British Literary History

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Last updated 2:15 AM on 6/24/26
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97 Terms

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Venerable Bede

(Medieval) Ecclesiastical History

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Archbishop Wulfstan

(Medieval) Sermo Lupi Ad Anglos

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Marie de France

(Medieval) Lays and Fables

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Wace

(Medieval) Brut

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Margery Kemp

(Medieval) The Book of Margery Kemp

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Julian of Norwich

(Medieval) Showings

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Geoffery Chaucer

(Medieval) The Canterbury Tales, Parliament of Fowls, The Book of the Duchess, and Troilus and Criseyde

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John Gower

(Medieval) Confessio Amantis

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William Langland

(Medieval) Piers Plowman

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The Pearl Poet

(Medieval) Gawain and the Green Knight and Pearl

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Thomas Malory

(Medieval) Morte d’Arthur

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Sir Thomas Wyatt

(Early Modern) Tottel’s Miscellany (1557) which contains: “Whoso List to Hunt”

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Henry Howard, Earl of Surrey

(Early Modern) “Description of the Restless State” (1557)

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Edmund Spenser

(Early Modern) The Shepheardes Calandar (1579) and The Faerie Queen (1590-1596)

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Christopher Marlowe

(Early Modern) Dr. Faustus (1592)

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Ben Jonson

(Early Modern) Volpone (1605)

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John Donne

(Early Modern) “The Flea” (1633), “Batter my heart, three-personed God” (1633) (which was one of his Holy Sonnets)

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Robert Herrick

(Early Modern) “To the Virgins, to Make Much of Time”

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Katherine Phillips

(Early Modern) “To my Excellent Lucasia, on our Friendship” (1667)

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Margaret Cavendish

(Early Modern) The Blazing World (1666)

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John Milton

(The Long 18th Century) Lycidas (1637) and Paradise Lost (1667)

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John Dryden

(The Long 18th Century) “Annus Mirabilis” (1667), Marriage a la Mode (1672), All for Love (1678), Absalom and Achitophel (1681), and Mac Flecknoe (1681)

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John Bunyan

(The Long 18th Century) The Pilgrim’s Progress (1678) and Grace Abounding to the Chief of Sinners (1666)

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Aphra Behn

(The Long 18th Century) The Rover (1677) and Oroonoko (1688)

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Jonathan Swift

(The Long 18th Century) Gulliver’s Travels (1726) and A Modest Proposal (1729)

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Alexander Pope

(The Long 18th Century) An Essay on Criticism (1711) and The Rape of the Lock (1712)

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Frances Burney

(The Long 18th Century) Evelina (1778)

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Samuel Richardson

(The Long 18th Century) Pamela (1740)

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Henry Fielding

(The Long 18th Century) Shamela (1741) and Joseph Andrews (1742)

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Daniel Defoe

(The Long 18th Century) Robinson Crusoe (1719)

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Samuel Johnson

(The Long 18th Century) A Dictionary of the English Language (1755)

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Robert Burns

(Romantic) “Auld LAng Syne” (1788) and “Tam o’Shanter” (1791)

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William Blake

(Romantic) Songs of Innocence (1789) and Songs of Experience (1794)

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William Wordsworth

(Romantic) “The Solitary Reaper (1807) and The Prelude (1850)

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Samuel Taylor Coleridge

(Romantic) The Rime of the Ancient Mariner (1798), Kublaa Khan (1816), and Christabel (1816)

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John Keats

(Romantic) “Ode to a Nightingale” (1819) and “Ode on a Grecian Urn” (1819)

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Percy Bysshe Shelley

(Romantic) Ode to the West Wind (1819) and Adonais (1821)

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Lord Byron

(Romantic) Childe Harold’s Pilgrimage (1812-16) and Don Juan (1819-24)

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Sir Walter Scott

(Romantic) Waverly (1814), The Antiquary (1816), Old Mortality (1816), and The Heart of Midlothian (1818z0

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John William Polidori

(Romantic) The VAmpyre (1819)

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Mary Shelley

(Romantic) Frankenstein (1818)

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Jane Austen

(Romantic) Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814), Emma (1815), and Northanger Abbey (1817).

