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culture industry
the profit-driven, mass production of popular culture (film, radio, magazines) to encourage conformity to mass society.
Frankfurt School
a group of German-American scholars who developed Critical Theory.
pseudo-individualism
the illusion of identity through superficial variation in standardized products
corporate concentration
the long term trend of a small number of large firms dominating an increasing share of the economy, sales, and assets
2 common critics of the Frankfurt school
elitist: only interested in cultures that they like, 2. lacking empirical evidence: didn’t talk to people about their entertainment habits
core questions about culture industry jobs
1. to what extent do they provide opportunities for expression, 2. do they mostly generate profit while ensuring social conformity
‘dream job’ narrative
fun, flexible, expression, but visibility replaces stability
Jurgen Habermas
created the idea of public sphere, 2nd gen Frankfurt School
Public sphere
where citizens come together to discuss matters of public concern, forming public opinion through debate
critical rationality
questioning authority and tradition
common criticisms of public sphere
1.excludes people like woman and the working class from the public sphere 2. downplays the importance of emotion and storytelling
colonization of the public sphere
the take over of the public sphere by either businesses or state powers seeking money
infotainment
creation of news for the purpose of entertainment
Cory Doctorow
created ‘enshitification’
enshitification
platforms start well until profit aims lead them to degrade the experience in favor of profits
media capture
control of media by the state to further personal interest rather than common good
what forms can media capture take?
frivolous lawsuits, physical intimidation against journalist, etc
hypodermic needle theory 3 claims
media has direct, immediate, uniform effects, 2. audiences are the same, 3. messages are received w interpretation or resistance
how did hypodermic needle theory arise
rise of mass media and WW1 propaganda success
committee on public information
the first U.S. government propaganda agency, designed to sway public opinion toward supporting World War I
Hadley Cantril
used interviews and surveys to study the “War of the Worlds’ panic
George Gerbner
created cultivation theory
cultivation theory
1.media effects are progressive rather than immediate, 2. heavy media exposure creates certain attitudes over time, 3 critical capacity declines as media exposure increases
mean world syndrome
Heavy TV viewers think crime rates/danger are higher than they actually are
criticisms of Gerbner’s cultivation theory
does media cause these attitudes or do people w these attires seek out conforming media
self-selction
people choose media that confirms existing beliefs
Paul Lazarsfeld and Eliho Katz
created 2-step flow and asked : how do people make decisions on what to buy?
opinion leader
influential individual whose views, attitudes, and behaviors are trusted and respected
reinforcement of prior dispositions
the people we spend out time with often share the same opinions and values as us
2 step flow
media to opinion leader to general public
3 criticisms of 2 step flow
oversimplifies consumption(not just 2 steps), 2. understates media influence (ads encourage general consumption), 3. context dependent finding (options leaders might be stronger in purchasing than voting areas)
1 step flow
direct from media to individual users
rabbit hole
engagement driven algorithims designed to keep users watching can lead to radicalization of views
echo chambers
environments where individuals exposed only to views that reinforce existing beliefs
real world applications of 2-step flow
misinformation 2. political polarization (echo chambers reinforce ideas) 3. activism
Stuart Hall
member of Birmingham School of Cultural Studies -created encoding/decoding model
3 core assumptions of cultural studies
culture matters (race, gender, etc shape how we read messages) 2. power matters (what meaning dominate others) 3. context matters (same message can be interpreted differently)
encoding
process where producers embed specific meaning or ideas into a text
decoding
precess where audiences interpret based on their own frameworks (experiences, identities, etc.)
3 forms of decoding
dominant (intending meaning is accepted by audience) 2. negotiated(accept some parts, modify others) 3. oppositional (fully reject intended meaning)
polysemic
texts have multiple meaning
3 criticisms of Stuart Halls model of coding and decoding
are producers intentions always so clear (not always a single ‘preferred’ reading) 2. are preferred readings of a lack of opposition 3. what about real world effects (some representation can impact violence, policy, etc.)
iraq war
example of how journalist are subservient to politicians (Iraq was said to have weapons by politicians and that’s what was covered in the news)
Watergate scandal
example of how politicians are subservient to journalist (journalist expose Nixon for covering up a break in burglary at DNC)
tax the rich
example of how media coverage has become a distraction for politicians leading them to prefer style over substance
defining political communication
symbolic (words + images such as speeches, interviews, etc) 2. struggles over what counts as political (who belongs and what problems exist) 3. effects of struggles on political knowledge and engagement (are news consumers more likely to cote?)
public knowledge
what citizens need to know in order to participate in self-governance
civic engagement
involvement in community to address needs solve problems and improve life
agenda setting
idea that media doesn’t tell us what to think but instead what to think about
framing
when journalist pick which aspects of a story to present
Entman
created framing theory
indexing theory
news reflects the spectrum of elite debates not the full public spectrum