5-7 Hearing Science, Exam 2 Hearing Science

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Last updated 6:10 AM on 4/26/26
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173 Terms

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3 auditory perceptual tasks

auditory sensitivity (detection)

auditory discrimination

auditory identification (recognition)

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auditory detection

ability to distinguish between the presence and absence of sound (to hear or not hear a sound)

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psychoacoustics definition

the relationship between the physical feature of sound and auditory perception

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Acoustics Definition

study of the physical properties of sound

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Psychology definition

study of the brain and how someone perceives the surrounding environments and stimuli

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auditory discrimination

The ability to tell the difference between one sound and another sound (are the sounds the same or different?)

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Auditory Identification (Recognition)

the ability to label or recognize what a sound actually is (i.e., identifying and understanding speech)

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Psychoacoustics Method of Limit definition

A technique used to measure a person's sensory threshold by gradually increasing or decreasing the intensity of a stimulus until the person's response changes

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Method of limit ascending

You start below the person's threshold (so they can't hear it) and increase the intensity step-by-step until they indicate that they can hear the sound

The point at which they first hear the sound estimates the threshold.

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Method of limit descending

You start above threshold (clearly audible) and decrease intensity step-by-step until the person indicates they cannot hear the noise

The point where they lose perception is another estimate of the threshold.

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Method of limits adaptive

The test changes direction depending on the listener's response.

Example: If they say they hear it, the next step is softer; if they don't hear it, the next step is louder.

This helps quickly "zero in" on the exact threshold.

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Fixed Step Size

Each increase or decrease in sound intensity is the same amount (e.g., 5 dB, 2 dB).

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Why do we use fixed step size?

Keeps the procedure consistent.

Used to gradually approach the threshold from both directions.

Even adaptive methods often use fixed step sizes for each adjustment.

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Method of limits threshold

You collect the intensity levels at several reversal points.

Then you average the reversal values.

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Method of limits reversal

occurs when the direction of the stimulus changes

Example: You're making the tone softer (descending) and the listener stops hearing it. Next trial, you make it louder (ascending).

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method of constant stimuli

psychophysical technique where several predetermined stimulus intensities are repeatedly presented in random order, and the observer's yes/no responses are used to plot a psychometric function and determine the detection threshold.

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psychometric function

A curve that shows how a person's probability (percent) of detecting or correctly responding to a stimulus changes as the stimulus intensity increases.

<p>A curve that shows how a person's probability (percent) of detecting or correctly responding to a stimulus changes as the stimulus intensity increases.</p>
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psychometric function features

There is an equal number of stimuli at each level

threshold is a certain percentage point

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3 scaling methods

direct scaling, ratio scaling, magnitude scaling

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direct scaling

-Directly establishes the correspondence between physical sounds and their perception.

-Loudness and pitch

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ratio scale

numbers a person assigns to a stimulus reflect true numerical ratios

compared to the reference sound

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magnitude scale

numeric rating system where a person assigns numbers to describe how strong a stimulus feels, so bigger numbers mean a stronger perceived intensity.

No reference sound provided

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auditory masking

interference that one stimulus causes in the perception of another stimulus

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what is masking measured as?

masking is measured in percentage

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Amount of masking

masking efficiency - how well the masker can block auditory perception

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Masking efficiency formula

amount of masking = score in Q - Score in noise

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What can be a masker?

Any unwanted sound is a masker (any sound that isn't your target signal)

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amount of masking depends on

timing of the masker, its intensity, frequency, and bandwidth

frequency and level of the signal and masker

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tonal masker

pure tone is the masker that influences masking by noise level (more noise, more masking) and frequency (in general broader the noise frequency, the more masking there is, but it depends on the signal)

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tonal masking occurs when

a loud, pure tone (the masker) makes a softer, nearby tone (the target) inaudible

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Thresholds of tonal detection with tonal masker

masking efficiency is dependent on the intensity level and frequency of the tonal masker

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psychoacoustic tuning curve

graphical representations of an auditory system's frequency selectivity, showing the masker level needed to mask a fixed signal frequency across a range of masker frequencies.

