Design History: Quiz 3

Raymond Loewy, Sears Coldspot Refrigerator, 1935; enameled steel exterior; American Industrial Designer in the 1930s

Walter Gropius and Adolf Meyer, Bauhaus Building, Dessau, Germany, 1925-26 [exterior]; Bauhaus

Marianne Brandt, tea pot and infuser, 1924 [silver plate and ebony, manufactured by the

Bauhaus Metal Workshops]; Constructivist Bauhaus

Marcel Breuer, Wassily Chair (also Club Chair), 1925 [bent tubular steel and canvas]; Modernism and the Avant-Garde

Margarete Schutte Lihotsky, Frankfurt Kitchen, 1924; Bauhaus

Henry Dreyfuss, model 302 telephone, 1937 (black); Modernism after World War II

Arne Jacobsen, Egg Chair, 1957; German and Scandinavian Design

Poul Hennningsen, Artichoke lamp, 1958; copper, Louis Poulsen Company, Copenhagen; German and ScandinavianDesign

Dieter Rams, Phonosuper SK4 Phonograph Radio, 1956; wood and plastic, made by Braun

(Germany); German and Scandinavian Design

Dieter Rams, 606 Universal Shelving System, aluminum, powder-coated steel, lacquered fiber-board, mfd. Vitsoe, beginning 1960; German and Scandinavian Design

Alvar Aal, Paimio chair, 1931-2; German and Scandinavian Design

Hans Wegner (Danish), oak and cane armchair, manufactured in Denmark, 1949; German and Scandinavian Design

Henry Dreyfuss, illustration of Josephine and Joe Jr, 1955; [from Designing for People]; Modernism after World War II

Charles and Ray Eames, Lounge chair with ottoman, 1956 (and after)

Charles and Ray Eames, Eames Storage Unit (ESU), 1950; plastic coated plywood, lacquered masonite, and chrome plated steel, mfd. By Herman Miller, Zeeland, MI; Modernism after World War II

Charles and Ray Eames, Case Study House no 8 (or Eames House), Santa Monica, CA, 1949; Modernism after World War II; De Stijl

Eero Saarinen, Tulip Chair, 1956; fiberglass-plastic seat and aluminum base, manufactured by Knoll Associates;

George Nelson Associates, Marshmallow Sofa, 1954; Modernism After World War II

Skidmore, Owings & Merrill, Union Carbide offices, New York, 1957; American Office Spaces,

1950s and 1960s