ART 101 Unit 4 Exam Study

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Last updated 7:09 PM on 4/30/26
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39 Terms

1
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  • Jacques-Louis David, The Oath of Horatii

  • Neoclassicism

    • Neoclassicism = order, heroism, classical influence

  • Traits:

    • Symmetry/order

    • Classical (Roman) subject

    • Idealized figures

  • Promotes civic duty and sacrifice, reflecting Enlightenment values and pre-revolutionary political ideals.

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What is Neoclassicism?

  • Order, balance, symmetry

  • Classical influence (Greece/Rome)

  • Moral/heroic themes

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What was Jacques-Louis David known for?

  • Political, dramatic scenes

  • Clean lines, controlled composition

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  • Gustave Courbet, The Stonebreakers

    • labor/class

  • Realism

    • Realism = everyday life, harsh truth, no idealization

    • Traits:

      • Working class subject

      • No idealization

      • Gritty/harsh reality

  • “Highlights the harsh reality of labor during industrialization as a social critique.”

  • Considered to be the “father” of the Realist movement

  • Painting was the “object of public derision”

  • Criticized for abandoning the Academic Style

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  • Édouard Manet, Olympia

    • controversial realism

  • Realism

    • Realism = everyday life, harsh truth, no idealization

  • “Critiques modern society and challenges traditional representations of women.”

  • intentionally mimicked the Renaissance composition

  • According to some art historians, Manet is the artist most responsible for changing the course of the history of painting (regarding technique)

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What was the Salon de Refuses?

  • “Salon of the Refused”

  • Art exhibition held in 1863 in Paris by command of Napoleon III

  • For those artists whose works had been refused by the jury of the official Salon

  • “Represents rebellion against traditional academic art standards.”

  • Notable Artists:

    • Paul Cézanne

    • Camille Pissarro

    • Armand Guillaumin

    • Johan Jongkind

    • Henri Fantin-Latour

    • James Whistler

    • Édouard Manet

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  • Rosa Bonheur, The Horse Fair

  • Realism

    • Realism = everyday life, harsh truth, no idealization

  • “Depicts modern life while challenging gender norms in art.”

  • panoramic scene of extraordinary power

  • inspired by the Parthenon’s horsemen frieze

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  • Thomas Eakins, The Gross Clinic

    • medical realism

  • Realism

    • Realism = everyday life, harsh truth, no idealization

  • “Reflects pride in scientific progress and modern medicine.”

  • most important American portrait painter of the nineteenth century

  • stems from Eakins’s endeavors to become fully acquainted with human anatomy by working from live models and dissecting corpses

  • depicts the surgeon Dr. Samuel Gross operating on a young boy at the Jefferson Medical College in Philadelphia

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What is Realism?

  • Everyday life

  • Unidealized subjects

  • Social reality

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What is Academic Art?

  • style of painting and sculpture produced under the influence of European academies, particularly the French Académie des Beaux-Arts, dominating the 19th century

  • “Represents institutional control and traditional artistic standards.”

  • Characterized by idealized beauty, precise anatomy, and dramatic lighting, this style prioritizes technical mastery and a "finished" look

  • favored high-minded subjects: history painting, mythological scenes, biblical scenes, and formal portraits

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  • Claude Monet, Impression: Sunrise

  • Impressionism

    • Light changes EVERYTHING

    • Loose brushstrokes

    • Painted outdoors (plein air)

  • “Focuses on perception and modern life, influenced by industrial change.”

  • most fervent follower of Impressionist techniques

  • sharply criticized for its rejection of the Academic

    artistic style

  • appeared at the first art exhibition “outside of

    a formal art gallery,” held at the Boulevard des Capucines in France

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  • Claude Monet, Rouen Cathedral

  • Impressionism

    • Light changes EVERYTHING

    • Loose brushstrokes

    • Painted outdoors (plein air)

  • “Explores how light and time alter perception of the same subject.”

  • harsh stone façade of the cathedral dissolves in a bath of sunlight, its finer details obscured by the bevy of brushstrokes crowding the surface

  • He offers us his impressions as eyewitness to a set of circumstances that will never be duplicated

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What was Claude Monet known for?

