Performance - 7.1

0.0(0)
Studied by 0 people
call kaiCall Kai
learnLearn
examPractice Test
spaced repetitionSpaced Repetition
heart puzzleMatch
flashcardsFlashcards
GameKnowt Play
Card Sorting

1/44

encourage image

There's no tags or description

Looks like no tags are added yet.

Last updated 12:31 PM on 4/30/26
Name
Mastery
Learn
Test
Matching
Spaced
Call with Kai

No analytics yet

Send a link to your students to track their progress

45 Terms

1
New cards

What is performance art?

An artistic practice using the body, actions, and time as a medium, often presented live and sometimes involving an audience.

2
New cards

Why is performance art difficult to define?

It can occur with or without audiences, in public or private, and across many formats.

3
New cards

Why is the body important in performance art?

The body is inherently political and becomes the central medium for expression.

4
New cards

What does ephemerality mean in performance art?

The idea that performance is temporary, existing only in the moment and not as a lasting object.

5
New cards

Why is documentation important in performance art?

It preserves traces of events that would otherwise be lost, though some artists resist documentation.

6
New cards

What is audience participation in performance?

When viewers actively contribute to or become part of the artwork.

7
New cards

How did Futurism and Dada influence performance art?

Through provocative live events that challenged audiences and traditional art forms.

8
New cards

How did Jackson Pollock influence performance art?

By turning painting into a physical, performative act emphasising process over product.

9
New cards

What is action painting?

A style where the act of painting itself becomes a dynamic, physical performance.

10
New cards

How does performance relate to masculinity in postwar art?

Action painting often promoted a hyper-masculine image of the artist.

11
New cards

How did Yves Klein challenge action painting?

By using female bodies as “brushes,” critiquing masculinity and authorship.

12
New cards

What is institutional critique in performance art?

Art that questions or mocks galleries, museums, and art-world systems.

13
New cards

Who were the Gutai group?

A Japanese avant-garde collective (founded 1954) exploring embodiment, material interaction, and experimental performance.

14
New cards

What was the Gutai philosophy of material?

Damage and decay reveal the inner life of materials and should be embraced.

15
New cards

Why is Gutai historically significant?

It developed independently of Western art and challenged Eurocentric narratives.

16
New cards

What is a happening?

A participatory, ephemeral event created by artists like Allan Kaprow requiring audience involvement.

17
New cards

Why were happenings important?

They blurred boundaries between art and life and rejected permanent art objects.

18
New cards

What was Fluxus?

An international network of artists experimenting with performance, music, and everyday actions.

19
New cards

How did Fluxus artists use humour?

To critique art institutions and challenge expectations through absurd or provocative acts.

20
New cards

How did Nam June Paik challenge performance norms?

By mixing music, destruction, and technology into unpredictable events.

21
New cards

What themes does Yoko Ono explore in performance?

Participation, vulnerability, gender, and violence.

22
New cards

How does performance art address gender politics?

By using the body to confront stereotypes, misogyny, and representation.

23
New cards

What is body art?

A form of performance focusing on the physical body, often involving endurance, pain, or exposure.

24
New cards

Why did feminist artists use performance in the 1970s?

To reclaim control over representation of the female body.

25
New cards

What themes appear in Ana Mendieta’s work?

Violence, ritual, identity, and connections to her Cuban heritage.

26
New cards

What did Adrian Piper explore through performance?

Race, identity, and social perception in public space.

27
New cards

What is Viennese Actionism?

A radical Austrian movement using shocking, violent performances to confront postwar society.

28
New cards

Why is shock important in performance art?

It disrupts passive viewing and forces audiences to confront difficult issues.

29
New cards

How does performance art relate to politics?

It often directly engages with power, identity, and social structures.

