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Rhetorical Situation
The context that gives birth to persuasive discourse and the context that persuasive discourse gives birth to
Rhetoric
The ability in any universal given case to observe the available means of persuasion
Constraints and Affordances
limitations on or enhancements of the effectiveness of an argument or persuasion outside of the other parts of the rhetorical situation
The Five Canons
The outline process of rhetorical discourse from start to finish by offering discovery for analysis that can be examined
Exigence
an urgent problem that can be addressed through rhetorical discourse
Kairos
The opportune time for rhetorical discourse selecting the right rhetorical situation for persuasion
Rhetorical Triangle
RHETOR - ISSUE - AUDIENCE
Extrinsic Exigence
an external outside knowledge motivating circumstance or concern that the audience already recognizes it exists outside of the rhetors rhetoric
Intrinsic Exigence
internal knowledge motivating circumstance or concern that the rhetor makes the audience aware of or care about through rhetoric
Invention
Discovering persuasive strategies
Arrangement
selecting and ordering persuasive strategies
Style
expressing persuasive strategies with specific language forms
Memory
memorizing persuasive strategies
Delivery
presenting persuasive strategies to an audience
Four Principles of Style
Correctness, Clarity, Ornamentation, Appropriateness
Correctness
Following the language conventions of the audience
Standardized American English
African American Vernacular English
Clarity
Transparency in communication
Clear Language
Enargeia: vivid depictions of a scene
Strategic Obscurity
Ornamentation
Devices for manipulating language form
Honorific language: Positive appraisals
Pejorative language: Negative appraisals
Appropriateness
“One ring to rule them all”: adjusting style for rhetorical purposes and situations
The Three Levels of Style
Low Style, Middle Style, High Style
Low Style
Teaches or proves a point with neat and concise language that does not draw attention to itself but focuses on the content; e.g., instruction manuals, introductory textbooks, and newspaper articles.
Middle Style
Pleases, entertains, or holds the attention of the audience with language that is not overpowering but not underwhelming either; e.g., comedy routines, eulogies, speaker introductions
High Style
Moves the audience to action or sways their emotions with ornate, bombastic, striking, or forceful language; e.g., political campaign speeches, commercials, preaching.
Three Types of Figures
Figure of Speech, Figure of Thought, Trope
Figure of Speech
Rhetorically functional patterns in the arrangement or sounds of words or phrases, i.e., patterns in the forms of language (phonological, lexical, or morphosyntactic).
Figure of Thought
Types of speech acts, or rhetorical actions one can perform with language, that are not tied to a specific linguistic form (pragmatics).
Trope
A change in a word or phrase from its ordinary signification to another (semantics); often involves substituting a word or phrase for another.
Figures of Speech: Repetition
Anaphora (epanaphora): repeats the beginning word or words of successive phrases, clauses, or sentences; places a series of objects under a head or connects a series of attributes to one subject
Epistrophe (epiphora): repeats the ending word or words of successive phrases, clauses, or sentences; links multiple subjects to a single commonality or distributes an attribute to multiple entities
Figures of Speech: Balance
Isocolon: the same or roughly number of syllables or words appear in successive phrases or clauses; compares, contrasts, or equates parallel cases (eduction), or groups together members of a category (induction or definition)
Antimetabole: repeats and reverses key words in successive phrases or clauses; illustrates relationships of inversion, whether based on cause, identity, or reciprocity
Figures of speech: Lists
Asyndeton: a list of items that lacks any conjunctions; suggests more members of a category or blurs together members of a category
Polysyndeton: a list of items that contains more than one conjunction; suggests an exhaustive list of members of a category or distinguishes each item from the others
Figures of Thought: Questions
Rhetorical question: a question with an implied or obvious answer, as no explicit answer is expected or given; creates unity or disunity between rhetor and members of the audience; renders an idea eminently reasonable or unreasonable
Reasoning by question and answer: asking and answering one’s own questions as a means of advancing an argument; makes the rhetor seem reasonable; shapes the audience’s thought process
Figures of Thought: Direction and Indirection
Parrhesia (licentia): frank speech, usually in cases in which the rhetor has less power than the audience; rhetorically decreases or even inverts power differential; can enhance ethos among overhearers
Paralepsis: brings up a subject by feigning not to bring up the subject; the rhetor can deny being responsible for what was said or its effects
Tropes
Synecdoche: referring to a whole by reference to a part, or referring to a part by referencing the whole; framing or characterizing a whole by its part, or amplifying a part by its whole
Metonymy: referring to an object by a separate, but closely associated object; framing or characterizing a subject by an associated part
Metaphor: referring to an object by way of an analogical stand-in; frames or characterizes the object in terms of another object from a different domain or sphere
Irony: making a statement by saying the opposite, creates humor or solidarity with an audience
Two Types of Memory
Natural Memory and Artificial Memory
Natural Memory
Untrained Memory
Artificial Memory
Trained and Cultivated Memory
Methods of Artificial Memorization
Focus, Repetition, and Association
Memory Palaces
Commonplace Catalogues
Focus, Repetition, and Association
Focus on the thing you want to memorize, repeat it many times out loud, and associate it with a vivid image.
