American Art Final

William Sidney Mount,The Power of Music,
1847

George Caleb Bingham, Fur Traders Descending
the Missouri, 1845

Eastman Johnson, Life in the South (Kentucky Home), 1859

WINSLOW HOMER, The Veteran in a New Field, 1865.
Oil on canvas, 2’ 1/8” x 3’ 2 1/8”.

Daniel Burnham (coordinating architect), The Great Basin,
World’s Columbian Exposition, 1893, Chicago

Adler & Sullivan,
Guaranty (Prudential)
Building, Buffalo, 1895

THOMAS
EAKINS, The
Gross Clinic, 1875.
Oil on canvas, 8’ x
6’ 6”. Jefferson
Medical College of
Thomas Jefferson
University,
Philadelphia

JAMES ABBOTT
MCNEILL
WHISTLER, Nocturne
in Black and Gold
(The Falling Rocket),
ca. 1874

JOHN SINGER SARGENT, The Daughters of Edward
Darley Boit, 1882. Oil on canvas, 7’ 3 3/8” x 3 5/8”

MARY CASSATT, The
Bath, ca. 1892. Oil on
canvas, 3’ 3” x 2’ 2”. The
Art Institute of Chicago,
Chicago (Robert A. Walker
Fund)

Howells and
Hood, Tribune
Tower, Chicago,
IL 1922-25

Wright, Robie House, Chicago, IL, 1908-09

FRANK LLOYD WRIGHT, Kaufmann House
(Fallingwater), Bear Run, Pennsylvania, 1937

WILLIAM VAN ALEN,
Chrysler Building, New
York, New York, 1928–
1930. Spire of stainless
steel, overall height
1,048’

George
Bellows, Cliff
Dwellers, 1913

EDWARD HOPPER, Nighthawks, 1942. Oil on canvas, 2’
6” x 4’ 8 11/16”

GRANT WOOD,
American Gothic,
1930. Oil on
beaverboard, 2’ 5
7/8” x 2’ 7/8”

Installation photo of the Armory Show, New York National
Guard’s 69th Regiment, New York, 1913

MARCEL DUCHAMP, Nude
Descending a Staircase, No. 2,
1912. Oil on canvas, approx.
4’ 10 “x 2’ 11”

MARCEL
DUCHAMP, Fountain,
(second version), 1950
(original version
produced 1917).
Ready-made glazed
sanitary china with
black paint, 12” high

ALFRED
STIEGLITZ, The
Steerage, 1907

DOROTHEA
LANGE, Migrant
Mother, Nipomo
Valley, 1936.
Gelatin silver print

Walter Gropius with Marcel Breuer, Gropius
Residence, Lincoln, MA, 1937

LUDWIG MIES VAN DER
ROHE and PHILIP
JOHNSON, Seagram
Building, New York, 1954–
1958.

MICHAEL GRAVES, The Portland Building,
Portland, Oregon, 1980

Jackson Pollock, Autumn Rhythm (Number 30), 1950

WILLEM DE
KOONING, Woman I,
1950–1952. Oil on
canvas, 6’ 3 7/8” x 4’
10”

Jasper Johns, Three Flags, 1958

Jasper Johns, Three Flags, 1958

ANDY WARHOL, Green
Coca-Cola Bottles, 1962.
Oil on canvas, 6’ 10 1/2”
x 4’ 9”. Collection of
Whitney Museum of
American Art

MAYA YING LIN, Vietnam Veterans Memorial, Washington,
D.C., 1981–1984. Black granite, each wing 246’ long

FRANK GEHRY, Guggenheim Museum, Bilbao,
Spain, 1997

RICHARD SERRA, Tilted
Arc, 1981. Cor-Ten steel,
12’ x 120’ x 2 1/2”.
Installed Federal Plaza,
New York City by the
General Services
Administration,
Washington D.C. Removed
by the U.S. Government
1989.

ROBERT SMITHSON, Spiral Jetty, 1970. Black rock, salt
crystals, earth, red water (algae) at Great Salt Lake, Utah.
1,500’ x 15’ x 3 1/2’

Christo & Jeanne-Claude, Running Fence,
Sonoma and Marin Counties, California,
1972-76

JUDY CHICAGO, The Dinner Party, 1973-79. Multimedia,
including ceramics and stitchery, 48’ x 48’ x 48’ installed.