Lit Terms

0.0(0)
Studied by 0 people
call kaiCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/91

encourage image

There's no tags or description

Looks like no tags are added yet.

Last updated 12:08 PM on 4/16/26
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai

No analytics yet

Send a link to your students to track their progress

92 Terms

1
New cards

adjectives

a word used to modify or describe a noun or pronoun, such as "happy," "sad," or "pretty."

The school had musty crusty walls. Musty= the smell of the walls and crusty = the look and feel of the walls. Both have negative connotations

<p>a word used to modify or describe a noun or pronoun, such as "happy," "sad," or "pretty."</p><p>The school had musty crusty walls. Musty= the smell of the walls and crusty = the look and feel of the walls. Both have negative connotations</p>
2
New cards

adverbs

Describe actions (verbs); often end in -ly

rather quickly, very smart, especially difficult, awfully fast

How, where, when, condition, or reason

<p>Describe actions (verbs); often end in -ly</p><p>rather quickly, very smart, especially difficult, awfully fast</p><p>How, where, when, condition, or reason</p>
3
New cards

allusion

A reference to another work of literature, person, or event.

Very often Biblical, Shakespeare, or popular culture

<p>A reference to another work of literature, person, or event.</p><p>Very often Biblical, Shakespeare, or popular culture</p>
4
New cards

ambiguity

The multiple meanings, either intentional or unintentional, of a word, phrase, sentence, or passage.

You are unsure of something because you do not have enough information to make a precise claim.

<p>The multiple meanings, either intentional or unintentional, of a word, phrase, sentence, or passage.</p><p>You are unsure of something because you do not have enough information to make a precise claim.</p>
5
New cards

analogy

An analogy is a literary device often used in literature and poetry to make connections between familiar and unfamiliar things, suggest a deeper significance, or create imagery in the reader's mind. ... Analogies allow writers to say something in an abstract way, encouraging deeper thought.

Sometimes studying for the AP exam feels like working in a coal mine...in the dark...without any food...or water...for 30 years

<p>An analogy is a literary device often used in literature and poetry to make connections between familiar and unfamiliar things, suggest a deeper significance, or create imagery in the reader's mind. ... Analogies allow writers to say something in an abstract way, encouraging deeper thought.</p><p>Sometimes studying for the AP exam feels like working in a coal mine...in the dark...without any food...or water...for 30 years</p>
6
New cards

analysis

A detailed examination of the elements or structure of something.

Supported by evidence and detailed commentary

7
New cards

antagonist

A character or force in conflict with the main character.

Often "the bad guy" but not always

<p>A character or force in conflict with the main character.</p><p>Often "the bad guy" but not always</p>
8
New cards

antecedent

The word, phrase, or clause referred to by a pronoun.

You can't use a pronoun unless you use a noun first. That noun is called the antecedent

Ms. Gluth really plucks my nerves. She is always pushing me to do more. (Ms. Gluth is the antecedent to she)

<p>The word, phrase, or clause referred to by a pronoun.</p><p>You can't use a pronoun unless you use a noun first. That noun is called the antecedent</p><p>Ms. Gluth really plucks my nerves. She is always pushing me to do more. (Ms. Gluth is the antecedent to she)</p>
9
New cards

antithesis

Direct opposite (of statement/idea)

Summer School is the antithesis of graduation

<p>Direct opposite (of statement/idea)</p><p>Summer School is the antithesis of graduation</p>
10
New cards

atmosphere

type of feeling readers get from a narrative based on details

The atmosphere sets the mood. What is going on that makes you, the reader, feel a certain way. Think about the difference between the atmosphere of a funeral polar as opposed to a circus

<p>type of feeling readers get from a narrative based on details</p><p>The atmosphere sets the mood. What is going on that makes you, the reader, feel a certain way. Think about the difference between the atmosphere of a funeral polar as opposed to a circus</p>
11
New cards

catharsis

the process of releasing, and thereby providing relief from, strong or repressed emotions.

