Art History: 1500-1860

Lucas Cranach the Elder, Portrait of Martin Luther, 1528, oil on panel. Lutherhaus.

Frans Hogenberg, Destruction of the Cathedral of Our Lady l of Our Lady in Antwerp during the Beeldenstorm, hand-coloured engraving, 1566.

Gerard David, The Virgin and Child with Saints and Donor, c.1510, oil on oak. The National Gallery, London.

Pieter Bruegel the Elder, The Dutch Proverbs, 1559, oil on oak. Gemäldegalerie, Staatliche Museen zu Berlin.

Pieter Bruegel the Elder, Hunters in the Snow, 1565, oil on panel. Kunsthistoriches Museum, Vienna.

Pieter Bruegel the Elder, The Tower of Babel, 1563, oil on panel. Kunsthistorisches Museum, Vienna.

Pieter Aertsen, A Meat Stall with the Holy Family Giving Alms, 1551, oil on panel. North Carolina Museum of Art.

Albrecht Dürer, Self-Portrait, 1500, oil on panel. Alte Pinakothek.

Albrecht Dürer, Hare, 1502, drawing. Albertina, Vienna.

Hieronymus Bosch, Last Judgment Triptych, 1504-08,Oil on Panel. Akademie für bildenden Künste, Vienna.

The Law and the Gospel, c. 1529, oil on wood. Herzogliches Museum, Gotha, Germany

Hans Holbein the Younger, Portrait of Anne of Cleves, 1539, oil and vellum on canvas, 1539. Musée du Louvre.

Lucas Cranach, The Law and the Gospel, 1528-1532, woodcut on paper, 270 mm x 325 mm. British Museum.

Frans Hogenberg, The Beheading of Egmond and Hoorn, ca. 1570, etching. Rijksmuseum.

Hieronymus Wierix, after Ambrosius Francken, Youth (Midday), from "The Four Ages of Man and Death with the Last Judgment”, c.1577, engraving. Metropolitan Museum of Art.

Theodore de Bry, Christopher Columbus arrives in America,1594, engraving, from Collected travels in the east Indies and west Indies (Frankfurt am Main: T. de Bry, 1594). Rijksmuseum.

Rembert Dodoens, Cruydeboeck, 1554, woodcuts. Printed by Plantin in Antwerp.

Albrecht Dürer, Saint Jerome in His Study, 1514, engraving. Metropolitan Museum of Art.

Jacob Matham (after Hendrikus Goltzius), Sperm whale beached near Berkhey on 3 February, 1598, 1598, engraving. Metropolitan Museum of Art.

Abraham Ortelius, Theatrum Orbis Terrarum, 1570, printed book with engravings.

Hans Holbein the Younger, The Ambassadors, 1533, oil on oak, 207 x 209.5 cm The National Gallery, London.

Pieter Coecke van Aelst, Customs and Fashions of the Turks, 1553, woodcut, 35.5 × 455.7 cm. Metropolitan Museum of Art.

Leonardo da Vinci, Vitruvius Man, 1492, Pen, ink, watercolour and metalpoint on paper. Gallerie dell’Accademia.

Leonardo Da Vinci, Lady with an ermine, (c. 1489–1491). Oil on walnut. Czartoryski Museum, Kraków.

Giancristoforo Romano, Portrait medal of Isabella d’Este , 1495 – 1498, gold with diamonds and enamel, 7 cm diameter (KHM, Vienna).

Nicola da Urbino, Armorial Plate (tondino): The story of King Midas, c. 1520–25, maiolica (tin-glazed earthenware), 27.5 cm diameter. The Metropolitan Museum of Art, Robert Lehman Collection.

Raphael, Julius II, 1511. National Gallery.

Michelangelo, Delphic Sibyl, c. 1508-1512, fresco. Sistine Chapel.

Raphael, The Acts of the Apostles Tapestry Series, c. 1517-1520, linen, wool, silk, gold thread. Vatican Museum.

Raphael, The miraculous draught of the fishes, c. 1517-1520, linen, wool, silk, gold thread. Vatican Museum.

Giorgione, Adoration of the Shepards, 1505-1510, oil on panel. National Gallery.

Titian, Venus of Urbino, c. 1538. Uffizi Gallery.

