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Lacoon and His Sons
No Artist, Hellenistic Greece 150 BCE

Trinity
Masaccio, c. 1425-26

The Madonna of Chancellor Rolin
Jan van Eyck, 1430-34

Andrea Mantegna
No Artist, Dead Christ, c. 1480

The Birth of Venus
Sandro Botticelli. c. 1482-86

Vitruvian Man
Leonardo da Vinci, c. 1490

The Four Horsemen
Albrecht Dürer, 1498

Tempietto
Donato Bramante, San Pietro in Montorio, Italy, c. 1502

Mona Lisa
Leonardo da Vinci, c. 1503-6

Studies of the Fetus in the Womb
Leonardo da Vinci, c. 1510-13

The Libyan Sibyl
Michelangelo, 1511-12

Self-Portrait in a Convex Mirror
Parmigianino, c. 1524

Venus of Urbino
Titian, 1538

Elenora of Toledo and Her Son Giovanni
Agnolo Brozino, c. 1545

Landscape with the Fall of Icarus
Pieter Bruegel the Elder, c. 1555-58

The Calling of St. Matthew
Caravaggio, c. 1599-1600

The Tiber from Monte Mario Looking South
Claude Lorrain, 1640

The Ecstasy of St. Teresa
Gianlorenzo Bernini, 1647-52

Las Meninas
Diego de Silva y Velázquez. c. 1656

Woman Holding a Balance
Johannes Vermeer. c. 1664

Madonna with the Long Neck
Parmigianino

How does "Madonna with the Long Neck" exemplify the Mannerist style?
Intentionally rejecting the High Renaissance ideals of harmony and realistic proportions
The Oath of the Horatii
Jacques-Louis David, 1784

How does "The Oath of the Horatii" exemplify the Neoclassical style?
Prioritizing civic duty over personal emotion, utilizing a mathematically precise composition, and adopting the stoic, idealized aesthetics of ancient Rome.
The Swing
Jean-Honore Fragonard, 1766

How does "The Swing" exemplify the Rococo style?
Through its emphasis on romantic frivolity, flirtatious eroticism, and lush, dreamlike settings
Liberty Leading the People
Eugene Delacroix, 1830

How does "Liberty Leading the People" exemplify the style of Romanticism?
By prioritizing intense emotion, sweeping brushwork, and the glorification of individual liberty over classical restraint.
The Village Bride
Jean-Baptiste Greuze, 1761

How does "The Village Bride" reject the Rococo sentimentality in the painting?
By replacing idealized aristocratic leisure with honest, uncorrupted peasant morality. The painting elevates the lower classes, focusing on restrained emotion, familial duty, and natural virtue.
The Marriage of the Virgin
Raphael

The School of the Athens
Raphael

Judith Beheading Holofernes
Artemisia Gentileschi

The Arnolfini Portrait
Jan van Eyck

The Last Supper
Leonardo da Vinci

David (Donatello)

David (Michelangelo)

Saint Martin and the Beggar
El Greco

David (Bernini)

The Marriage Contract
Jean-Baptiste Greuze
