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God / Divine in Nature
a recovery and reconnection with God and the divine through nature, seeing nature as part of a spiritual or natural state
Wordsworth, Keats
pantheism, nature = spiritual truth
Reverence for the innocence of childhood
a desire to reclaim childhood innocence lost through industrialisation and the corrupting influence of the enlightened world
Blake, Wordsworth
innocence vs experience, loss of purity through adulthood
Interests in the ‘outcasts’ of society
Power of the Imagination and Emotion
the power of imagination and creativity to create freedom from the constraints of the world, escaping transience and limitation
Wordsworth, Keats
imagination as truth, emotional + visionary perception
The sublime
awe-inspiring and overwhelming nature that is both beautiful and terrifying
Wordsworth, Shelley
human insignificance, nature’s power
fight against uniformity
rejection of conformity and control in society and thought
Blake, Shelley
individuality, rebellion, anti-authoritarian ideas
solace in nature
nature provides solace from the industrial, rational, and oppressed world of the late 18th and early 19th century
Wordsworth, Keats
nature as emotional escape and healing
rebels against neo-classical canon
romantics reject neoclassical poetry in favour of creativity, imagination and emotional expression rather than strict rules and order
Blake, Wordsworth, Shelley
breaking form, emotional freedom, anti-rational structure
rebels against societal, bourgeois, political norms
Poetry challenges authority, class systems and political oppression
Blake, Shelley, Byron
protest, power critique, social injustice
Favours the individual
Focus on personal experience, identity and subjective truth over society
Wordsworth, Byron
inner life, selfhood, personal perception
Against the individual
Industrialisation is seen as destructive to nature, humanity and spirituality
Blake, Wordsworth
factories = corruption, nature = pity
The importance of the poet as a visionary prophet
Poets are seen as visionaries who reveal truth and guide society morally and spiritually
Blake, Shelley
poetry as guidance, social/spiritual authority
An interest in the ‘primitive’ - medieval and mythological inspiration from ancient times
a return to the primitive world (without modern tech), reclaiming a time when humanity was closer to nature and before Enlightenment rationalism
Keats, Shelley
myth, Greece, medieval settings, escape from modernity