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structure point
loose use of sonata form
structure main points
use of slow intro
short, weak, ‘questionable’ second subject
largely disproportionate balance of exposition, development, recapitulation
structure effects points
less commonly used in Classical period, example of Berlio'z’s progressive character toward Romantic period when it comes to composition of music
barely different from idée fixe (shows constant, obsessive thought of the actress), very short, insignificant throughout the symphony in comparison to the first subject
exposition repeated, reaffirming main musical material of movement. development VERY short, reflects Berlioz’s focus on narrative + colour over traditional structural forms. EXTENSIVE recapitulation, contrasts with the compressed development and intensifies the resolution
structure WL points
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tonality point
experimental approach to tonality
use of adventurous modulations and thematic recall to unify a wide range of keys
tonality main points
INTRO: modulation to Db (Neapolitan of C on Ab pedal after interrupted cadence)
DEV: tonality is loose; obscured by chromaticism in melody and harmony
RECAP: sequential use of idée fixe to hint at different colourful shifts in tonality throughout the piece
tonality WL points
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