Handmaid's

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Last updated 12:25 PM on 5/11/26
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14 Terms

1
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Nolite te bastardes carborundorum

  • Mock Latin

  • Motif for the need for inner rebellion against Gilead

  • This phrase was written in Offred’s room by the previous occupant, who committed suicide after Serena Joy discovered her secretly visiting the Commander 

  • Offred clings on to this small sign of resistance like she is ‘communing’ with the writer

2
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The pen between my fingers is sensuous, alive almost

  • Personification 

  • Tactile imagery

  • Writing the phrase ‘Nolite te bastardes carborundorum’ down for the Commander to see 

  • Writing has become sensual for women like Offred, and the desire to write has itself become resistance against an enforced silence. 

3
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I believe in the resistance as I believe there can be no light without shadow; or rather, no shadow unless there is also light.

  • Internal dialogue 

    • Declaration 

  • Even though Offred hasn’t seen evidence of a rebellion, she still wants to believe that one is there

  • Belief itself becomes a form of defiance that preserves her humanity.

4
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The night is mine, my own time, to do with as I will, as long as I am quiet.

  • Possessive language 

  • Paradox (‘freedom’)

  • In a world where Offred owns nothing and is nothing but a ‘two-legged womb’ claiming a time for private thought allows her own rebellion to begin internally

  • The night becomes a metaphor for the places where identity and truth can survive despite intense censorship

5
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If I may be permitted an editorial aside, allow me to say that in my opinion we must be cautious about passing moral judgement upon the Gileadeans.

  • Irony 

  • Unreliable narrator 

  • Satire

  • This quote satirises academic neutrality 

    • We just read about all these atrocities, and they are being cast aside as a ‘matter of perspective’? 

  • Dangers of detached scholarly analysis 

  • Raises a question: Who gets to interpret history to avoid it becoming ‘amputated’, ‘muted’, or ‘censored’? 

6
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It’s impossible to say a thing exactly the way it was, because what you say can never be exact

  • Paradox

  • Emphasises that Offred’s narrative is subjective, emotional, and reconstructed. 

    • Pinpoints the fragmented narrative form

  • The instability of truth under oppression

7
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Whatever is silenced will clamour to be heard, though silently.

  • Personification 

  • Symbolism 

  • Aphorism

  • Says that repression intensifies the desire for expression. 

  • The paradox of authoritarian control: the more a regime suppresses something, the more forcefully it resurfaces. 

8
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This is a reconstruction. All of it is a reconstruction.

  • Repetition 

  • Metafictional reference

  • Highlights the difficulty for Offred to tell an accurate story. 

    • When memories, reflections, and fear combine, it underscores how oppressed people struggle to cohesively retell their individual histories.

9
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Better never means better for everyone

  • Aphorism 

  • Paradox

  • Exposes the moral corruption of the Commander (this quote is his words by the way!) 

  • Reveals that those in power claim ‘improvement’ but others are being harmed for the supposed betterment of others.

10
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It’s the choice that terrifies me

  • Irony 

  • Internal conflict

  • Offred considering whether to accept her doctors offer to attempt to impregnate her

  • Illustrates how Offred has been restricted to such an extent that even small choices with little consequence seem daunting to her.

11
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…fascinated, but also repelled

  • Situational irony

  • Offred and Ofglen’s reaction to the more revealing clothing of the Japanese tourists 

  • Highlights how quickly the rules of Gilead have changed their minds about what is ‘normal’. 

12
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They force you to kill, within yourself.

  • Metaphor

  • Highlights how the strength of Gilead’s oppression extends to internal thoughts and reasoning

13
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Nothing changes instantaneously: in a gradually heating bathtub you’d be boiled to death before you knew it.

  • Metaphor 

  • Analogy 

  • Imagery of slow violence

  • Shows how authoritarian power increases incrementally. Atwood warns that the gradual erosion of rights can normalise control as being something positive in a ‘protective’ sense. 

14
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