Midterm 2 (North America to Islamic Art)

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Last updated 5:10 AM on 4/29/26
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71 Terms

1
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Poverty Point, Louisiana

1600 - 1100 BCE

Late Archaic

In Mississippi River Valley

  • Pre-agricultural monumental architecture!

  • clearly religious / ritualistic purpose

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Great Serpent Mound

Ohio River Valley

c. 300 BCE

Adena culture

  • land art

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Mica Cut-Outs

Hopewell Culture

Late Woodland Period

200 BCE - 700 CE

  • evidence of long-distance trade (mica from N. Carolina) (exotic material)

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Cahokia, Monk’s Mound

Illinois

Mississippian Period

1100 CE

  • Artificial mound (earthwork)

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Copper Plates (Eagle warriors)

Etowah, Georgia

c. 1200 CE

hammered copper distinctive in Mississippian culture

  • found in etowah

  • Found in Mississippian valley

  • Copper comes from Michigan and traded around (long distance trade)

  • Often representations of eagle warriors (Rogan plate famous from etowah)

  • Distinctive representation of Mississippian iconography

  • Part of the SE ceremonial complex (visual culture)

    • Probably had to do with warfare culture at the time

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Spiro tomb, shell carvings

Craig Mound, Spiro, Oklahoma

c. 1200 — 1400 CE

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<p>San Lorenzo</p>

San Lorenzo

The first Mesoamerican city?

1200 — 900 BCE

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Olmec Colossal Head Sculptures

~1000 - 600 BCE

San Lorenzo earliest site

  • Statues of historically significant ppl like rulers

  • Helmet from traditional ball game

  • Basalt (volcanic) far away

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Maize God

  • probably most significant deity in Mesoamerica

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Jade

  • Olmec jade masks used for ritual purposes

  • lots of jade

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Teotihuacan

Central Mexico

200 BCE — 600 CE

  • urban density

  • grid layout

  • “Street of the Dead”
    Apartment compounds

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Mural Painting

Teotihuacan

200 bce - 600 CE

  • painted on walls of apartment compounds

  • differed in style from mural paintings at san bartolo (pre-classical mayan)

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Moon Pyramid

  • aligns with mountain, eclipsing it when approached

  • Street of the Dead in front

Sun pyramid

both: 100–500 CE (peak Teotihuacan)

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El Mirador

Guatemala

c. 100 BCE

  • reconstruction

  • preserved under layers the Maya built on top

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El Tigre Temple Complex

El Mirador

c. 300-100 BCE

  • huge scale

  • preserved under layers the Maya built on top

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Danta Pyramid

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Stucco Masks/decoration

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Murals of San Bartolo, Guatemala

Pre-classic Maya

c. 300-100 BCE

  • organic paintings found on the walls

  • Religious, mythological scenes

  • Animate maize, death and rebirth, the seasons

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Tikal, Temple I pyramid

Guatemala

Classical Mayan

c. 800 CE

  • suddenly abandoned

  • Temple I pyramid is a notable tall, skinny pyramid that sticks out

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Yaxchilan

Lintel 24

c. 720 CE

Mexico

Bristish Museum, London

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Hieroglyphs, Syllabic Writing (Mesoamerica)

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<p>Tenochtitlan</p>

Tenochtitlan

c. 1519

Pre-Columbus

  • Modern-day Mexico City

  • At center of lake texcoco

  • Highly sophisticated and praised by Cortes

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The Templo Mayor (Huey Teocalli)

(Great Temple)

Tenochtitlan

C. 1500 CE

  • Left — Tlaloc: god of rain and agriculture

  • Right — Huitzilopochtli: patron god of the Mexica (a deified ancestor?)

  • Coatepec “snake mountain” — mythic birthplace of Huitzilopochtli, defeat and dismemberment of Coyolxauqui

    • Architecture as symbol

      Architecture as replication of nature

      Architecture as “real” mythic space

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Sacred Precinct

a walled Aztec religious complex in Tenochtitlán that contained many temples and buildings. It was the largest place of worship and the starting point for ceremonial processions.