It is the most honest human moment a person can have or show

<p>the process of releasing, and thereby providing relief from, strong or repressed emotions.</p><p>It is the most honest human moment a person can have or show</p>
12
New cards

character

any person, animal, or figure represented in a story

13
New cards

chronology

arrangement of events in time that followed directly from one to another in order

<p>arrangement of events in time that followed directly from one to another in order</p>
14
New cards

claim vs thesis

In literature, a claim is a statement that asserts something to be true. A claim can either be factual or a judgment. ... However, in literature, claims have a special function of presenting the author's main ideas or opinions which he or she can later support with more evidence.

A thises consists of a claim and the warrants to be used to support the claim

<p>In literature, a claim is a statement that asserts something to be true. A claim can either be factual or a judgment. ... However, in literature, claims have a special function of presenting the author's main ideas or opinions which he or she can later support with more evidence. </p><p>A thises consists of a claim and the warrants to be used to support the claim</p>
15
New cards

climax

the most intense, exciting, or important point of something; a culmination or apex.

There is no turning back from the climax. Something occurs that can never be changed or undone

<p>the most intense, exciting, or important point of something; a culmination or apex.</p><p>There is no turning back from the climax. Something occurs that can never be changed or undone</p>
16
New cards

comparison

a statement of the similarities among two or more people, events, ideas, etc.

17
New cards

conceit

A fanciful expression, usually in the form of an extended metaphor or surprising analogy between seemingly dissimilar objects.

Popular in Renaissance literature, a conceit is a cross between a metaphor or a simile. Like a metaphor, a conceit makes a comparison, but the objects are very dissimilar. This ingenious wordplay could make you think about something in a new way

<p>A fanciful expression, usually in the form of an extended metaphor or surprising analogy between seemingly dissimilar objects.</p><p>Popular in Renaissance literature, a conceit is a cross between a metaphor or a simile. Like a metaphor, a conceit makes a comparison, but the objects are very dissimilar. This ingenious wordplay could make you think about something in a new way</p>
18
New cards

conflict: external

a struggle between two forces. An external conflict can take place between two characters; between a character and a group; between a character and society as a whole; or between a character and an animal or a force of nature; also between a character and technology

Any fight is an external conflict

<p>a struggle between two forces. An external conflict can take place between two characters; between a character and a group; between a character and society as a whole; or between a character and an animal or a force of nature; also between a character and technology</p><p>Any fight is an external conflict</p>
19
New cards

conflict: internal

An internal conflict is a struggle that takes place within a character's mind or heart. In an internal conflict, a character might struggle with paralyzing fear or a need for revenge.

Having to make a difficult choice is the most common type of internal conflict.

*insanity or mental illness is an internal conflict

<p>An internal conflict is a struggle that takes place within a character's mind or heart. In an internal conflict, a character might struggle with paralyzing fear or a need for revenge.</p><p>Having to make a difficult choice is the most common type of internal conflict.</p><p>*insanity or mental illness is an internal conflict</p>
20
New cards

diction (note the type)

writer's/speaker's distinction vocabulary choices/style of expression

- formal (sophisticated language)

- informal (conversational language)

- pedantic (highly detailed)

- colloquial (represent region/time)

- slang (certain culture/subgroup)

- abstract (words express intangible)

- concrete (literal meanings)

- poetic (lyrical words related to a theme)

<p>writer's/speaker's distinction vocabulary choices/style of expression</p><p>- formal (sophisticated language)</p><p>- informal (conversational language)</p><p>- pedantic (highly detailed)</p><p>- colloquial (represent region/time)</p><p>- slang (certain culture/subgroup)</p><p>- abstract (words express intangible)</p><p>- concrete (literal meanings)</p><p>- poetic (lyrical words related to a theme)</p>
21
New cards

drama

a work of literature designed to be performed in front of an audience

22
New cards

dramatic monologue

writer takes voice of a character and speaks through them. speaker reveals surprising information about their character/situation to an implied audience

A dramatic monologue (q.v.) is any speech of some duration addressed by a character to a second person. ... In fictional literature, an interior monologue (q.v.) is a type of monologue that exhibits the thoughts, feelings, and associations passing through a character's mind.

