Art History set 3

Venice, What is happening in France? and the Portugese contacts and exchanges

Giorgione, Adoration of the Shepards, 1505-1510, oil on panel

Titian, Venus of Urbino, c. 1538 (no material mentionned)

Workshop of Rosso Fiorentino, Gallery of Francis I, Château de Fontainebleau, 1533-1540

Cantino Planisphere, 1502, ink and pigment on vellum

Equestrian Oba and Attendants, 1550-1680, Nigeria (Court of Benin), brass

Crucifix, 16th-17th century, Democratic Republic of the Congo (Kongo peoples), solid cast brass

Belém Monstrance, attributed to Gil Vicente, 16th century, gold and polychrome enamles

Attributed to Jorge Afonso’s workshop, Annunciation, 1515, oil on panel

Lidded Saltcellar, 15th-16th century (Sierra Leone, Spai Portugese), ivory