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Walter Sickert | The Camden Town Murder or What Shall We Do About the Rent? | 1908 | oil on canvas |

Giacomo Balla | The Car Has Passed | 1913 | oil on canvas |

Jacob Epstein | Torso in Metal | 1913-14 | bronze |

CRW Nevinson | LaMitrailleuse | 1915 | oil on canvas |

Wyndham Lewis | The Crowd | 1915 | oil on canvas |

Henry Tonks | Soldiers with Facial Wounds | 1916-18 | pastel on paper |

Paul Nash | Menin Road | 1919 | oil on canvas |

Barbara Hepworth | Three Forms | 1935 | marble |

Henry Moore | Recumbent Figure | 1938 | stone |

Paul Nash | Totes Meer (Dead Sea) | 1940-41 | oil on canvas |

Francis Bacon | Three Studies for Figures at the Base of a Crucifixion | 1944 | oil on board |

Giles Gilbert Scott | Bankside Power Station (Tate Modern today) | 1947 | architecture |

Lucien Freud | Girl with a Kitten | 1947 | oil on canvas |

Richard Hamilton | Just what makes today's homes so interesting? so appealing? | 1956 | collage |

Peter Blake and Jann Haworth | Sgt Pepper's Lonely Hearts Club Band | 1967 | album cover |

David Hockney | A Bigger Splash | 1967 | acrylic on canvas |

Richard Long | A line made by walking | 1967 | land art |

Bruce McClean | Pose Work for Three Plinths | 1971 | photo of performance |

Erno Goldfinger | Trellick Tower | 1973 | architecture |

Damien Hirst | The Physical Impossibility of Death in the Mind of Someone Living | 1991 | installation |

Sarah Lucas | Self Portrait with Fried Eggs | 1996 | photograph |

Chris Ofili | No Woman, No Cry | 1998 | mixed media |

Tracey Emin | My bed | 1998 | installation |