<p>writer takes voice of a character and speaks through them. speaker reveals surprising information about their character/situation to an implied audience</p><p>A dramatic monologue (q.v.) is any speech of some duration addressed by a character to a second person. ... In fictional literature, an interior monologue (q.v.) is a type of monologue that exhibits the thoughts, feelings, and associations passing through a character's mind.</p>
23
New cards

dramatic situation/moment

underlying plot line created to place the characters in conflict with themselves or others

<p>underlying plot line created to place the characters in conflict with themselves or others</p>
24
New cards

Epiphany

A moment of sudden revelation or insight

It is the Ah- HA moment

25
New cards

evidence

the available body of facts or information indicating whether a belief or proposition is true or valid.

<p>the available body of facts or information indicating whether a belief or proposition is true or valid.</p>
26
New cards

Exposition

Background information presented in a literary work.

This is usually at the very beginning

<p>Background information presented in a literary work.</p><p>This is usually at the very beginning</p>
27
New cards

extended metaphor

A comparison between two unlike things that continues throughout a series of sentences in a paragraph or lines in a poem, not just a single point of comparison.

Katie Perry's "Firework"

Cause, baby, you're a firework Come on, show 'em what you're worth Make 'em go, "Oh, oh, oh"As you shoot across the sky.

<p>A comparison between two unlike things that continues throughout a series of sentences in a paragraph or lines in a poem, not just a single point of comparison.</p><p>Katie Perry's "Firework"</p><p>Cause, baby, you're a firework Come on, show 'em what you're worth Make 'em go, "Oh, oh, oh"As you shoot across the sky.</p>
28
New cards

fiction

a literary work based on the imagination and not necessarily on fact

<p>a literary work based on the imagination and not necessarily on fact</p>
29
New cards

figurative language

Writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid. There are multiple ways to manipulate the Englsih language:

Simile Metaphor Personification Onomatopoeia Oxymoron Hyperbole Allusion Idiom Imagery Symbolism Alliteration Assonance Consonance Metonymy Synecdoche Irony Sarcasm Litotes

Pun Anaphora Tautology Understatement

<p>Writing or speech that is not intended to carry literal meaning and is usually meant to be imaginative and vivid. There are multiple ways to manipulate the Englsih language:</p><p>Simile Metaphor Personification Onomatopoeia Oxymoron Hyperbole Allusion Idiom Imagery Symbolism Alliteration Assonance Consonance Metonymy Synecdoche Irony Sarcasm Litotes</p><p>Pun Anaphora Tautology Understatement</p>
30
New cards

first-person narrator

a narrator within the story who tells the story from the "I" perspective.

They may be reliable or non-reliable

<p>a narrator within the story who tells the story from the "I" perspective.</p><p>They may be reliable or non-reliable</p>
31
New cards

flashback

A method of narration in which present action is temporarily interrupted so that the reader can witness past events. These events offer insightful clues to the plot

<p>A method of narration in which present action is temporarily interrupted so that the reader can witness past events. These events offer insightful clues to the plot</p>
32
New cards

foil

A character who is in most ways opposite to the main character (protagonist) or one who is nearly the same as the protagonist. The purpose of the foil character is to emphasize the traits of the main character by contrast only

<p>A character who is in most ways opposite to the main character (protagonist) or one who is nearly the same as the protagonist. The purpose of the foil character is to emphasize the traits of the main character by contrast only</p>
33
New cards

foreshadowing

A narrative device that hints at coming events; often builds suspense or anxiety in the reader. *may also be a motif giving you a hint

<p>A narrative device that hints at coming events; often builds suspense or anxiety in the reader. *may also be a motif giving you a hint</p>
34
New cards

function

the kind of action or activity proper to a person, thing, or institution; the purpose for which something is designed or exists; role

Why is this literary device in the story? Why was it created? What purpose does it serve?

