ASND critics

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Last updated 4:33 PM on 4/20/26
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17 Terms

1
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Dusenbury

“The world is unbearable for Blanche so she slips into insanity”

2
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Kazan

“Blanche is dangerous. She is destructive … A phoney, corrupt, destructive woman”

3
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Templeton

“Blanche is just as responsible for her fall as the Old South is for its own demise”

4
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Tapp

“Blanche is a victim of the mythology of the Southern Belle”

5
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Tennessee Williams

“I have only one major theme for my work, which is the destructive power of society on the sensitive non conformist individual”

6
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Galloway

“The play has no clear victor, everyone loses something”

7
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Bigsby

“Blanche tells the lies necessary for survival”

8
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Bottoms

“Where he cannot dominate sexually Stanley uses force”

9
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Bloom

Stanley “cannot be blamed for protecting his marriage against the force that would destroy it”

10
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Hardison-Londres

“Emotional dependence on a patriarchal system of male protection for the helpless female”

11
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Bordo - 1

“Stanley represents Hollywood ideals of post-war masculinity”

12
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Brustein

“A play about the disintegration of a woman … or of a society”

13
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Duerre

“Blanche is a delicate and sensitive woman pushed into insanity by a brutish environment presided over by chief ape-man Stanley”

14
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Onyett

Blanche’s sexuality “refuses to conform to conventional moral values”

15
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Cardullo

All of the characters are “mutual victims of desire”

16
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McDonough

Stella is “imprisoned by her own desire”

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Onyett - 2

The rape of Blanche is “the ultimate assertion of Stanley’s power”