Workshop of Rosso Fiorentino, Gallery of Francis I, Château de Fontainebleau, 1533–1540.

Cantino Planisphere, 1502, ink and pigment on vellum, 102 x 218 cm.

Equestrian Oba and Attendants, 1550–1680, Nigeria, Court of Benin, Edo peoples, brass, 49.5 x 41.9 x 11.4 cm. Metropolitan Museum of Art.

Crucifix, 16th–17th century, Democratic Republic of the Congo, Kongo peoples, solid cast brass, 27.3 cm high. The Metropolitan Museum of Art.

Belém Monstrance, attributed to Gil Vicente, 16th century, gold and polychrome enamels, 73 cm x 32 cm x 26 cm

Attributed to Jorge Afonso’s workshop, Annunciation, 1515, oil on panel. Museu Nacional de Arte Antiga, Lisbon.

Lidded Saltcellar, 15th–16th century (Sierra Leone, Sapi-Portuguese), ivory, 29.8 cm high. The Metropolitan Museum of Art, New York.

Caravaggio, The Calling of St. Matthew, 1597-1602, oil on canvas. Contarelli Chapel, San Luigi dei Francesi, Rome.

Caravaggio, The Inspiration of St. Matthew, 1597-1602, oil on canvas. Contarelli Chapel.

Caravaggio, The Martyrdom of St. Matthew, 1597-1602, oil on canvas. Contarelli Chapel.

Caravaggio, Conversion of Saint Paul, 1600-1601, oil on canvas. Santa Maria del Popolo, Rome.

Caravaggio, Crucifixion of Saint Peter, 1600- 1601, oil on canvas. Santa Maria del Popolo.

Artemisia Gentileschi, Judith Beheading Holofernes, c. 1619-1620, oil oncanvas. Uffizi

Lavinia Fontana, Mars and Venus, 1595, oil on canvas. Liria Palace.

Artemisia Gentileschi, Self-Portrait as Saint Catherine of Alexandria, c. 1616, oilon canvas. National Gallery.

Artemisia Gentileschi, Penitent Magdalene, c. 1615–16, oil on canvas, 146.5 × 108 cm (Palazzo Pitti, Uffizi, Florence).

Guido Reni, Penitent Magdalene, c. 1635, Oil on canvas, 90.8 x 74.3 cm. Walters Art Museum, Baltimore, Maryland.

Bernini, Apollo and Daphne, 1622-1625, marble. Borghese Gallery.

Bernini, The Ecstasy of Saint-Theresa, 1644-1652. Santa Maria della Vittoria.

Bernini, Baldachino, St. Peter’s Basilica, 1623–1634, bronze.

Bernini, Colonnade at St. Peter’s Square, 1656 – 1667.

Francesco Caporale, Bust of Antonio Emmanuele Ne Vunda, 1608, black marble, polychromy. Baptistery of Santa Maria Maggiore.

Gian Lorenzo Bernini, Fountain of the Four Rivers (Fontana dei Quattro Fiumi), Piazza Navona, Rome, commission by Pope Innocent X, 1651, marble.

Rubens, Vincenzo Gonzaga and His Family in Adoration Before the Holy Trinity,
1604-1605, oil on canvas. Mantua.

Rubens, Elevation of the Cross, ca. 1610-1611, oil on panel. Antwerp, OnzeLieve-Vrouwenkathedraal.

Rubens, Descent from the Cross, 1612-1614, oil on panel. Antwerp, Cathedral of Our Lady.

Rubens, Samson and Delilah, c. 1609, oil on panel. National Gallery (London).

Rubens, Cycle for Maria de Medici, Presentation of the Portrait of Marie de’Medici, 1622-1628, oil on canvas. Louvre.

Rubens (designer), Manufacture Jan II Raes, Hans Vervoert, Jacques Fobert, Brussels, Defenders of the Eucharist, 1627-1632. Silk and wool.

Rubens, Portrait of Clara Eugenia as a Nun, 1625, oil on canvas. Norton Simon
Museum.

Rubens, portrait of Clara Serena Rubens, c. 1616, canvas laid on panel. Lichtenstein Princely Collections.

Portrait of Isabella Brant, ca. 1622, black and red chalk, white highlight, British Museum.

