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Vocabulary terms and definitions from the Orchestra Final Exam Guide covering dynamics, music theory, history, and string techniques.
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Crescendo
Get louder
Ritardando
Get slower
mf
mezzo forte
Forte
loud
Staccato
spaced
p
piano
Fermata
hold the note
Accent
play the note heavily
Legato
long and smooth
Decrescendo
Get softer
Sharp (#)
Raise note 21​ step
Flat (b)
Lower note 21​ step
Order of sharps
F-C-G-D-A-E-B
Order of flats
B-E-A-D-G-C-F
Rule for finding the major key with SHARPS
Last sharp, letter after (G# → A)
Rule for finding the major key with FLATS
Second to last flat
Rule for finding the MINOR key from a MAJOR key
Go two letters BACK (B → g#)
Major key with ALL 7 sharps
C#M
Minor key with ALL 7 flats
abm
Interval measurement
half steps
Smallest interval
minor 2nd
Major vs Minor interval size
Major intervals are bigger than the equivalent minor interval
Major 2nd half steps
2 half steps
Perfect 4th half steps
5 half steps
Smallest distance between two different notes
half step
String instrument tuning rule
All are tuned in Perfect 5ths EXCEPT the bass
Root
The note a chord is based off of; the lowest note of a chord
Third
The note that decides whether a chord is Major or minor
Fifth
The note that decides whether a chord is diminished or Augmented
Arpeggio
When a chord is played one note at a time
Major chord spacing
Major 3rd, Minor 3rd
Minor chord spacing
Minor 3rd, Major 3rd
Augmented (+) chord spacing
Major 3rd, Major 3rd
Diminished chord spacing
Minor 3rd, Minor 3rd
Seventh chord
A chord that has more than 3 notes
Time signature TOP number
beats per measure
Time signature BOTTOM number
what note length gets the beat
COMMON TIME
4/4
CUT TIME
2/2
Baroque era
17th Century
Classical era
18th Century
Romantic era
19th Century
Modern era
20th Century
J.S. BACH
Baroque era
MOZART
Classical era
BRAHMS
Romantic era
VIVALDI
Baroque era
HANDEL
Baroque era
HAYDN
Classical era
HINDEMITH
Modern era
Tchaikovsky
Romantic era
Terraced dynamics
No crescendos/decrescendos; characteristic of the Baroque era
Concerto
A piece written for a soloist
Concerto grosso
A piece written for multiple soloists
Chamber music
Music written for a small group
Polyphonic
Multiple independent lines
Nationalism
Music style known in the Romantic era
Modern era orchestral characteristic
Extreme experiments in tonality
Symphony
Musical form popularized in the Classical era
Fugue
Musical form most popular in the Baroque era
Romantic era orchestra
Era known for having the largest orchestras
Frog
A part of the bow
Cello clef
Cellos usually read bass clef
Transposing instrument
An instrument that sounds differently than it reads, such as the bass
Soundpost
The wooden piece inside a stringed instrument that connects the top to the bottom
col legno
with the wood
Tenuto
long and smooth
sul tasto
over the fingerboard
sul ponticello
over the bridge
Endpin
A feature found on the cello