<p>graphical representations of an auditory system's frequency selectivity, showing the masker level needed to mask a fixed signal frequency across a range of masker frequencies.</p>
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Auditory filter

a theoretical model of how the human ear, specifically the cochlea, separates sounds into different frequency bands

<p>a theoretical model of how the human ear, specifically the cochlea, separates sounds into different frequency bands</p>
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Frequency-dependent masking suggests that

only those frequencies close to the signal frequencies close to the signal frequency are effective in masking

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Critical Band of the Auditory Filter

auditory system filters out noise frequencies far away from the signal frequency

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Signal Frequency

Rate at which a signal oscillates (repeats over time), measured in hertz, determines pitch

<p>Rate at which a signal oscillates (repeats over time), measured in hertz, determines pitch</p>
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Our auditory system is composed of a set of filters tuned to

different frequencies

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Bandwidth of auditory filter

measured by a notch noise method

affected by signal level and hearing status

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Equivalent Rectangular Bandwidth (ERB)

used to estimate the size/width of the auditory filter

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ERB formula

-

<p>-</p>
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Auditory filter determines our

frequency selectivity

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frequency selectivity

the auditory system's ability to respond differentially to different frequencies and bands of frequencies

<p>the auditory system's ability to respond differentially to different frequencies and bands of frequencies</p>
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Narrower auditory filter bandwidth =

better frequency selectivity

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signal level

The higher the signal level, the broader the bandwidth of the auditory filter

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What is measure-notch noise?

A method for testing a listener's ability to detect a pure-tone signal within a masker noise.

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What is created in the masker noise during measure-notch noise testing?

A spectral 'notch,' or gap, around the signal frequency.

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What is varied in measure-notch noise testing?

The width of the notch created in the masker noise.

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auditory filter bandwidth's relationship with frequency selectivity

a narrow bandwidth results in high frequency selectivity, and a wide bandwidth results in low frequency selectivity

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loudness definition

attribute of auditory sensation in terms of which sounds can be ordered on a scale extending from quiet to loud

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how to measure loudness

matching and scaling

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matching method

Listeners are asked to adjust the level of the target sound to match the loudness of the reference sound, has equal loudness contour

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matching method reference sound

1 kHz tone at 40, 50... dB SPL

<p>1 kHz tone at 40, 50... dB SPL</p>
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Equal Loudness Contours

graph with presentation level on the y-axis and frequency on the x-axis, showing graph lines connecting points of equal perceived loudness

<p>graph with presentation level on the y-axis and frequency on the x-axis, showing graph lines connecting points of equal perceived loudness</p>
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loudness growth function

describes how our perception of loudness changes as the intensity (level) of a sound increases

<p>describes how our perception of loudness changes as the intensity (level) of a sound increases</p>
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Scaling method

listeners are asked to scale the loudness level of the target sound relative to the loudness of the reference sound

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scaling method reference sound

1 kHz tone at 40 dB SPL defined as 1 sone

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sone

everytime you increase the sound db by 10 it will double the sone (40db →50db →60db = 1sone→2sone→4 sone)

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loudness growth function

For sounds above 40 dB, loudness doubles when the sound level is increased by 10 dB

<p>For sounds above 40 dB, loudness doubles when the sound level is increased by 10 dB</p>
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loudness recruitment

for those with hearing loss, the increase of volume is much steeper (increases of 10dB might be perceived as 8 times louder for someone with hearing loss)

<p>for those with hearing loss, the increase of volume is much steeper (increases of 10dB might be perceived as 8 times louder for someone with hearing loss)</p>
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factors affecting loudness

intensity, frequency, bandwidth, duration

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loudness summation

the phenomenon where the perceived loudness of a sound increases when heard with both ears (binaural) compared to a single ear (monaural), or when the bandwidth of a sound stimulus is increased while its power is held constant (spectral)

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pitch definition

attribute of auditory sensation in terms of which sounds may be ordered on a musical scale

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how to measure pitch

matching and scale methods

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pitch matching method

reference sound: a tonal sound

Listeners are asked to adjust the frequency of the reference sound to match the pitch of the target sound

