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Alliteration
the repetition of consonant sounds at the beginning of words in close proximity to one another
Allusion
reference to another work
Antagonist
the person or thing working against the protagonist
Blank Verse
unrhymed iambic pentameter. Each line consists of 10 syllables, with every other syllable, beginning with the second, stressed. Shakespeare’s plays are written in this form
Climax
the turning point, and usually the most intense point in a story
Conflict
the struggle in a story that triggers the action
Person v Person
Conflict between characters
Person v society
conflict between a character and some element of society, such as the law or societal standards
Person v self
conflict between urges, desires, instincts, or other feelings within a single character
Person v nature
conflict between a character or characters and a force of nature (cold, storms, etc.)
Person v fate
conflict between a character and an external force that he/she cannot control but that controls his/her life
deus ex machina
a person or thing that suddenly appears to deliver characters from an impossible situation. The term means “god out of the machine” and originated in ancient Greek dramas where it referred to gods and goddesses being lowered to the stage in a crane disguised as a flying chariot to rescue characters in an impossible predicament
Dialogue
the conversation between characters
Diction
the type of words a writer uses
Dramatic irony
the reader sees a character’s mistakes or misunderstandings, but the character does not
Dynamic character
a character who undergoes a change in the course of a story
Flashback
a narrative device that takes the reader back to an earlier time than the events of the story
Foreshadowing
the use of subtle hints to prepare the reader for something that will come later in the story
Free verse
poetry without a regular meter or rhyme scheme
Genre
refers to a category or type of literature based on its style, form, or content. Examples are the gothic novel and the American western
Imagery
refers to words or phrases based on sensory details, used by writers to create a concrete picture in the reader’s mind
in media res
a narrative technique which begins in the middle of a story, then takes the reader back to events that led up to that point, and concludes after the point where the story began. The term means “in the middle of things”
Metaphor
a comparison of two unlike things in which no word of comparison is used
Meter
the patterned repetition of stressed and unstressed syllables in a line of poetry
Narrator
the person telling the story
Onomatopoeia
the use of a word whose sound suggests its meaning
Paradox
a statement that appears to be contradictory but actually contains a germ of truth
Parody
a form of satire that imitates a particular work and its style
Personification
attributing human characteristics to something non-human
Plot
the action or sequence of events in a story
Omniscient POV
the narrator relates what all the characters think
Third-person limited POV
the narrator relates what some of the characters think
Third-person objective POV
the narrator relates only what the characters say and do; he does not interpret their behavior
First person POV
the narrator is someone involved in the story, so the events are related using the first-person pronouns
Satire
describes both a tone and type of literature that ridicules or mocks something with the intent of pointing out its weaknesses or failings and of correcting it
Setting
the time and place in which the action of a work occurs
Simile
a comparison of two unlike things using like or as to make the comparison
Static character
a character who does not change in the course of the story
Stanza
segments of a poem
Stream of consciousness
a narrative technique which follows the thoughts and feelings of the narrator as they occur
Style
the particular qualities and characteristics of form that distinguish a writer’s work from others’ works
Symbol
something concrete used to represent something abstract
Theme
general idea conveyed by a work (not a moral or lesson) expressed as a universal idea, with no direct reference to the details of the story
Tone
the emotional coloring of the work (belongs to the work, not the author)
Verbal irony
the reader sees a twist between what a character says and what actually is