Memory Palaces
Recall a physical space that has clear segments and clear directionality for moving through it
With each segment as a different part of the speech, place an item you can associate with each thing you want to remember in the appropriate segment
Walk through the segments of your memory palace and look at each item to remind you of what you’re supposed to say
Commonplace Catalogues
Memorize and group commonplaces (or common topics) into categories according to similar subjects
Give each category a number or letter of the alphabet
“Scroll” through topics according to the number or letter in your mind
The Five Types of Cases
a way of characterizing an audience in terms of its attitudes toward the rhetor, issue, or argument
Honorable Case
the audience is sympathetic to the rhetor’s argument or the rhetor
Obscure Case
the audience is unfamiliar with or unknowledgeable about the issue
Mean Case
audience sees the issue or rhetor as unimportant or uninteresting
Ambiguous Case
the audience is unsure about the argument; they’re on the fence
Difficult Case
the audience is unsympathetic or even hostile to the rhetor’s argument or the rhetor
The Six Parts of Arrangement
Exordium, Narration, Partition, Confirmation, Refutation, Peroration
Exordium
Captures the audience’s attention, usually by establishing exigence increasing the audience’s receptivity to the argument which begins establishing ethos.
Two Types of Exordium
Introduction and Insinuation
Exordium Introduction
For ambiguous, mean, and obscure cases talking directly and explicitly about the issue, tailored to the type of case.
Exordium Insinuation
For difficult cases only and talks about the issue indirectly by, using a related issue the audience is sympathetic to and then making a connection to the real issue.
Narration
Outlines the issue, its exigence (if not made clear in the exordium), and the dispute surrounding it, framing the issue in a way that increases the audience’s receptivity to the argument. Offers important background information, and defines key terms.
Partition
Previews, in order, the main parts or points of the argument. Can be in the form of a “step-by-step” thesis usually the briefest part of the six parts.
Confirmation
Clearly states the claims that support the thesis in the form of topic sentences with evidence, including research, and lines of reasoning to buttress these claims. It is usually the longest of the six parts.
Refutation
Shows how opposing position’s arguments are misguided, mistaken, unsupported, or limited and identifies any common ground between opposing positions.
Cicero’s Four Methods of Refutation
Show that one or more of an opposing side’s assumptions are not granted
If an assumption is granted, argue that the conclusion the opposing side draws from it does not follow
Show that the form of the argument is fallacious
Present an argument that is equally strong or stronger than the opposing side’s argument
Peroration
Summarizes the main argument and its supporting points reminding the audience of the stake they have in the issue. Raises larger questions or presents implications of the argument answers the “what now?” question.
Stasis Theory
is a method for determining the central issue or question in a debate in order to analyze and invent arguments.
Stasis (plural: stases)
is a kind of issue or question central to a dispute or argument.
Conjecture
questions or arguments about existence, occurrence, or quantity
Does x exist? Did x happen? How many x’s are there?
Definition
questions or arguments about categories, labels, or characterizations
What type of thing is x? What should x be called?
Cause & effect
questions or arguments about precipitating circumstances or consequences
What precipitated x? What are the consequences of x?