<p>the kind of action or activity proper to a person, thing, or institution; the purpose for which something is designed or exists; role</p><p>Why is this literary device in the story? Why was it created? What purpose does it serve?</p>
35
New cards

genre

a major category or type of literature. They often have very specific sets of rules in order to be apart of their Genre

<p>a major category or type of literature. They often have very specific sets of rules in order to be apart of their Genre</p>
36
New cards

hyperbole

exaggerated statements or claims not meant to be taken literally.

<p>exaggerated statements or claims not meant to be taken literally.</p>
37
New cards

Imagery

visually descriptive or figurative language, especially in a literary work. Will be present in 95% of every poem ever written

<p>visually descriptive or figurative language, especially in a literary work. Will be present in 95% of every poem ever written</p>
38
New cards

inconsistencies

Lack of agreement; incompatibility

Mistakes (sometimes on purpose) in the text that do not match

<p>Lack of agreement; incompatibility</p><p>Mistakes (sometimes on purpose) in the text that do not match</p>
39
New cards

infer

to find out by reasoning; to arrive at a conclusion on the basis of thought; to hint, suggest, imply

<p>to find out by reasoning; to arrive at a conclusion on the basis of thought; to hint, suggest, imply</p>
40
New cards

in medias res

practice of beginning a narrative by plunging into a crucial situation that is part of a related chain of events; the situation is an extension of previous events and will be developed in later action.

<p>practice of beginning a narrative by plunging into a crucial situation that is part of a related chain of events; the situation is an extension of previous events and will be developed in later action.</p>
41
New cards

interpretation

an explicit argument about a text's deeper meanings—its implied themes, values, and assumptions.

It is your perspective of the text

<p>an explicit argument about a text's deeper meanings—its implied themes, values, and assumptions.</p><p>It is your perspective of the text</p>
42
New cards

irony

the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.

The difference between what happens and what is expected to happen.

ex. I firefighters house burns down, A lawyer breaks the law, a plumbers faucet is leaky

3 types-Verbal, Situational, and Dramatic

<p>the expression of one's meaning by using language that normally signifies the opposite, typically for humorous or emphatic effect.</p><p>The difference between what happens and what is expected to happen.</p><p>ex. I firefighters house burns down, A lawyer breaks the law, a plumbers faucet is leaky</p><p>3 types-Verbal, Situational, and Dramatic</p>
43
New cards

juxtaposition

Placement of two things closely together to emphasize comparisons or contrasts (kind of like a foil but not with characters)

<p>Placement of two things closely together to emphasize comparisons or contrasts (kind of like a foil but not with characters)</p>
44
New cards

line of reasoning

a set of reasons used in order to reach a conclusion

THE MOST IMPORTANT PART OF YOUR PARAGRAPH

<p>a set of reasons used in order to reach a conclusion</p><p>THE MOST IMPORTANT PART OF YOUR PARAGRAPH</p>
45
New cards

literal vs figurative meaning

- Literal meaning is limited to the simplest, ordinary, most obvious meaning of a word or group of words (The house is cursed: The house has in actuality been cursed by a witch).

- figurative meaning refers to words not meant to be taken literally. To determine figurative meaning, the reader uses a combination of knowledge about the world and his/her imagination to infer symbolic or metaphorical meaning of a word or group of words.

(The house is cursed: The house just has a lot of annoying or dangerous problems)

<p>- Literal meaning is limited to the simplest, ordinary, most obvious meaning of a word or group of words (The house is cursed: The house has in actuality been cursed by a witch).</p><p>- figurative meaning refers to words not meant to be taken literally. To determine figurative meaning, the reader uses a combination of knowledge about the world and his/her imagination to infer symbolic or metaphorical meaning of a word or group of words.</p><p>(The house is cursed: The house just has a lot of annoying or dangerous problems)</p>
46
New cards

literary argument

an idea or opinion about literature that is clearly explained and supported with evidence

THE MOST IMPORTANT PART OF YOUR ESSAY. You can never write enough (as long as it isn't a timed assignment)

<p>an idea or opinion about literature that is clearly explained and supported with evidence</p><p>THE MOST IMPORTANT PART OF YOUR ESSAY. You can never write enough (as long as it isn't a timed assignment)</p>
47
New cards

metaphor

A comparison WITHOUT using like or as. IT IS...