30
New cards

Jackson Pollock — Painting (filmed by Hans Namuth)

  1. Film showing Pollock’s action painting process; emphasises movement, performance, and the artist’s body.

<ol start="1951"><li><p>Film showing Pollock’s action painting process; emphasises movement, performance, and the artist’s body.</p></li></ol><p></p>
31
New cards

Yves Klein — Untitled Anthropometry

  1. Nude models used as “living brushes” to imprint bodies on canvas; critiques authorship and masculinity.

<ol start="1960"><li><p>Nude models used as “living brushes” to imprint bodies on canvas; critiques authorship and masculinity.</p></li></ol><p></p>
32
New cards

Georges Mathieu — Live Painting Performances

1950s–60s. Large-scale public painting events emphasising speed, spectacle, and virtuosity.

<p>1950s–60s. Large-scale public painting events emphasising speed, spectacle, and virtuosity.</p>
33
New cards

Saburo Murakami — Breaking Through Many Paper Screens

  1. Artist bursts through paper screens; emphasises destruction, embodiment, and material interaction.

<ol start="1956"><li><p>Artist bursts through paper screens; emphasises destruction, embodiment, and material interaction.</p></li></ol><p></p>
34
New cards

Kazuo Shiraga — Challenging Mud

  1. Artist wrestles in mud using his body as medium; rejects traditional painting tools.

<ol start="1955"><li><p>Artist wrestles in mud using his body as medium; rejects traditional painting tools.</p></li></ol><p></p>
35
New cards

Shozo Shimamoto — Bottle Smash Paintings

  1. Throws paint-filled bottles at canvas; focuses on action, chance, and destruction.

<ol start="1956"><li><p>Throws paint-filled bottles at canvas; focuses on action, chance, and destruction.</p></li></ol><p></p>
36
New cards

Allan Kaprow — Fluids (Happening)

  1. Participants build structures from ice blocks; emphasises participation and ephemerality.

<ol start="1963"><li><p>Participants build structures from ice blocks; emphasises participation and ephemerality.</p></li></ol><p></p>
37
New cards

Nam June Paik — Zen for Head

  1. Artist drags ink-covered head across paper; parodies calligraphy and Western views of Asian art.

<ol start="1962"><li><p>Artist drags ink-covered head across paper; parodies calligraphy and Western views of Asian art.</p></li></ol><p></p>
38
New cards

Yoko Ono — Cut Piece

  1. Audience cuts away the artist’s clothing; explores vulnerability, gendered and racial violence, and audience participation

<ol start="1964"><li><p>Audience cuts away the artist’s clothing; explores vulnerability, gendered and racial violence, and audience participation</p></li></ol><p></p>
39
New cards

Shigeko Kubota — Vagina Painting

  1. Paintbrush attached to underwear used to paint; critiques masculinity and references menstruation.

<ol start="1965"><li><p>Paintbrush attached to underwear used to paint; critiques masculinity and references menstruation.</p></li></ol><p></p>
40
New cards

Carolee Schneemann — Interior Scroll

  1. Artist pulls a scroll from her body and reads it; confronts gender and bodily taboos.

41
New cards

Ana Mendieta — Untitled (Death of a Chicken)

  1. Performance using animal blood; addresses violence, ritual, and female identity.

<ol start="1972"><li><p>Performance using animal blood; addresses violence, ritual, and female identity.</p></li></ol><p></p>
42
New cards

Adrian Piper — Mythic Being

  1. Artist adopts persona of a Black male figure in public; explores race and perception.

<ol start="1973"><li><p>Artist adopts persona of a Black male figure in public; explores race and perception.</p></li></ol><p></p>
43
New cards

Günter Brus — Vienna Walk

  1. Artist walks through Vienna painted white with a line on his body; references history and trauma.

44
New cards

Chris Burden — Through the Night Softly

  1. Artist crawls over broken glass; explores endurance and bodily harm.

45
New cards

William Pope.L — Tompkins Square Crawl

  1. Artist crawls through New York streets; addresses homelessness, race, and inequality.