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The prelude: the power of nature and the sublime
‘a huge peak, black and huge [...] upreared its head’
The prelude: internal conflict, reflection and memory
‘o’er my thoughts / there hung a darkness’
The prelude: pyschological fear/trauma
‘like living men, moved slowly through the mind’
My last duchess: the objectification of women, and jealousy
‘she looked on, and her looks went everywhere’
My last duchess: abuse of authority
‘then all smiles stopped together’
My last duchess: pride and arrogance - obsession with status
‘my gift of a nine-hundred-years-old name / with anybody’s gift’
Ozymandias: the hubris of Ozymandias
‘Look on my words, ye Mighty, and despair!’
Ozymandias: the tyranny of Ozymandias
‘sneer of cold command’
Ozymandias: the mortallity of human power and the power of nature
‘boundless and bare, the lone and level sands stretch far away’
London: mental confinement
‘mind-forged manacles’
London: the control the rich has over the poor, social inequality
‘I wander through each chartered street, Near where the chartered Thames does flow’
London: corruption of institutions
‘every black’ning church appalls’
Checking out me history: identity and cultural heritage
‘Dem tell me bout 1066 and all dat… / But Toussaint L’Ouverture / no dem never tell me bout dat’
Checking out me history: empowerment
‘I carving out me identity’
Checking out me history: resistance to colonial power
‘But now I checking out me own history’
Kamikaze: long-term consequences of war on identity and family
‘he must have wondered / which had been the better way to die’
Kamikaze: nationalism and propaganda
‘a one-way / journey into history’
Kamikaze: social ostracism/shame
‘treated him / as though he no longer existed’
Exposure: the misery and pyschological impact of war
‘dawn beings to grow [...] / we only know war lasts’
Exposure: nature as a larger enemy
‘all their eyes are ice, / but nothing happens’
Exposure: the loss of faith and humanity/love that war evokes
‘for God’s invincible spring our love is made afraid’
Charge of the Light Brigade: military duty/obedience of soldiers
‘Cannon to right of them, / Cannon to left of them, / Cannot in front of them’
Charge of the Light Brigade: the heroism and sacrifice of the soldiers
‘While horse and hero fell / They fought so well’
Charge of the Light Brigade: the horror and brutality of war
‘Came thro’ the jaws of Death’
Storm on the Island: human resilience against nature’s power
‘we are prepared: we build our houses squat’
Storm on the Island: the power of nature
‘it is a huge nothing that we fear’
Storm on the Island: zoomorphism, personification of nature
‘spits like a tame cat / turned savage’
Bayonet charge: a critique of patriotism
‘King, honour, human dignity, etcetera’
Bayonet charge: the destruction of nature
‘threw up a yellow hare that rolled like a flame’
Bayonet charge: the brutality of war
‘bullets smacking the belly out of the air’
Remains: affects of PTSD on memory
‘Probably armed, possibly not’
Remains: the dehumanisation of victims
‘tosses his guts back into his body’
Remains: theme of blood and how it causes pyschological detriment
‘his bloody life in my bloody hands’
Poppies: the pain of loss and grief
‘spasms of paper red, disrupting a blockade / of yellow’
Poppies: the pyschological impact of war
‘steeled the softening of my face’
Poppies: themes of freedom and letting go
‘released a song bird from its cage’
War photographer: the horrors of war and detachment of the western world
‘Belfast. Beirut. Phnom Penh’
War photographer: pyschological and traumatic effects on photographer
‘a half formed ghost. He remembers’
War photographer: religious imagery
‘all flesh is grass’
Tissue: the fragility of human life and power
‘paper thinned by age or touching’
Tissue: human power limitation and instability
‘fly our lives like paper kites’
Tissue: the transicence of life vs the permanence of nature
‘daylight breaks / through capitals and monoliths’
The Emigree: memory and identity
‘There was was a country…’
The Emigree: the effects of conflict and tyranny
‘It may be at war, it may be sick with tyrants’
The Emigree: the speaker’s ubreakable connection to her homeland
‘my city hides behind me’