<p>A comparison WITHOUT using like or as. IT IS...</p>
48
New cards

mood

Feeling or atmosphere that a writer creates for the reader. How YOU feel or are supposed to feel as intended by the artists

<p>Feeling or atmosphere that a writer creates for the reader. How YOU feel or are supposed to feel as intended by the artists</p>
49
New cards

motif

A recurring theme, subject or idea

*baseball in "Fences"

<p>A recurring theme, subject or idea</p><p>*baseball in "Fences"</p>
50
New cards

narrative

The telling of a story or an account of an event or series of events.

<p>The telling of a story or an account of an event or series of events.</p>
51
New cards

narrator

The person telling the story may or may not be a character in the story.

<p>The person telling the story may or may not be a character in the story.</p>
52
New cards

narrator bias

Authors words influenced by personal opinion; that which compromises the narrator's reliability

<p>Authors words influenced by personal opinion; that which compromises the narrator's reliability</p>
53
New cards

narrator reliability

the trustworthiness of the narrator. can we believe what they are telling us?

<p>the trustworthiness of the narrator. can we believe what they are telling us?</p>
54
New cards

nuance

a slight or subtle degree of difference

<p>a slight or subtle degree of difference</p>
55
New cards

paradox

A statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth.

<p>A statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth.</p>
56
New cards

parallel structure

the repetition of words or phrases that have similar grammatical structures

"of the people, by the people, and for the people"

preposition article noun, preposition article noun, conjunction preposition article noun,

<p>the repetition of words or phrases that have similar grammatical structures</p><p>"of the people, by the people, and for the people"</p><p>preposition article noun, preposition article noun, conjunction preposition article noun,</p>
57
New cards

patterns and breaks in patterns

- patterns of words, ideas, and imagery.

- breaking is especially used for adding emphasis in a passage of literature. ... A break in pattern can be a break in rhythm, a break in sentence length, a break in first word or last word, or even a break in punctuation usage

<p>- patterns of words, ideas, and imagery.</p><p>- breaking is especially used for adding emphasis in a passage of literature. ... A break in pattern can be a break in rhythm, a break in sentence length, a break in first word or last word, or even a break in punctuation usage</p>
58
New cards

personification

the attribution of a personal nature or human characteristics to something nonhuman, or the representation of an abstract quality in human form.

"The sun danced across the window" the sun can't dance, only people can dance

<p>the attribution of a personal nature or human characteristics to something nonhuman, or the representation of an abstract quality in human form.</p><p>"The sun danced across the window" the sun can't dance, only people can dance</p>
59
New cards

perspective

one way of looking at things

The author's perspective, or viewpoint, is how the author feels about the subject. In order to determine the author's perspective, you need to figure out what opinion or attitude the author has about the subject. To determine the author's perspective, ask yourself: ➢ What is the author's purpose for writing?

Perspective can also be used for individual characters in a work of literature

<p>one way of looking at things</p><p>The author's perspective, or viewpoint, is how the author feels about the subject. In order to determine the author's perspective, you need to figure out what opinion or attitude the author has about the subject. To determine the author's perspective, ask yourself: ➢ What is the author's purpose for writing?</p><p>Perspective can also be used for individual characters in a work of literature</p>
60
New cards

plot

the sequence of events in a literary work

<p>the sequence of events in a literary work</p>
61
New cards

poetry

A kind of rhythmic, compressed language that uses figures of speech and imagery designed to appeal to our emotions and imagination.