Rubens, The Fur (het Pelsken), ca. 1632-38, oil on panel. Kunsthistorisches Museum, Vienna.

Rubens, Landscape Het Steen, c. 1635, oil on wood. National Gallery, London.

Self-Portrait, 1640, oil on canvas. National Portrait Gallery, London.

Antoon Van Dyck, Suzanna Fourment and her daughter, c. 1620-1621, oil on panel. National Gallery, Washington D.C.

Van Dyck, Samson and Delilah, c. 1618- 1620, oil on canvas. Dulwich Picture
Gallery, London.

Anthony van Dyck, Self-Portrait, ca. 1627–35 Etching (first state). The Fitzwilliam Museum, Cambridge.

Anthony van Dyck, Portraits of Sir Robert Shirley and Teresia Sampsonia Lady Shirley, 1622, Oil on canvas. National Trust, Petworth House.

Jacob Jordaens, Miraculous draught of the fishes, c. 1640, oil on canvas. Kunsthistorisches Museum.

Jacob Jordaens, As the old sang, so pipe the young, 1638, oil on canvas. KMSKA.

Michaelina Wautier, Triumph of Bacchus, ca. 1650-1659, oil on canvas, Kunsthistorisches Museum.

Michaelina Wautier, Two girls as Saint Agnes and Saint Dorothea, c. 1650s, oil on canvas. KMSKA.

Willem van Haecht, The Gallery of Cornelis van der Geest, 1629. Oil on panel, 99 cm x 129.5cm. Rubenshuis,Antwerp.

Jan van Goyen, Rhine Landscape near Elten, 1645, oil on canvas. Leipzig.

Frans Hals, Regentesses of the Old Men’s Alms House, 1664, oil on canvas. Frans Hals Museum.

Frans Hals, The Laughing Boy, c. 1625, oil on panel. Mauritshuis.

Judith Leyster, Self-Portrait, c. 1630, oil on canvas. National Gallery, Washington D.C.

Judith Leyster, Girl with a straw hat, c. 1630-1640, oil on panel.

Rambrandt, The Blinding of Samson, oil on canvas, 1636. Städelmuseum, Frankfurt.

Rembrandt, The Night Watch, 1642, oil on canvas. Rijksmuseum.

Rembrandt, Bathsheba, 1654, oil on canvas. The Louvre.

Rembrandt, Self-Portrait with Two Circles, c. 1660, oil on canvas. Kernwood House, London.

Rembrandt, Beggars receiving alms at the house, 1648, etching, dry point. Metropolitan Museum of Art.

Vermeer, The View of Delft, c. 1660-1661, oil on canvas. Mauritshuis.

Vermeer, The Girl with Pearl Earring, 1665, oil on canvas. Mauritshuis.

Vermeer, Girl reading a letter at the open window, c. 1657- 1659, oil on canvas.Gemäldegalerie Alte Meisters, Dresden.

Pieter Jansz Saenredam, Interior of the Church of St Bavo in Haarlem, 1636, oil on panel. Rijksmuseum.

Rachel Ruysch, Vase of Flowers with an Ear of Corn, 1742, oil on canvas. National Gallery of Ireland.

Maria Van Oosterwijck, Vanitas, 1668, oil on canvas. Kunsthistorisches Museum, Vienna.

Maria Schalcken, Boy Offering Grapes to a Woman, ca. 1675–82, oil on panel. The Leiden Collection.

Hyacinthe Rigaud, Portrait of Louis XIV, 1700-1701, oil on canvas, 277 cm × 194 cm. Louvre.

Charles Le Brun, Entry of Alexander into Babylon, 1664- 1665, oil on canvas, 4,5 m x 7,07 m. Louvre.

Charles Le Brun, study for the head of Alexander, c. 1662-1665, pastel on paper. Louvre.

Charles Le Brun (designer), Atelier Lesage (weaving), Entry of Alexander into Babylon, before 1680, wool, silk, and gold. Mobilier National.

Tesselin, Cartoon for the Entry of Alexander in Babylon, c. 1663, oil on canvas. Mobilier National.

Girard Audran (after Charles Le Brun), The Entry of Alexander into Babylon, 1672-1678, engraving, Paris, BnF.

Velázquez, The Water Seller of Seville, 1623, oil on canvas. Wellington Museum, London.