Quality
questions of or arguments about value or evaluation
Is x moral or immoral? Is x beneficial or detrimental? Is x worth the time, money, or effort?
Action
questions or arguments about what should be done
What should be done about x? What policy should be enacted in response to x?
Jurisdiction
procedural questions or arguments about resolving issues in the other stases
Who should determine the definition of x? How should we decide what action to take to combat x?
Topics
generalized lines of argument that rhetors can use to discover support for claims in matters of dispute (the questions of stasis); the topics serve as the major premise in enthymemes
Common Topics
lines of argument that can be used in virtually any rhetorical situation.
Special Topics
lines of argument that can only be used in certain rhetorical situations.
Possible / Impossible
makes an argument about the potentiality of an event
Past Fact / Future Fact
makes argument about what occurred or will occur
Greater/Lesser
makes an argument about an entity in terms of its magnitude based on some underlying value
Extrinsic Proof
Support for a persuasive goal that the rhetor imports into their rhetoric it is not composed or invented by the rhetor but used as part of the intrinsic proofs the rhetor invents
Data
Facts, statistics, or other empirically based information or research (not logos)
DAFCA
Who discovered or assembled the data?
What ideological screens are filtering the data?
What other sources corroborate this data?
Who vouches for the data’s accuracy?
Testimony
a report about some state of affairs by either a subject matter expert or someone with direct or indirect experience
What are the two types of testimony?
Community authorities and Proximate authorities
Community Authority
any person or entity who is judged to be an expert or qualified to offer testimony based on their credentials, education, or reputation in the relevant community
SICA
Sponsors: Who is the authority indebted to?
Ideology: What sets of commonplaces drive the authority’s claims?
Credentials: Does the authority have expertise relevant to the argument?
Accuracy: Are the authority’s claims correct?
Proximate Authorities
someone who is qualified to offer testimony because of their closeness to the event or subject in question; often witnesses
Evaluating Proximate Authorities
Motivation: What are the stakes? Is there outside pressure?
Corroboration: Does the authority agree with other credible authorities?
Position: Did the authority clearly see or experience the event or subject?
Condition: Was the environment conducive to accurate perception?
Cognition: Was the authority’s state of mind conducive to accurate observation?
Rendition: Is the testimony mediated?
Logos
the appeal to the issue which is being debated or issued
Pathos
direct appeals to the audiences attitudes and feelings
Ethos
appeal to the credibility of the rhetor
Induction
movement between premises the progress from particulars to universals
Deduction
reasoning in which the conclusion is entailed in the premises if the premises are true, then the conclusion must also be true; also known as a syllogism
4 types of premises (Aristotle)
1.Scientific: premises accepted by experts
2.Dialectical: premises accepted by wise and learned people
3.Rhetorical: premises accepted by members of the community or the audience
4.False: mistaken premises or outright lies
Enthymemes
a rhetorical syllogism or deduction in which major premises are drawn from or based on the audience’s values, beliefs, and assumptions
Probabilities
any statement that asserts or predicts an event, action, or state of affairs as likely or generally true
Signs
any statement that posits a correlation between two physical facts, events, or states of affairs
Fallible vs. infallible signs
Fallible sign: two correlates that often accompany one another; most signs are fallible
Infallible sign: two correlates that always accompany each other; few signs are infallible
Physical vs. cultural signs
Physical signs: usually don’t change, but can
Cultural signs: are culturally relative and change over time
Maxims
wise sayings that are widely applicable and generally accepted by a community as true
Commonplaces
general assumptions about the world that are widely accepted in a community; a webbed agglomeration of commonplaces forms an ideology
Premise
Any statement laid down, supposed, or assumed as the basis or foundation of an argument leading to a conclusion
Proposition
Any statement in an argument whether a premise or conclusion
Argument
a reasoning process in which a less certain statement is arrived at by inference from a more certain statement
Major Premise
The general statement that bridges the minor premise and the conclusion
Minor Premise
The subject of the minor premise fits into the larger category of the major premise
Conclusion
Say something about the subject of the minor premise based on the major premise.
Eduction
an argument whose conclusion about one case is based on a parallel case; argument based on particular to particular