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Coyolxauhqui Stone

Templo Mayor

c. 1500

  • dismembered moon goddess defeated by the sun god (Huitzilopochtli) at Snake Mountain

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The Nuremburg Map of Tenochtitlan

1524

  • based on eye witness accounts of Cortes

  • Florida in bottom left

  • European depiction of the sophistication of Tenochtitlan

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Calendar Stone (Piedra del Sol)

Tenochtitlan

c. 1503 CE

  • center is Moteuczoma II as Huitzilopochtli (sun god)

  • Identified by hieroglyphs by the face

  • The king is the cosmos, he is time (importance)

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Shimao (Neolithic fortress)

Shaanxi Province

Late Fortified Neolithic Center

ca. 5000 — 2000 BCE

  • jade axe found there

  • important new example of early Chinese monumental structures

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Yangshao Culture

Neolithic

5000 — 3000 BCE

  • art resembles Geometric Greece

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Liangzhu

  • Neolithic Chinese culture

  • Not known for its ceramics!! Difference from yangshao

  • geographically slightly different

  • Known for jade carving!!! Jade cong!

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Shang Dynasty; Anyang

ca. 1600 — 1050 BCE

  • bronze dings

  • oracle bone writing

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<p>Bronze vessels and casting</p>

Bronze vessels and casting

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Bronze Bells

Tomb of the Marquis Yi of Zeng

Zhou Dynasty

433 BCE

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<p>Oracle bones, divination, early writing</p>

Oracle bones, divination, early writing

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Qin dynasty

  • First emperor of China: Qin Shi Huangdi

  • Giant tomb complex near Xi’an

    • Tomb itself was never excavated

    • Most notable feature of the complex: Terracotta warriors!

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Tomb of Qin Shi Huang Di

Xi’an, China

ca. 200 BCE

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Terracotta Warriors

ca. 200 BCE

Xi’an, China

  • protect Qin Shi Huangdi in the afterlife

  • individually crafted and fired

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Mohenjo-daro

Pakistan

ca. 2500 BCE

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Indus Portrait of “Priest King”

c. 1950 BCE

Mohenjo-daro, Pakistan

Steatite

National Museum, Karachi

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<p>Indus Valley Script</p>

Indus Valley Script

Undeciphered

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<p>Ashoka the Great</p>

Ashoka the Great

Pillars of Ashoka

The Edicts of Ashoka

  • Dhamma (piety), ethics, and Buddhist ideology

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The Great Stupa at Madhya Pradesh

3rd century BCE

  • Buddha’s ashes housed within a stupa

    • the crossing of the mythical four great roads (four directions of space)

    • “hub of the wheel”

    • the place of Enlightenment

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Angkor Wat

Cambodia, Khmer Empire

ca. 1150 CE

King Suryavarman I

  • largest religious complex in the world

  • “largest settlement complex in the Pre-Industrial World”

  • represents the five-peaked Mount Meru

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Cosmic plan

Mountains and four-sided cosmos

  • Egypt

  • Mesoamerica

  • Stupas

  • Chinese directional cosmology and colors

  • Navajo directional cosmology

  • Aztec calendar and Lakota directional cosmology

  • Calendar stone and Da Vinci’s Vitruvian Man as visions of The Cosmic Model ca 1500

  • Stone henge

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Augustus of Primaporta

1st century CE

imperial rome

  • Bronze original?

  • accession in 27 CE

  • compare to Doryphoros (Greek statue) → Contrapposto

  • detailed breastplate: Parthian ruler on left and Roman general on right

    • restitution of Roman standards

  • Cupid riding a dolphin at bottom of statue, descent from Venus and the gods (divine symbolism/legitimacy)

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Ara Pacis Augustae “Altar of Augustan Peace”

dedicated 10 BCE

imperial rome

  • Representation of a new political order

    • dedication 29 April 9 BCE coincides with 93rd iteration of Venus appearing as Morning Star at founding of Rome on 29 April 753 BCE

  • temporal symmetry

    • aligned with Obelisk of Pharaoh Psametik II

  • re-foundation of Rome

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Barrel Vaults, Groin Vaults

  • Major Roman technological innovations

    • Concrete

    • Arches (enabling vaults)

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Pantheon

Imperial Rome

ca. 118 – 125 CE

  • Oculus & Coffered Ceiling: 142 ft high, lets sunlight in at zenith/apex

    • play with light on surfaces/textures

    • Spherical shape of chamber

    • hemispheres

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Arch of Titus

Rome

Flavian Dynasty

ca. 82 CE (restored 1821)

  • The Senate and the Roman people (dedicate this) to the deified Titus Vespasian Augustus, son of the deified Vespasian

  • Apotheosis of Titus

  • Arch = Arc of Heaven

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Fayum Mummy Portraits

Roman Egypt

1st–4th centuries CE

  • Realistic, depicts person's actual features

  • Feels not ancient! Almost feels like 1800s style

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Equestrian Statue of Marcus Aurelius