It is the highest form of human expression

<p>A kind of rhythmic, compressed language that uses figures of speech and imagery designed to appeal to our emotions and imagination.</p><p>It is the highest form of human expression</p>
62
New cards

poetry: closed-form

consists of poems that follow patterns of lines, meter, rhymes, and stanzas

Ex: Sonnets, Villanelle, Haiku

63
New cards

poetry: open-form

is very free - it doesn't have to follow traditional or specific patterns. It is divided into stanzas - poetic paragraphs - and includes some rhyme and rhythm but not in a regular pattern.

Usually very modern

64
New cards

point of view

the perspective from which a story is told

First person point of view. In first-person point of view, one of the characters is narrating the story. This is generally revealed by the “I” sentence construction and relies on first-person pronouns.

Third-person omniscient. The omniscient narrator knows everything about the story and its characters

Third-person limited. This point of view (often called a “close third”) is when an author sticks closely to one character but remains in third person.

Third-person objective. Third-person objective point of view has a neutral narrator that is not privy to characters’ thoughts or feelings.

<p>the perspective from which a story is told</p><p>First person point of view. In first-person point of view, one of the characters is narrating the story. This is generally revealed by the “I” sentence construction and relies on first-person pronouns.</p><p>Third-person omniscient. The omniscient narrator knows everything about the story and its characters</p><p>Third-person limited. This point of view (often called a “close third”) is when an author sticks closely to one character but remains in third person.</p><p>Third-person objective. Third-person objective point of view has a neutral narrator that is not privy to characters’ thoughts or feelings.</p>
65
New cards

pronoun references

Pronoun reference is the practice of making pronouns refer clearly to the words they replace. A pronoun takes the place of a noun; thus, the pronoun must agree with the noun it replaces in number and person.

Could be the antecedent or the recurrent.

<p>Pronoun reference is the practice of making pronouns refer clearly to the words they replace. A pronoun takes the place of a noun; thus, the pronoun must agree with the noun it replaces in number and person.</p><p>Could be the antecedent or the recurrent.</p>
66
New cards

protagonist

the main character in a literary work

usually 'The good guy"

<p>the main character in a literary work</p><p>usually 'The good guy"</p>
67
New cards

reasoning

the action of thinking about something in a logical, sensible way.

<p>the action of thinking about something in a logical, sensible way.</p>
68
New cards

referent

a person or thing to which a name - a linguistic expression or other symbol - refers

A referent (/ˈrɛfərənt/) is a person or thing to which a name – a linguistic expression or other symbol – refers. For example, in the sentence Mary saw me, the referent of the word Mary is the particular person called Mary who is being spoken of, while the referent of the word me is the person uttering the sentence.

<p>a person or thing to which a name - a linguistic expression or other symbol - refers</p><p>A referent (/ˈrɛfərənt/) is a person or thing to which a name – a linguistic expression or other symbol – refers. For example, in the sentence Mary saw me, the referent of the word Mary is the particular person called Mary who is being spoken of, while the referent of the word me is the person uttering the sentence.</p>
69
New cards

reliability

refers to the extent to which assessments are consistent.

<p>refers to the extent to which assessments are consistent.</p>
70
New cards

repetition

Repeated use of sounds, words, or ideas for effect and emphasis

<p>Repeated use of sounds, words, or ideas for effect and emphasis</p>
71
New cards

resolution

the part of the story where a character solves a main problem, often part of the climax.

<p>the part of the story where a character solves a main problem, often part of the climax.</p>
72
New cards

setting

The context in time and place in which the action of a story occurs and how this affects the character, plot or theme

<p>The context in time and place in which the action of a story occurs and how this affects the character, plot or theme</p>
73
New cards

shift

when speakers or writers alter their style or tone in a piece

This is particularly prevalent t in poetry.