  • Focus on changing light

  • Same subject, different times

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What is Impressionism?

  • Light & atmosphere

  • Visible brushstrokes

  • Outdoor painting

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  • Georges Seurat, Sunday Afternoon on the Island of La Grande Jatte

  • Post-Impressionism

  • Use of Pointilism

    • application of pigment in small dabs, or points, of pure color

    • A systematic method of applying minute dots of unmixed pigment to the canvas; the dots are intended to be “mixed” by the eye when viewed

  • Traits:

    • Pointillism (dots)

    • Scientific color

    • Structured composition

  • “Applies scientific color theory to bring structure to modern life.”

  • The subject matter is entirely acceptable within the framework of Impressionism. However, the spontaneity of direct painting found in Impressionism is relinquished in favor of a more tightly controlled, “scientific”approach to painting

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What is Pointilism?

  • application of pigment in small dabs, or points, of pure color

  • A systematic method of applying minute dots of unmixed pigment to the canvas; the dots are intended to be “mixed” by the eye when viewed

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  • Paul Cezanne, Still Life with Basket of Apples

    • credited with having led the revolution of abstraction in modern art from its first steps

    • structured

  • Post-Impressionism

  • “Seeks stability and structure beyond Impressionist spontaneity.”

  • Cézanne did not paint the still-life arrangement from one vantage point

  • Cézanne can be seen as advancing the flatness of planar recession begun by David more than a century earlier

  • asserted the flatness of the two-dimensional canvas by eliminating the distinction between foreground and background, and at times merging the two

    • This was perhaps his most significant contribution to future modern movements

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  • Vincent Van Gogh, Starry Night

    • associate him with bizarre and painful acts, such as the mutilation of his ear and his suicide

  • Post-Impressionism

  • “Expresses inner emotion and psychological intensity.”

  • painted while hospitalized in an asylum at Saint-Rémy

  • His characteristic long, thin strokes define the forms but also create the emotionalism in the work

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What was Post-Impressionism?

  • Reaction to Impressionism

  • More structure OR emotion

  • Individual styles

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About Vincent Van Gogh?

  • associate him with bizarre and painful acts, such as the mutilation of his ear and his suicide

  • With these events, as well as his tortured, eccentric painting, he typifies the impression of the mad, artistic talent

  • Van Gogh also epitomizes the cliché of the artist who achieves recognition only after death: just one of his paintings was sold during his lifetime.

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  • Edvard Munch, The Scream

    • Norwegian painter

    • one of his most famous

  • Traits:

    • Distorted forms

    • Emotional intensity

    • Bold/unreal color

  • Expressionism

  • “Represents psychological anxiety and alienation in modern society.”

  • portrays the pain and isolation that became his central themes

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About Expressionism

  • Emotion > realism

  • Distortion

  • Psychological focus

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  • Pablo Picasso, Les Demoiselles d’Avignon

  • Analytic Cubism

  • “Rejects traditional perspective and reflects influence of non-Western art.”

  • fragmentation, distortion, and abstraction of form

  • depicts five women from Barcelona’s red-light district

  • They line up for selection by a possible suitor who stands, as it were, in the position of the spectator

  • faces of three of the women are primitive masks, while the facial features of the other two have been radically simplified by combining frontal and profile views

  • bodies of the women are fractured into geometric forms and set before a background of similarly splintered drapery

  • the right leg of the leftmost figure, the limb takes on the qualities of drapery, masking the distinction between figure and ground

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  • Pablo Picasso, Guernica

  • painted for the Spanish Pavilion of the Paris International Exposition of 1937,

  • Analytic Cubism

    • Analytic = broken apart

    • Multiple viewpoints at once

  • “Condemns violence and suffering caused by war.”

  • broadcast to the world the carnage of the German bombing of civilians in the Basque town of Guernica

  • Picasso expressed, in his words, the “brutality and darkness” of the age

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  • Georges Braque, The Portuguese

  • Analytic Cubism

    • Analytic = broken apart

    • Multiple viewpoints at once

  • “Explores multiple perspectives through analytical fragmentation.”

