history of performance

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Last updated 10:21 PM on 5/27/26
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77 Terms

1
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What is performance?

A live embodied action happening in time and context.

2
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What is performativity?

Repeated actions that create identity and social reality.

3
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Difference: performance and performativity?

Performance is a live event; performativity is identity formed through repetition.

4
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Who developed gender performativity?

Judith Butler

5
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What does Butler say about gender?

Gender is something we do repeatedly, not something we naturally are.

6
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Who described performance as restored behavior?

Richard Schechner

7
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What is restored behavior?

Repeated behavior based on social patterns, rituals, or traditions.

8
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What is “twice-behaved behavior”?

Behavior that is rehearsed or repeated rather than spontaneous

9
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What are examples of restored behavior?

Weddings, protests, rituals, professional behavior.

10
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Who used front stage/back stage theory?

Erving Goffman

11
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What is front stage?

The public version of ourselves

12
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What is back stage?

The private version of ourselves

13
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According to Goffman, do we have one fixed identity?

No, identity changes depending on context and audience.

14
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What is embodiment?

Meaning experienced through the body.

15
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What is corporeality?

The body as material, vulnerable, gendered, and racialized.

16
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What is presence in performance?

Being physically there in front of others.

17
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Why is the body important in performance art?

The body can become the artwork and communicate meaning

18
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What is body art?

Performance art using the body as the main medium.

19
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<p>Which artist focused on risk and pain in performance?</p>

Which artist focused on risk and pain in performance?

Chris Burden

20
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<p>Which artist explored body transformation through surgery?</p>

Which artist explored body transformation through surgery?

ORLAN

21
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<p>Which artist focused on presence and endurance?</p>

Which artist focused on presence and endurance?

Marina Abramović

22
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<p>Which artist explored queer rage and visibility?</p>

Which artist explored queer rage and visibility?

Cassils

23
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<p>What are the four conditions of performance?</p>

What are the four conditions of performance?

Live, embodied, time-based, contextual.

24
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What does Schechner mean by “performance broad spectrum”?

Performance includes rituals, sports, politics, theatre and social behavior.

25
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What are the 7 functions of performance according to Schechner?

Entertain, Create beauty, change identity, build community, heal, teach, deal with sacred/ demonic.

26
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What is postmodern performance?

Performance rejecting spectacle and using everyday movement and repetition.

27
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Characteristics of postmodern performance?

Everyday movement, repetition, task-based actions, anti-spectacle

28
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Which movement influenced postmodern dance in the 1960s?

Judson Dance Theater.

29
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<p>Which choreographer focused on community rituals and healing?</p>

Which choreographer focused on community rituals and healing?

Anna Halprin

30
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<p>What was a famous work from Anna Halprin, still carried out today?</p>

What was a famous work from Anna Halprin, still carried out today?

The planetary Dance

31
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<p>Which choreographer said “No to spectacle”?</p>

Which choreographer said “No to spectacle”?

Yvonne Rainer

32
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Which choreographer used simple repetitive actions?

Simone Forti

33
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When does repetition become ritual?

When repeated actions gain symbolic or collective meaning

34
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What is ritual in performance?

Organized repeated actions structuring bodies in time and space.

35
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What is archive?

Documents, recordings, and photographs preserving memory.

36
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What is repertoire?

Embodied memory transmitted through actions and performance.

37
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Who created archive vs repertoire theory?

Diana Taylor

38
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What does Diana Taylor say about memory?

Memory is transmitted through bodies and repeated actions.

39
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Who said performance disappears?

Peggy Phelan

40
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What is “performance’s ontology is disappearance”?

Performance exists temporarily and cannot fully remain.

41
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Who argued that liveness and media are connected?

Philip Auslander

42
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What is documentation in performance?

Recording or preserving performance through media.

43
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Which artist refused documentation in performances?

Tino Sehgal

44
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What is liveness?

The experience of witnessing something live.

45
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Which artist explored body traces and memory?

Ana Mendieta

46
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What is a living archive?

Memory carried through bodies and actions.

47
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Which artist explored fabricated archives?

Art without a physical object.

48
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Why was early performance anti-market?

Because it rejected collectible art objects.

49
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What is reperformance?

Performing an artwork again in another context or time.

50
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What changed in the 1980s–1990s regarding performance?

Museums started collecting and preserving performance.

51
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What is the performance economy?

Festivals, fairs, and markets turning performance into a global art system.

52
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Name performance festivals from the course (give two)

Performa, Kunstenfestivaldesarts

53
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What is public space?

Shared spaces such as streets and squares.

54
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Why is public space important in performance?

It creates visibility and unpredictability.

55
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What is protest performance?

Using performance to communicate political resistance.

56
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What does protest performance use?

Repetition, symbols, gestures, collective action.

57
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When does the body become political?

When it becomes publicly visible in resistance or protest.

58
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What is collective action?

A group acting together publicly.

59
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Which feminist collective created “The R$pist Is You”?

Las Tesis

60
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Which protest movement used “Women, Life, Freedom”?

Women Life Freedom movement

61
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Why is repetition important in protest?

It strengthens visibility, memory, and collective identity.

62
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What is intervention in performance?

Temporary actions interrupting everyday life.

63
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What is decolonial practice?

Challenging colonial power structures and dominant knowledge systems.

64
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What is listening as a decolonial practice?

Paying attention to voices ignored or silenced by colonial systems.

65
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Who connected listening with decoloniality?

Rolando Vázquez

66
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What makes listening difficult?

Power structures, prejudice, and dominant narratives.

67
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What is monstruosity in performance?

Challenging norms through difference and unpredictability.

68
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Which artist explored monsters and ecology?

Amanda Piña

69
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What is relational practice in decolonial performance?

Focusing on relationships, responsibility, and connection.

70
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Which collective uses rest as resistance?

The Nap Ministry

71
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What does decolonial performance question?

Whose knowledge is visible and whose is excluded.

72
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Can performance change power relations?

Yes, by changing visibility, listening, and collective experience.

73
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What is context in performance?

The social, political, or institutional environment of the work.

74
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What is audience participation?

The audience becoming involved in the performance.

75
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What is endurance in performance?

Long-lasting physical or mental effort in a performance.

76
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Can performance exist without documentation?

Yes, but documentation changes how it survives and is remembered.

77
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