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Elizabeth Barrett Browning

(Victorian) Aurora Leigh (1856)

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Christina Rossetti

(Victorian) “Goblin Market” (1862)

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Robert Browning

(Victorian) “My Last Duchess” (1842)

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Alfred, Lord Tennyson

(Victorian) “Ulysses” (1842) and In Memoriam A.H.H. (1849)

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Lewis Carrol

(Victorian) Alice’s Adventures in Wonderland (1865), Through the Looking Glass (1871), and “Jabberwocky” (1871)

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Edward Lear

(Victorian) “The Owl and the Pussycat” (1871)

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Charlotte Bronte

(Victorian) Jane Eyre (1847)

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Wilkie Collins

(Victorian) The Woman in White (1859)

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Mary Elixabeth Braddon

(Victorian) Lady Audley’s Secret (1862)

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William Makepeace Thackeray

(Victorian) Vanity Fair (1847-48)

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George Eliot

(Victorian) Middlemarch (1871-72)

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Charles Dickens

(Victorian) Oliver Twist (1837-39), Bleak House (1852-53), and Hard Times (1854)

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Elizabeth Gaskell

(Victorian) North and South (1855)

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Rudyard Kipling

(Victorian) Kim (1901)

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Joseph Conrad

(Victorian)Heart of Darkness (1899)

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J.M. Barrie

(Victorian) Peter and Wendy (1911)

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Thomas Hardy

(Victorian) Tess of the d’Urbervilles (1892), Jude the Obscure (1895), and (Modernism) ”The Man He Killed” (1902)

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Siir Arthur Conan Doyle

(Victorian) Sherlock Homes Series started in 1886

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H.G. Wells

(Victorian) The Time Machine (1895) and The War of Worlds (1897)

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Oscar Wilde

(Victorian) The Importance of Being Earnest (1895) and “Ballad of Reading Gaol” (1897

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A. E. Housman

(Modernism) A Shropshire Lad (1896

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Rupert Brooke

(Modernism) “The Soldier” (1914)

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T.S. Eliot

(Modernism) “The Love Song of J. Alfred Prufrock” (1915” and The Waste Land (1922)

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William Butler Yeats

(Modernism) The Tower (1928) that contained famous poems like “Leda and the Swan,” “Among School Children”, and “Sailing to Byzantium”

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W.H. Auden

(Modernism) “Funeral Blues” (1936) and “September 1, 1939”

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E.M. Forster

(Modernism) A Room with A View (1908) and A Passage to India (1924)

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D.H. Lawrence

(Modernism) Lady Chatterley’s Lover (1928)

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James Joyce

(Modernism) Ulysses (1922)

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Virginia Woolf

(Modernism) Mrs. Dalloway (1925), To the Lighthouse (1927), Orlando (1928), and A Room of One’s Own (1929).

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Katherine Mansfield

(Modernism) “The Doll’s House” (1922), “The Garden Party” (1922), and “The Daughters of the Late Colonel” (1922)

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Aldous Huxley

(Modernism) Brave New World (1931)

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Evelyn Waugh

(Modernism) Brideshead Revisted (1945)

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Graham Greene

(Modernism) Brighton Rock (1938)

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George Bernard Shaw

(Modernism) Pygmalion (1912)

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Philip Larkin

(After WW2) The Whitsun Weddings (1964 collection of poems)

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Ted Hughes

(After WW2) The Hawk in the Rain (1957)

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John Osborne

(After WW2) Look Back in Anger (1956)

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Arnold Wesker

(After WW2) Roots (1959)

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Kingsley Amis

(After WW2) Lucky Jim (1954)

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John Braine

(After WW2) Room at the Top (1957)

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Harold Pinter

(After WW2) The Birthday Party (1958), Tom Stoppard (1937), and Rosencrantz and Guildenstern are Dead (1966).

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Samuel Beckett

(After WW2) Waiting for Godot (1955)

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Caryl Churchill

(After WW2) Cloud Nine (1979)

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George Orwell

(After WW2) Animal Farm (1945) and 1984 (1949)

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William Golding

(After WW2) Lord of the Flies (1954)

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Anthony Burgess

(After WW2) A Clockwork Orange (1962)

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Angela Carter

(After WW2) Night at the Circus (1984)

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Salman Rushdie

(After WW2) Midnight Children (1981)

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Chinua Achebe

(After WW2) Things Fall Apart (1958)

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Jean Rhys

(After WW2) Wide Sargasso Sea (1966)

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Roald Dahl

(After WW2) Charlie and the Chocolate Factory (1964), The Witches (1983), and Matilda (1988).

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C.S. Lewis

(After WW2) The Chronicles of Narnia (1950-56)

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Martin Amis

(After WW2) London Fields (1989)

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Irvine Welsh

(After WW2) Trainspotting (1993)

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Ian McEwan

(After WW2) Atonement (2001)