  • only a few concrete signs of its substance

    • dropped eyelids

    • a mustache

    • the circular opening of a stringed instrument

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  • Marcel Duchamp, Nude Descending a Staircase

    • Dada artist but not fully a “member”

  • Hybrid (Futurism + Cubism) but mostly Analytic Cubism

  • Traits:

    • Motion/speed

    • Fragmentation

    • Controversial

  • “Challenges artistic norms by combining motion with Cubism, provoking controversy.”

  • “Rejects traditional art in response to the chaos of World War I.”

  • Analytic = broken apart

    • Multiple viewpoints at once

  • work includes some Futurism as well

  • Even though the New York Times art critic Julian Street labeled the painting “an explosion in a shingle factory,” it symbolized the dynamism of the modern machine era

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About Marcel Duchamp

  • Influential, anti-traditional

  • Associated with Dada

  • Inspired Pop Art

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  • Pablo Picasso, La Bouteille de Suze (Bottle of Suze)

  • Synthetic Cubism

    • collage (papier collé)

  • “Blurs boundaries between art and reality through collage.”

  • What makes it different from Analytic Cubism?

    • the emphasis is on the form of the object and on constructing, instead of disintegrating that form

29
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  • Umberto Boccioni, Unique Forms of Continuity in Space

  • Futurism

    • dynamism

  • “Celebrates speed, movement, and technological progress.”

  • conveys the elusive surging energy that blurs an image in motion, leaving but an echo of its passage

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  • Georgia O’Keefe, White Iris

  • Abstraction

  • “Emphasizes abstraction and personal interpretation of natural forms.”

  • magnified and abstracted the details of her botanical subjects

  • flowers have a yearning, reaching, organic quality, and her botany seems to function as a metaphor for zoologyher plants are animistic

  • they seem to grow because of will, not merely because of the blind interactions of the unfolding of the genetic code with water, sun, and minerals

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  • Salvador Dali, The Persistence of Memory

  • Surrealism

  • Traits:

    • Dream imagery

    • Distorted reality

    • Symbolism

  • “Explores the subconscious mind through dream imagery.”

  • conveys the world of the dream, juxtaposing unrelated objects in an extraordinary situation

  • enhanced by trompe l’oeil technique

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About Salvador Dali

  • Not Modest

  • One of the few “household names” in the history of art

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  • Jackson Pollock, One (Number 31, 1950)

  • Abstract Expressionism

  • Traits:

    • Action painting

    • Emotional intensity

    • Large Scale

  • “Expresses emotion and freedom in the post-war era through action painting.”

  • Reflects spontaneous and dynamic application of paint.

  • Action Painting

    • Movement

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  • Mark Rothko, Magenta, Black, Green on Orange

  • Color Field Painting

    • emotion

  • “Uses color to evoke deep emotional and spiritual responses.”

  • Focuses on large areas of color, creating an immersive experience.

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  • Robert Rauschenberg, The Bed

  • Pop Art

  • “Combines everyday objects with art to challenge boundaries.”

  • Combines

    • items like stuffed animals, bottles, articles of clothing and furniture, and scraps of photographs are attached to the canvas

  • create a multidimensional artwork that blurs the line between art and everyday life.

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  • Andy Warhol, Green Coca-Cola Bottles

  • “Highlights mass production and consumer culture in modern society.”

  • Pop Art

    • explores consumer culture and mass production through vibrant and iconic imagery.

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  • Richard Hamilton, Just What Is It That Makes Today’s Homes So Different, So Appealing

  • Pop Art

  • “Critiques consumerism and mass media culture.”

  • functions as a veritable time capsule for the 1950s, a decade during which the speedy advance of technology finds everyone buying pieces of the American dream

    • What is that dream? Comic books, TVs, movies, and tape recorders; canned hams and TV dinners; enviable physiques; Tootsie Pops; and vacuum cleaners that finally let the “lady of the house” clean all the stairs at once

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What was Pop Art?

  • Consumer culture

  • Mass production

  • Irony

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  • Audrey Flack, World War II (Vanitas)

  • Photorealism

  • “Reflects on mortality and historical memory through hyper-real imagery.”

  • an art movement where paintings and drawings are created to resemble high-resolution photographs, emphasizing detail and realism.