2nd movements⭐️

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Last updated 1:34 PM on 5/30/26
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54 Terms

1
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What was the original role of second movements in early symphonies?

To provide contrast and relief from the outer movements.

2
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How does the role of second movements change over time?

They develop into the emotional core of the symphony.

3
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What are the typical features of early second movements?

Short, simple, usually homophonic textures.

4
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How do second movements evolve by the Romantic period?

Become more structurally diverse, expressive, and use expanded orchestration.

5
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What are common structural features of early symphonic second movements?

Binary or rounded binary forms; simple and short.

6
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What keys are typically used in early second movements?

Related keys, especially the subdominant.

7
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What is the general style of early second movements?

Light, lyrical, and not structurally complex.

8
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What form is used in Stamitz's second movement from Op. 3 No. 2?

Binary form.

9
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What key is Stamitz's second movement in?

G major (subdominant).

10
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What is notable about texture in Stamitz's second movement?

Independent woodwind lines with string accompaniment.

11
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What form is used in C.P.E. Bach's second movement of Symphony in E minor Wq.178?

Ternary form.

12
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What is the function of C.P.E. Bach's second movement within the symphony?

Acts as a short bridge between movements.

13
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What is notable about transitions in C.P.E. Bach's second movement?

Movements segue smoothly into each other.

14
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What is unusual about orchestration in Haydn's second movement of Symphony No. 2?

No wind instruments are used.

15
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What key is Haydn's second movement in?

G (dominant).

16
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What is distinctive about the violin writing in Haydn's second movement?

Continuous semiquavers with frequent rests (perpetual motion effect).

17
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How do second movements develop in the Classical period?

Expanded orchestration and more refined, expressive writing while remaining balanced.

18
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What is notable about the scale of Haydn's second movement from Symphony No. 31?

Quite expansive.

19
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What is distinctive about the texture in Haydn's second movement from Symphony No. 31?

Pizzicato accompaniment.

20
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What is notable about instrumental writing in Haydn's second movement from Symphony No. 31?

Highly decorated, high-register parts for violin and cello.

21
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What form is used in Mozart's second movement from Symphony No. 40?

Sonata form.

22
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What harmonic feature adds intensity in Mozart's second movement?

Rich chromatic harmonies.

23
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What is characteristic of the melodic writing in Mozart's second movement?

Expressive melodies with quaver 'fluttering' figures.

24
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What key is Haydn's second movement from Symphony No. 104 in?

G major (subdominant).

25
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What form is used in Haydn's second movement from Symphony No. 104?

Ternary form with variation elements.

26
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What is notable about contrast in Haydn's second movement from Symphony No. 104?

Lyrical oboe melody interrupted by dramatic, loud string outbursts.

27
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How does Beethoven transform second movements in symphonies?

Makes them the emotional heart, more complex, spacious, and structurally significant.

28
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What form is used in Beethoven's second movement from Symphony No. 3 'Eroica'?

Slow variation movement.

29
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What is notable about scale in Beethoven's second movement from Symphony No. 3 'Eroica'?

Very extensive and expansive.

30
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What is notable about the ending of Beethoven's second movement from Symphony No. 3 'Eroica'?

Includes a brief coda in the major key.

31
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What key is Beethoven's second movement from Symphony No. 5 in?

A♭ major (subdominant of the relative major).

32
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What form is used in Beethoven's second movement from Symphony No. 5?

Double variation form.

33
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What is notable about structure in Beethoven's second movement from Symphony No. 5?

Includes a long coda.

34
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What form is used in Beethoven's second movement from Symphony No. 6 'Pastoral'?

Sonata form.

35
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What key is Beethoven's second movement from Symphony No. 6 'Pastoral'?

B♭ major (subdominant).

36
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What is distinctive about texture in Beethoven's second movement from Symphony No. 6 'Pastoral'?

Flowing string polyphony suggesting water.

37
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What form is used in Mendelssohn's second movement from Symphony No. 4?

Sonata form.

38
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What expressive features define Mendelssohn's second movement?

Programmatic elements and emotional reflection.

39
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What is notable about orchestration in Mendelssohn's second movement?

Reduced orchestration.

40
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What does Mendelssohn's second movement depict?

Likely a religious procession inspired by Naples, based on a pilgrim song.

41
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What are general features of second movements in late Romantic symphonies?

More expressive, flexible structure, rich orchestration, individualised, breaking conventions.

42
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What dance form influences Berlioz's second movement from Symphonie fantastique?

Waltz in triple time.

43
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What is notable about orchestration in Berlioz's second movement?

Includes two harps.

44
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How is thematic material used in Berlioz's second movement?

Waltz derived from the idée fixe.

45
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What key is Liszt's second movement from Eine Faust Symphony in?

A major.

46
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What is distinctive about thematic writing in Liszt's second movement?

Dialogue between clarinet and violins.

47
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What does Liszt's second movement represent?

Gretchen’s innocence ('he loves me, he loves me not').

48
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How does Liszt's Les Préludes challenge the idea of a traditional second movement?

It is a single continuous movement.

49
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What is the key feature of Dvořák's second movement from Symphony No. 9 'New World'?

Famous cor anglais melody.

50
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What is notable about melody in Dvořák's second movement?

Pentatonic/modal style (G minor → B♭ major).

51
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What happens in the middle section of Dvořák's second movement?

It becomes more lively.

52
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What is unusual about second movements in Mahler's Symphony No. 2?

There are two slow movements (2nd and 4th).

53
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What is their function in Mahler's Symphony No. 2?

Provide relief from the surrounding dramatic movements.

54
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What overall changes occur in second movements by 1900?

Increased emotional depth, greater variety, become both emotional and structural core of the symphony.