Eduqas Music GCSE - Bach - Badinerie

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Last updated 10:50 AM on 1/11/26
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51 Terms

1
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Who composed Badinerie?

Johann Sebastian Bach

2
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What country did J. S. Bach come from?

Germany

3
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Which era of music was this piece written in?

Baroque (1600-1750)

4
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What is the name of the suite?

Orchestral suite No.2 in B minor

5
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What movement is the badinerie?

The seventh

6
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Name other movements

1. Overture

2. Rondeau

3. Sarabande

4. Bourrée I and II

5. Polonaise

6. Menuet

(Then the Badinerie)

7
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What instrument mostly plays the melody?

Flute (transverse)

Though it is also heard in the cello and on occasion, first violin

8
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What type of ensemble accompanies this piece?

String orchestra

9
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What instrument plays the basso continuo?

Harpsichord (and cello)

10
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What does basso continuo mean?

Continuous, improvised bass line and chord

11
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Describe the tempo of this piece

Allegro (fast)

12
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Describe the dynamics in Badinerie

Mostly forte, including use of terraced dynamics.

13
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What are terraced dynamics?

Abrupt changes of dynamic level

14
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What is the metre of the piece?

2/4

15
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What is the overall form of Badinerie?

Binary

16
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How many bars long is the A section?

16

17
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How many bars long is the B section?

24

18
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What is the home key of this piece?

B minor

19
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What key does Badinerie modulate to?

F# minor

20
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What are all the keys presented in section A?

B minor - A major - F# minor

21
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What are all the keys presented in section B?

F# minor - E minor - D major - G major- D major - B minor

22
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How is F# minor related to B minor?

The dominant minor

23
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Describe the X motif in Badinerie (3)

• Descending B minor arpeggio

• Quaver/ semiquaver rhythmic pattern

• Played by the flute

24
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Describe the Y motif in Badinerie (4)

• Almost entirely semiquavers

• Combines arpeggio and conjunct movement

• Ends with perfect cadence

• Also played by flute, answers motif X

25
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What is the texture of Badinerie?

Homophonic (melody and accompaniment)

26
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What is a sequence?

repetition of a melodic pattern at a higher or lower pitch

27
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What are the 2 types of cadence used in Badinerie?

Perfect and imperfect

28
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What is an appoggiatura?

a grace note which delays the next note of the melody, taking half of it's value

<p>a grace note which delays the next note of the melody, taking half of it's value</p>
29
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What clef does the viola use?

alto clef

30
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What chords form a perfect cadence?

V-I

31
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What chords form an imperfect cadence?

Any-V

32
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What rhythmic device does Badinerie begin with?

Anacrusis

33
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What is an anacrusis?

an upbeat

<p>an upbeat</p>
34
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What is a pedal note?

a tone, usually in the bass range, that is sustained through several changes of harmonies

35
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What is modulation?

a change of key within a piece of music

36
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Describe the rhythm in the piece (2)

• Simple ostinato rhythms are used throughout, seen in motif X and Y.

• Note values are mainly quavers and semiquavers.

37
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Describe the general texture

• Homophonic (melody and accompaniment)

• Melody is played by the flute, although also heard in the cello and on occasion, the 1st violin

• Violin 2 and viola generally provide the supporting harmony

38
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Describe the melody in section A

• Begins with an anacrusis

• Motif X starts, answered by motif Y

• Arpeggio/ broken chords

• Disjunct movement

• Ornaments - trills

• Devices - sequences

• Lower auxiliary notes (violin 1 b 6^1 and 8^2)

- Flute has a two octave pitch range

- Has modified and extended y motif that includes climbing scale

39
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Describe melody in section B

• Some modifications to the rhythm

• Ornaments - appoggiaturas and trills

• Devices - sequence (flute), inversion

• Lower auxiliary notes

• Development of motif X

- bar 33 flute and 1st violin in dialogue

- bar 36-38 cellos and flute in dialogue

40
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The harmony throughout the piece is...

Diatonic

41
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Describe the harmony in section A

• Modulates from the tonic (B minor) to the dominant minor (F# minor)

• Also modulates to A major

• Rate of chord change varies

• Mix of root position, first and second inversion chords

• V7 chords in root position and inversion

• Perfect cadences (b4-5, 7-8, 11-12 and 15-16)

• Imperfect cadences (b 9-10)

42
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Describe the harmony in section B

• Modulates from the dominant minor back to the tonic key (b30)

• Other modulations include E minor (b19), D major (b21 and 26) and G major (b24)

• Harmonies change quickly, with an active bass line changing chord positions.

• Includes root positions, first and second inversion chords.

• V7 chords in root and inversions (b21-22^2)

• Diminished chord (b18^2)

• Suspensions (b32^1)

• Neapolitan 6th chord (b35)

• Perfect cadences (b19-20, 20-21, 23-24, 27-28, 31-32, 37-38, 39-40)

• Imperfect cadences (b21-22, 29-30, 35-36)

43
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What bars the suspensions?

bar 8^1, bar 10^1, bar32^1

44
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Where is the Neapolitan 6th?

bar 35

45
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Section B rhythm

- bar 33 and bar 38 has rapid demisemiquaver movement in flute

- bar 38-40 has less active rhythm in cello

46
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Section A rhythm

- modifications in x and y motif have different endings of note values

47
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What is the dominant minor of the piece?

F# minor

48
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What is the subdominant minor of the piece?

E minor

49
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What is the relative major of the piece?

D major

50
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Differences between section A and B

- Section A moves from tonic to the dominant minor but section moves from the dominant minor to the tonic key

- Section B has a Neapolitan 6th chord but section A doesn't

- Section A does not has any appoggiaturas but section B does

- Section A is 16 bars but section B is 24 bars

- Section B has rapid demisemiquaver movement but section A does not

- Section A modulates to less keys

- Section B modulates to subdominant minor and relative major but section does not

- Section B does not modulate to A major but section A does

- Section A does not contain any inversions but section B does

51
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Function of the strings (other than the cello)

- To provide harmony

- Thicken texture/ make homophonic texture

- To provide the chords