Bronze, originally gilded

ca. 176 CE

Imperial Rome

  • Originally misattributed to be Constantine

  • Displays Roman Power

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Commodus as Hercules

192 CE

Imperial Rome

  • Unlike marcus aurelius, this is Commodus commissioning a portrait of himself as Hercules

  • Deifying himself as a god

  • Idealized view of an emperor

  • Displays Roman Power

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<p>Basilica</p>

Basilica

  • from Palace to Church

  • Basilica = “royal hall”

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The Tetrarchs

ca. 300 CE

Imperial Rome

Carved from porphyry, quarried in Egypt

  • Eastern inspired? Eyes are not naturalistic, kind of unusual and cookie cutter

  • Increase in abstraction of portraiture

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Papyrus

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Arch of Constatine

Rome

312 — 315 CE

  • Tondi — c. 130 — 138 CE

  • Frieze — 312 — 315 CE

    • Constantine addressing the Roman people, Arch of Constantine, Rome, 315 CE

      • similar to Spoils from the Temple of Jerusalem frieze from Arch of Titus

  • reused sculpture

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St. Peter’s Basilica

Constantine (Byzantine)

modern-day Vatican City

320 - 327 CE

  • longitudinal plan aligned with East-West line of Sun

    • sacred architecture reflects sacred astronomy

    • Eastward orientation: points directly to Constantinople (1º off)

  • Built on tomb of St. Peter (martyred)

  • Hypostyle hall influence (Egyptian)

  • Karnak resemblance (Egypt) with alignment with Sun

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<p></p>

Constantinople and Byzantium, 330 CE

  • founding of “Nova Roma” or Constantinople at Byzantium

  • Division of Roman Empire into East and West

The Eastern Roman Empire (Byzantine Empire)

  • Eastward orientation, influences

  • Greek language and culture

  • Eastern tradition of Christianity (Greek Orthodox)

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Hagia Sophia

Istanbul (Constantinople)

532 CE

  • mimics other buildings

  • symmetrical architecture → similar to Taj Mahal and Angkor Wat

    • symmetry of the world, cosmos, movement of the sun (in many cultures)

  • Light from dome resembles Pantheon (playing with surfaces)

  • Central and Longitudinal plans!

  • Center of dome = center of the universe (words from Qu’ran here, Christian figures elsewhere)

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Justinian and Theodora

Emperor Justinian, Bishop Maximianus, and Attendants

San Vitale, Ravenna

526 — 547

  • reigned 527 — 565

  • power of icons

  • wanted to reclaim the Mediterranean/North Africa

Theodora and Attendants

San Vitale, Ravenna

526 — 547

  • power of icons

  • important leader alongside Justinian

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Church of San Vitale

Ravenna, Italy

526 — 547

Byzantine

  • central plan

  • most important church in Ravenna

  • has mosaics of Justinian I and Theodora

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<p>Icons and iconoclasm</p>

Icons and iconoclasm

Aniconism in Judaisim and Islam

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Triumph of Orthodoxy

843 CE

British Museum

  • worship icons of religion

  • previously, iconoclasm disallowed images of religious figures (8-9th centuries)

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Scrolling vine motif, detail of mosaics

Dome of the Rock, Jerusalem

687-692

  • Arabesque — detailed design used in Islamic art (aniconistic) to decorate surfaces

    • Byzantine Influences: decoration (mosaics), plan, use of script

    • appropriation of ancient motifs and materials (c.f. Hagia Sophia)

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Dome of the Rock

Jerusalem

687 — 692

  • central plan — resembles Church of San Vitale

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Mihrab from the Madrasa Imami,

Isfahan, Iran, ca. 1354

Ornament and Script

  • Mihrab - niche facing Mecca and the Kaaba (qibla) for prayer

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Great Mosque

Córdoba, Spain

8th — 10th centuries CE

  • has a mihrab

  • horseshoe arches

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Dome of the Great Mosque

Córdoba, Spain, 961-965

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Page with Kufic script from an Abbasid Qur’an

9th century

  • gold leaf on dyed vellum.

  • Kufic script — abstracted/more artistic arabic calligraphy

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Plate with Kufic Border

From Iran

c. 10th century

  • Kufic Script — artistic calligraphy

  • “Planning before work protects you from regret;

    good luck and well-being”

  • embue daily items with excerpts of good luck (??)

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The Alhambra (Palace)

Granada,Spain

13th-14th centuries

  • NOT a mosque

  • EVERY surface decorated (arabesque)