2nd species counterpoint

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Last updated 6:25 AM on 2/18/26
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12 Terms

1
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What should the first harmonic interval be in a 2:1 counterpoint?

An 8 or U (or 5 if the counterpoint is the upper part).

2
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What type of note should end the last measure in a strict counterpoint?

A whole note.

3
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What harmonic intervals can be used in the last two measures?

5-6-8 or 5-3-8 (or U), or whole notes 6-8 or 3-8 (U).

4
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What type of notes should be used for the counterpoint other than at the beginning and close?

Half notes.

5
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How should consonant harmonic intervals be approached?

By steps, consonant skips, or consonant leaps.

6
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What types of harmonic intervals can appear on the upbeats?

Dissonant harmonic intervals (2, 4, 7, 9, d5, and A4) as passing or neighbor tones.

7
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What should be checked between downbeats and upbeats?

For parallel fifths or octaves.

8
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What is the rule regarding perfect fifths and octaves?

They are allowed from one upbeat to the next, but no more than two in a row.

9
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How should intervals on the downbeat be approached?

Normally by step (preferred) or skip.

10
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What should be avoided regarding motion into a P8 or P5 over the bar line?

Similar motion unless the upper voice moves by step.

11
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What accidentals are allowed at the close of a counterpoint?

Only to raise ŷ (and 6 if necessary).

12
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What principles should continue to be followed in counterpoint?

The principles of good melodic writing regarding overall motion between the parts (contrary, parallel, similar, oblique).