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Octave
an eight line stanza or poem, often used in petrarachan sonnets to establish a thematic problem, tension, or situation, typically in iambic pentameter
stanza
a poem’s building block, a unit of lines that convey a similar idea of theme
refrain
a line, phrase, or group of lines repeated at regular intervals, typically at the end of a stanza, creating rhythm and emphasis within the poem.
caesura
complete pause or break within a line of poetry, usually near the middle that creates a dramatic shift in rhythm and mirrors natural speech patterns
volta
dramatic shift in tone, argument, or perspective within a poem
blank verse
poetry written with a precise, consistent meter; almost always iambic pentameter that does NOT RHYME
free verse
a type of poetry that does not use consistent meter patterns, rhyme, or any musical patterns
ballad
a form of narrative poetry, often set to music, that tells a dramatic, tragic, or romantic story in simple language, typically using four-line stanzas
lyric
a short, non-narrative poem that expresses the personal, intense emotions or state of mind of a single speaker
elegy
a serious, melancholy poem or song that lament the death of a specific person or reflects on a broader sense of loss grief, and mourning
ode
a formal, often ceremonious lyric poem that praises or glorifies a person, place, thing, or idea
sonnet
a 14-line poem, traditionally written in iambic pentameter with a strict rhyme scheme
English/Shakespearean sonnet
14 line poem written in iambic pentameter, structured into three quatrains and a concluding rhyming couplet
Spenserian sonnet
14-line poem in iambic pentameter invented by 16th century poet Edmund Spenser, characterized by an interlocking rhyme scheme of abab bcbc cdcd
Italian/Petrarchan sonnet
14-line poem, often iambic pentameter, structured into an 8-line octave presenting a problem and a 6-line sestet offering a solution
villanelle
a highly structured 19-line poem with French origins, consisting of five tercets followed by a concluding quatrain
allusion
a brief, indirect reference to a person, place, thing, or idea of historical, cultural, literary or political significance
analogy
a comparison between two different things that highlight their similarities, usually to explain a complex concept or make an arguement
apostrophe
a punctuation mark used to indicate the omission of letters, possessive care, or occasionally plurals
antithesis
a figure of speech characterized by strongly contrasting words, clauses, sentences, or ideas, as in “Man proposes; God disposes.” Antithesis is a balancing of one term against another for emphasis or stylistic effectiveness. “love is an ideal thing, marriage is a real thing.”
connotation
the emotional, cultural, or implied meanings associated with a word beyond its literal definition
denotation
the literal or objective, or “dictionary definition” of a word, devoid of any emotional, cultural or associated feelings
diction
the specific choice and use of words and phrases in speech or writing, often chosen to convey a particular tone, style or meaning
end-stopped line
poetic device where a line of poetry ends with a natural pause, marked by punctuation ro the end of a phrase/clause
enjambment/run-on line
technique where a sentence, phrase, or a clause continues across a line break without terminal punctuation creating a rapid…something I can’t read
figurative language
the use of words or phrases that deviate from the literal dictionary definitions to add creative depth
simile
figure of speech that directly compares two different things to create a vivid image, uses “like” or “as”
metaphor (direct and implied)
a figure of speech that directly compares two unrelated things by stating one is the other to highlight a shared quality
conceit
excessively favorable opinion of one’s own ability, vanity, or pride
allusion
brief, indirect reference in speech to a well-known person, place, event, or literary work, intended to add deeper meaning without long explanation
personification
give an inanimate object human qualities
hyperbole
extreme exaggeration to emphasize a point, evoke strong feelings or create humorous effect
idiom
phrase who’s meaning cannot be understood from the literal definition but through common cultural usage. ie: who let the cat out of the bag
imagery
visually descriptive or figurative language
metonymy
a figure of speech where a concept is referred to by the name of something closely associated with it, rather than its literal name
synecdoche
a figure of speech where a part of something represents its whole, or vice versa, to create vivid, concise imagery. Common examples include using "wheels" for a car
synaesthesia
the concurrent response of two or more senses to the stimulation of one. For example, describing something as “cool green.”
alliteration
the repetition of usually initial consonant (NO VOWELS) sounds in two or more neighboring words or syllable
assonance
the repetition of vowel sounds without repeating consonants; sometimes called vowel rhyme.
consonance
the repetition of the same consonant sounds within a group of words: Zach sneezed when he heard jazz music
onomatopoeia
the naming of a thing or action by a vocal imitation of the sound associated with it; the creation of words that imitate natural sounds
approximate rhyme (also called “near” or “slant” rhyme)
a type of rhyme that uses words with similar but not identical sounds
end rhyme
occur when words rhyme at the ends of different lines in poetry
internal rhyme
occur within a single line of verse, or between internal phrases across multiple lines
feminine rhyme
a rhyme involving two syllables
masculine rhyme
two word rhyme at the end of two lines of poetry and when those words final syllables are stressed
sight (eye) rhyme
a poetic devise wherein two words are spelled similarly, but pronounced differently
couplet
two lines that are consecutive that rhyme
heroic couplet
a traditional poetic form consisting of two successive lines of verse that rhyme and are written in iambic pentameter
tercet
group of 3 lines, rhymed or unrhymed
quatrain
a stanza or poem consisting of exactly four lines, usually employing a specific rhyme scheme and meter
sestet
a 6-line stanza or the final six lines of an Italian sonnet, typically used to provide a resolution, shift in tone, or final reflection