1/37
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced | Call with Kai |
|---|
No analytics yet
Send a link to your students to track their progress
Exposition of “A Visit Of Charity” by Eudora Welty
Marian, a fourteen-year-old Campfire Girl, visits a nursing home to earn points toward a badge.
She brings a potted plant and plans to stay only a few minutes.
Rising Action of “A Visit of Charity” by Eudora Welty
Marian is sent into a room occupied by two elderly women.
The women talk strangely, argue, and reveal their loneliness.
Marian becomes increasingly uncomfortable and frightened.
Climax of “A Visit of Charity” by Eudora Welty
Marian notices that one woman, Addie, is crying because it is her birthday and no one has visited her.
For a moment, Marian feels sympathy
Falling Action of “A Visit of Charity” by Eudora Welty
One of the women grabs Marian and asks if she has any money.
Marian panics and rushes out of the room.
Resolution of “A Visit of Charity” by Eudora Welty
Marian leaves the nursing home and retrieves the apple she had hidden outside.
The story ends with her returning to her own concerns, suggesting she has not fully learned the meaning of charity
Protagonist
Marian is the protagonist
The main character whose experiences drive the story.
Antagonist
There is no single villain. The antagonistic force is:
Marian's own immaturity and lack of empathy
The frightening reality of old age and loneliness
External Conflict
Person vs. Person
Marian vs. the two old women, whose behavior frightens and confuses her.
Internal Conflict
Person vs. Self
Marian struggles between her desire to complete her good deed and her discomfort with aging, loneliness, and death.
Resolution
Marian escapes physically, but emotionally remains unchanged, emphasizing the story's message about superficial charity
Direct Characterization
The narrator directly tells us:
Marian is fourteen years old.
She is a Campfire Girl earning points.
She plans to stay only a short time
Indirect Characterization - Through Actions
Hiding her apple outside shows selfishness.
Rushing out of the room shows fear and immaturity
Indirect Characterization - Through thoughts
Marian thinks about getting points rather than helping others
Indirect Characterization - Through Speech
Her short responses show discomfort and impatience.
Indirect Characterization - Through Others
The old women reveal Marian's lack of understanding and emotional distance
Round Character - Marian
highly complex, multi-dimensional literary or cinematic figure who behaves like a real person
Marian: has several traits: selfish, curious, fearful, and briefly compassionate
Dynamic Character - Marian
character undergoes a significant, internal change over the course of a story
Marian is slightly this because she experiences compassion for Addie (after she learns Addie’s birthday).
Ultimately not this because she doesn’t change.
Developing Character - Marian
undergoes an internal transformation—such as learning a lesson or changing their worldview
She begins to recognize loneliness and suffering, even if she does not fully mature
Round Character - Addie
highly complex, multi-dimensional literary or cinematic figure who behaves like a real person
Lonely, emotional, sensitive, and yearning for companionship.
Static Character - Addie
dramatic figure who undergoes little or no internal change, growth, or development throughout the course of a story
She remains unchanged throughout the story.
Flat Character - Other Old Woman
a two-dimensional, uncomplicated figure who lacks deep emotional complexity, internal conflict, or a detailed backstory
Primarily serves as a foil and source of confusion and conflict.
Static Character - Other Old Woman
Does not change.
Stock Character - Nurse
recognizable, one-dimensional fictional character based on common social or literary stereotypes
Represents the stereotypical busy, practical nurse.
Flat Character - Nurse
a two-dimensional, uncomplicated figure who lacks deep emotional complexity, internal conflict, or a detailed backstory
Exists mainly to move the plot forward
Theme statement
True charity requires compassion and genuine human connection, not merely performing good deeds for rewards or appearances.
People often fear aging and loneliness because they remind us of our own mortality.
Point of View
Third-Person Limited
The narrator uses "he," "she," and "they."
Readers know only Marian's thoughts and feelings.
We do not enter the minds of the old women.
Potted Plant
Superficial kindness; a substitute for real companionship
Apple
Marian's selfishness and return to self-interest
Nursing Home
Isolation, aging, and mortality
Rain and Cold Weather
Sadness and loneliness
Campfire Girl Points
Charity done for personal gain
Addie's Birthday
Desire for love and recognition
Situational Irony
Marian visits to perform a charitable act but leaves without truly helping anyone.
A place meant to care for people becomes a symbol of loneliness
Verbal Irony
The title "A Visit of Charity" is ironic because Marian's visit lacks genuine charity
Dramatic Irony
Readers understand the depth of the women's loneliness more than Marian does.
We recognize the significance of Addie's tears, while Marian only partly understands
Setting
Time: Mid-20th century (when the story was written)
Place: A nursing home during cold, rainy weather
Why is setting important
Creates Mood
The gloomy weather creates feelings of sadness and discomfort.
Reinforces Themes
The nursing home symbolizes isolation and neglected old age.
Shapes Marian's Experience
The strange sights, sounds, and smells heighten Marian's fear and discomfort.
Highlights Contrast
Young Marian represents youth and vitality.
The elderly women represent aging and mortality.
Overall message
acts of kindness are meaningless without empathy and understanding.
True charity involves caring for others as people, not simply completing a duty or seeking recognition.