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pitch scaling method

Listeners are asked to scale the pitch value of the target sound relative to the pitch value of the reference sound (1 kHz)

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pitch scaling method reference sound

1 kHz tone defined to have a pitch at 1000 mel

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scaling method results are hard to measure due to

the complexity of pitch

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pitch of complex sounds

- missing fundamentals - complex tones

listeners can perceive a pitch for complete tones that do not have any spectral components at the perceived pitch

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two theories of complex sound pitch

envelope-periodicity theory (temporal periodicity) and spectral location theory

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envelope periodicity theory

periodicity of the complex sound waveform

<p>periodicity of the complex sound waveform</p>
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Spectral-location theory

spectral distance between tones

<p>spectral distance between tones</p>
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2 components of the auditory system

peripheral auditory system (outer, middle, inner ear)

central auditory system (auditory brainstem and auditory forebrain)

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3 components of the peripheral auditory system

Outer ear, middle ear, and inner ear

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Anatomy of the outer ear

pinna and external ear canal

<p>pinna and external ear canal</p>
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Physiology of the outer ear (4 functions)

i. Collect sound

ii. Sound pressure gain (amply middle frequencies 1-5 kHz)

iii. Sound localization

iv. Protection of the tympanic membrane

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Sound pressure gain

peaked around 2.5 kHz

primary contribution from the concha and the outer ear

This gain is crucial for hearing sensitivity in the speech frequency range.

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What is sound localization?

The process by which the location of sound is determined.

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What cues are used for localizing sound?

Intensity and phase (time) difference.

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pinna anatomy

visable, cartiligenous part of the ear

<p>visable, cartiligenous part of the ear</p>
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pinna physiology

sound localization in the midplane

acts as a funnel to direct sound waves towards the ear canal

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external ear canal anatomy

a tube leading to the eardrum

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external ear canal physiology

Provides an acoustic resonance effect, leading to sound pressure gain (peaking around 2.5 kHz)

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middle ear anatomy

tympanic membrane

tympanic muscles

auditory ossicles

eustachian tube

<p>tympanic membrane</p><p>tympanic muscles</p><p>auditory ossicles</p><p>eustachian tube</p>
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Middle Ear Physiology

sound transmission and protection of hearing

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tympanic membrane anatomy

eardrum

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tympanic membrane physiology

Transduces acoustic energy signals (air molecule vibration) into mechanical motion.

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auditory ossicles anatomy

malleus, incus, stapes

<p>malleus, incus, stapes</p>
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auditory ossicles physiology

Transduces the mechanical motion of the TM to fluid motion in the cochlea

Amplifies sound intensity across frequencies

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At what frequency do the auditory ossicles provide peak amplification?

1000 Hz

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How do the auditory ossicles transduce sound?

through transducing the mechanical motion of the ossicles to fluid motion in the cochlea (from the stapes moving in and out of the oval window)

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Sound transfer functions of the middle ear

sound intensity amplified across frequencies with peaked amplification at 1000 Hz

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Problem of sound transmission - What happens when vibration of sound wave transfers from the tympanic membrane in the air to fluid-filled cochlea?

Most of the acoustic energy will be reflected because the difference of acoustic impedance between the two sound media.

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Solutions to the sound transmission problem

impedance mismatch problem - increase pressure/force at the oval window

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sound mismatch issue

During the change between the ear drum and the fluid motion of the cochlea, the two mediums cause impedance mismatching. The sounds are mostly reflected (bouncing off an oval window).

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Three mechanisms for impedance mismatch problem

area ratio, lever system, buckling of eardrum

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Area Ratio (hydraulic affect)

Sound vibrates the large eardrum, but this force is concentrated onto the much smaller stapes footplate, greatly increasing pressure (approx. 18x gain)

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lever system

The malleus and incus act as a lever, multiplying the force by about 2.1 times.

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Buckling of ear drum

buckling motion increases the force transmitted to the middle ear's ossicles, effectively amplifying the sound pressure

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acoustic reflexes

stapedius and tensor tympani (middle ear muscles) contract to lower sound transmission in the middle ear after receiving intense sounds

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acoustic reflexes purpose

protects inner ear from intense sounds