1/9
Looks like no tags are added yet.
Name | Mastery | Learn | Test | Matching | Spaced | Call with Kai |
|---|
No analytics yet
Send a link to your students to track their progress
The beginning of the play
Begins in medias res → to intrigue the audience, some aspects of tragedy focus on misunderstanding and the beginning of the play reflects this
Starts at night → shows themes of sneakiness, deceit and deviousness of Iago
Takes place in the street → low class, could be symbolic of a narrow tunnel of fate
Introduces the idea of public vs private and the danger of being seen
Iago remains anonymous - Roderigo does not
“Nor the division of a battle knows More than a spinster, unless the bookish theoric”
establishes Iagos jealously of Cassio’s promotion
Suggests that Cassio knows nothing about battles, he’s got a brain but isn’t a fighter
Ironic since Cassio has been promoted not Iago
Iago then goes on to say why he should have the job
AO2: “Spinster” questions Cassio’s manhood
AO2: Iago calls Cassio a “florentine” which suggests hatred of the other city
“Nor the division of a battle knows More than a spinster, unless the bookish theoric”
establishes Iagos jealously of Cassio’s promotion
Suggests that Cassio knows nothing about battles, he’s got a brain but isn’t a fighter
Ironic since Cassio has been promoted not Iago
Iago then goes on to say why he should have the job
AO2: “Spinster” questions Cassio’s manhood
AO2: Iago calls Cassio a “florentine” which suggests hatred of the other city
“Were I the Moor, I would not be Iago. In following him, I follow but myself”
AO2: “the” is the definite article, suggests that Othello is the only one (shows how rare it was for a black man to be in Othello’s high status position at the time?)
AO2: this is the first time Othello is mentioned other than “he” yet he still isn’t given his name. This shows prejudice of society at the time and the otherness of Othello
AO3: A Moor is a derogatory term for a Muslim from Africa
“I am not what I am”
AO2: ambiguous language builds the sense of mystery and deception around Iago’s character
Shows his duplicity and wily nature, as well as Roderigo’s weak and vulnerable nature for continuing to trust him regardless. This gains our sympathy
Signals to the audience that his loyal and honest exterior is a deliberate facade designed to manipulate others right from the start of the play
Theme of appearance vs reality
“An old black ram Is tupping your white ewe”
Iago is provoking a reaction by making Othello seem lecious
Ram vs ewe shows that they’re not seen as equal in society
Connotes peace vs a beast
AO2: “Old black ram” suggests a large age gap, coarse, bestial imagery (sex not love), an animalistic barbaric manner by comparing him to a ram
AO2: “tupping” → crude, sexual imagery
AO2: “white” is conventionally associated with ideas of purity and cleanliness
AO2: “black” is associated with ideas of evil and wickedness
Iago seems to be setting up the contrast between Desdemona and Othello through their purity
“You’ll have your daughter covered with a Barbary horse; you’ll have your nephews neigh to you”
AO2: bestial, animalistic imagery
AO2: “you’ll” suggests it’s Brabantio’s fault and plays on the societal fears of race mixing - miscogenation
“he’s embarked With such loud reason to the Cyprus wars”
introduces the political plot
Saying Othello will soon go to war as he’s needed by the state
“O, she deceives me”
theme of Desdemona deceiving her father throughout
Later, Iago reminds Othello that if Desdemona has deceived her father, she’s likely to also be prepared to deceive her father too
AO3: Patriarchal values of a daughter being her fathers property
“Is there not charms By which the property of youth and maidhood May be abused?”
AO2: racist but also credible since she’s so much younger than him
Brabantio refuses to believe Desdemona’s agency and thinks a charm has been placed upon her by Othello
AO3: people had very limited worldly knowledge and so often attached myths to certain people - particularly anyone seen as ‘other’ was assumed to have engaged in impious activities like witchcraft