sebastiano del Piombo, Portrait of Pope Clement VII, ca. 1531. Oil on slate

Fritz, Manuscript Parchment Maker (Pyrmetter or Pergamentmacher), 1425. Illuminated Manuscript (German)

Niccolo Antonio Colantonio, Saint Jerome in His Study, ca. 1445-1446. Oil on wood panel

The Limbourg Brothers, Very Sumptuous Hours of the Duke of Berry (Tres Riches Heures du Duc de Berry), 1412-1416. Tempera. Illuminated manuscript.

The Limbourg Brothers, Very Sumptuous Hours of the Duke of Berry (Tres Riches Heures du Duc de Berry), 1412-1416. Tempera. Illuminated manuscript

The Limbourg Brothers, Very Sumptuous Hours of the Duke of Berry (Tres Riches Heures du Duc de Berry), 1412-1416. Tempera. Illuminated manuscript.

Unknown Artist, Portrait of Johann Gutenberg, 17th c. Print from engraving

Carved lead letters for printing

Excerpt from the so-called “Wicked Bible.” Printers Robert Barker and Martin Lucas (England), 1631

Giorgio Vasari, Portrait of Six Tuscan Poets, 1544. Oil on wood panel

Sandro Botticelli, Portrait of Dante d’Alighieri, 1495, tempera on wood

Italian School, Portrait of Petrarch, 16th c. Oil on canvas

Cristofano dell'Altissimo, Portrait of Boccaccio, c.1568. Oil on canvas

Michelangelo, Virgin and Christ with St. Anne inscription with sonnet by Petrarch, 1502-06

Michelangelo, Figure Study with inscription after Petrarch, c.1506