In sonnets, it is called the volta

<p>when speakers or writers alter their style or tone in a piece</p><p>This is particularly prevalent t in poetry.</p><p>In sonnets, it is called the volta</p>
74
New cards

simile

A comparison using "like" or "as"

<p>A comparison using "like" or "as"</p>
75
New cards

Soliloquy

A long speech expressing the thoughts of a character alone on stage

<p>A long speech expressing the thoughts of a character alone on stage</p>
76
New cards

stanza

A group of lines in a poem

In prose it is called a paragraph

<p>A group of lines in a poem</p><p>In prose it is called a paragraph</p>
77
New cards

Stream of Consciousness

method of narration that describes happenings in the flow of thoughts in the minds of the characters

<p>method of narration that describes happenings in the flow of thoughts in the minds of the characters</p>
78
New cards

structure

the arrangement of story elements according to purpose, style and genre

HOW the information is delivered instead of what the information is

<p>the arrangement of story elements according to purpose, style and genre</p><p>HOW the information is delivered instead of what the information is</p>
79
New cards

symbols

Terms, concepts, or items that represent specific meanings

<p>Terms, concepts, or items that represent specific meanings</p>
80
New cards

synonyms

words that have the same meaning

<p>words that have the same meaning</p>
81
New cards

syntax

refers to the way in which words and sentences are placed together

Sentences may be short or long. They may be very descriptive or very curt for a reason

"I just couldn't do it. The thought of going into that abyss again, the thought of having that terror, the pain, the fear. No."

<p>refers to the way in which words and sentences are placed together</p><p>Sentences may be short or long. They may be very descriptive or very curt for a reason</p><p>"I just couldn't do it. The thought of going into that abyss again, the thought of having that terror, the pain, the fear. No."</p>
82
New cards

tempo

The pace or speed of speech and also the degree to which individual sounds are fully articulated or blurred together

*The tempo of The Handmaids Tale is particularly slow in the beginning to make the reader feel like the character feels, trapped, confused, and anxious

<p>The pace or speed of speech and also the degree to which individual sounds are fully articulated or blurred together</p><p>*The tempo of The Handmaids Tale is particularly slow in the beginning to make the reader feel like the character feels, trapped, confused, and anxious</p>
83
New cards

Tense (Grammatical)

The aspect of the conjugation of a verb which indicates the time in which an action or state was performed or experienced

past or present or future

I am vs I was vs I will be

84
New cards

Theme

Central idea of a work of literature

This is the lesson the author wants humanity to learn or identify with as an artists

<p>Central idea of a work of literature</p><p>This is the lesson the author wants humanity to learn or identify with as an artists</p>
85
New cards

third-person narrator

relates the events with the third person pronouns, "he," "she," and "it."

<p>relates the events with the third person pronouns, "he," "she," and "it."</p>
86
New cards

Tone

Attitude a writer takes toward the audience, a subject, or a character

<p>Attitude a writer takes toward the audience, a subject, or a character</p>
87
New cards

Understatement

the presentation of something as being smaller, worse, or less important than it actually is.

2020 was pretty rough

<p>the presentation of something as being smaller, worse, or less important than it actually is.</p><p>2020 was pretty rough</p>
88
New cards

use of evidence, to: amplify

tool that embellishes an argument/statement in writing by making something stronger, bigger, louder, or more important. (emphasis/exaggerate)

<p>tool that embellishes an argument/statement in writing by making something stronger, bigger, louder, or more important. (emphasis/exaggerate)</p>
89
New cards

use of evidence, to: associate

writing associated with other things in the text such as, objects, tone, color associated with, trait, idea

<p>writing associated with other things in the text such as, objects, tone, color associated with, trait, idea</p>
90
New cards

use of evidence, to: clarify

in writing use evidence to deeply explain something even further

91
New cards

use of evidence, to: exemplify

in writing using evidence that exemplifies a claim that supports the thesis

<p>in writing using evidence that exemplifies a claim that supports the thesis</p>
92
New cards

use of evidence, to: qualify

using evidence to align with the thesis in writing, therefore supporting

<p>using evidence to align with the thesis in writing, therefore supporting</p>