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Structure
eight irregular length stanzas with lines also of irregular length
no rhyme scheme or regular metre
stanza are also discrete with no enjambement between them - gives a sense of clear opposition, two elements in clear conflict
Phonology/ Sound devices
alliteration of ‘g’ s suggest strength and power
onomatopoeia to evoke sounds of powerful action
Form
Free verse
Themes/ Motif
Human technology vs nature
Violence force vs quiet persistence
Human nature
Masculinity/gender roles
‘ grinding it’s teeth in a plastic sleeve’
personification of chainsaw
can further be viewed as zoomorphism of chainsaw
like an animal ready to attack
however it is only powerful in the hands of humans and can easily be prevented - this is seen in the fact it is being prevented by plastic
‘ it knocked back a quarter pint of engine oil’
masculine imagery and perception on power and dominance
colloquial tone to it - gives poem more of a light hearted tone
‘ it’s mood to tangle with cloth, or jewellery, or hair. The chainsaw with its bloody desire, it’s sweet tooth for the flesh of face and bones underneath’
the nouns ‘cloth’, ‘jewellery’ and ‘hair’ create a sematic field of femininity
this shapes a strong sense of masculine particularly sexual violence against the innocent feminine
phrases ‘bloody desire’ and ‘sweet tooth’ further reinforce this idea
‘ The pampas grass, taking the warmth and light from cuttings and bulbs, sunning itself, stealing the show with its footstools, cushions and tufts and its twelve foot spears’
masculinity of chainsaw balanced against femininity of pampas grass
‘ stealing show’ critique the double standard women face when in need of attention - placed down as vain
syntactic parallel with line 5 of previous stanza - antithesis of each other
‘ the chainsaw seethed. I left it a year to work through its man - made dreams, to try to forget’
personified ‘ man - made dreams’ making clear it is not the chainsaw that has dreams instead man
an example of a hypallage