Modernist properties

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Last updated 8:45 PM on 6/1/26
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10 Terms

1
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What are the 3 most important modernist properties in The Garden Party?

1. Epiphany

  • YES: Laura experiences a moment of insight when she sees the dead man and confronts mortality.

  • NO: The insight remains vague; even Laura cannot fully explain what she has learned.

2. Internal Focalisation

  • YES: Most events are filtered through Laura's perspective.

  • NO: The narrator occasionally steps outside Laura's consciousness.

3. Microcosm vs Macrocosm

  • YES: Laura's personal experience (microcosm) is central.

  • NO: Her experience reflects larger social issues such as class division (macrocosm).

2
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What are the 3 most important modernist properties in An Outpost of Progress?

1. Unreliable Narration

  • YES: Kayerts and Carlier misunderstand their situation and reality.

  • NO: The narrator himself is highly reliable and often ironic.

2. Fragmentation

  • YES: The characters' moral and psychological collapse creates fragmentation.

  • NO: The plot itself remains linear and traditional.

3. Microcosm vs Macrocosm

  • YES: The trading station is a small isolated world (microcosm).

  • NO: It reflects the entire colonial system (macrocosm).

3
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What are the 3 most important modernist properties in Heart of Darkness?

1. Unreliable Narration

  • YES: The story is told by Marlow, whose account is subjective, memory-based, and often uncertain. He admits that he struggles to explain what he experienced.

  • NO: Marlow genuinely tries to tell the truth and reflects on his own limitations, which can make him seem more trustworthy than a narrator who claims complete objectivity.

2. Fragmentation

  • YES: The novel uses a frame narrative (narrator → Marlow → Kurtz), delays important information, and leaves many gaps and ambiguities. Kurtz remains mysterious throughout the novel.

  • NO: The overall plot remains relatively linear, following Marlow's journey up the Congo River and back.

3. A(nti)-Historical

  • YES: The focus is largely on Marlow's psychological journey and his reflections on human nature rather than on historical facts.

  • NO: The novel is deeply connected to the historical reality of European imperialism and colonialism in the Congo.

4
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What are the 3 most important modernist properties in The Dead?

1. Epiphany

  • YES: Gabriel realizes his emotional limitations and confronts mortality.

  • NO: His insight is incomplete and does not immediately transform him.

2. Internal Focalisation

  • YES: The story is largely filtered through Gabriel's consciousness (Uncle Charles Principle).

  • NO: The narrator occasionally pulls back and becomes more objective.

3. A(nti)-Historical

  • YES: The focus is on Gabriel's private experience.

  • NO: The story is deeply rooted in Irish history, politics, and culture.

5
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What are the 3 most important modernist properties in Nausicaa?

1. Stream of Consciousness

  • YES: The episode explores the thoughts and perceptions of Gerty and Bloom.

  • NO: Joyce mainly uses narrated monologue/free indirect discourse rather than pure interior monologue.

2. Internal Focalisation

  • YES: The story is filtered through Gerty and later Bloom.

  • NO: The narrator occasionally creates ironic distance.

3. Intertextuality

  • YES: The episode reworks Homer's Odyssey and contains religious references.

  • NO: The Homeric parallels are not always obvious and require interpretation.

6
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What are the 3 most important modernist properties in A Portrait of the Artist as a Young Man?

1. Stream of Consciousness

  • YES: The narration increasingly follows Stephen's thoughts and perceptions.

  • NO: It is not as extreme as Ulysses.

2. Internal Focalisation

  • YES: Nearly everything is filtered through Stephen's consciousness.

  • NO: The narration remains in the third person.

3. Epiphany

  • YES: The bird-girl scene leads Stephen to embrace art and creativity.

  • NO: The novel contains several epiphanies rather than one single defining moment.

7
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What are the 3 most important modernist properties in The Mark on the Wall?

1. Stream of Consciousness

  • YES: The story follows the narrator's free-flowing thoughts.

  • NO: The thoughts still revolve around a single visual object (the mark).

2. Unreliable Narration

  • YES: The narrator constantly speculates and guesses.

  • NO: She openly admits uncertainty, which can make her seem honest.

3. Internal Focalisation

  • YES: Everything is filtered through one consciousness.

  • NO: The narrator occasionally reflects on wider social issues beyond the self.

8
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What are the 3 most important modernist properties in Mrs Dalloway?

1. Stream of Consciousness

  • YES: Woolf constantly moves through characters' thoughts.

  • NO: The narration is more controlled than Joyce's pure interior monologue.

2. Fragmentation

  • YES: The novel is built from fragmented memories, perspectives, and experiences.

  • NO: The single-day structure provides overall unity.

3. Multiple Internal Focalisation

  • YES: The narrative shifts between Clarissa, Septimus, Peter, and others.

  • NO: An overarching narrative voice still links the perspectives.

9
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What are the 3 most important modernist properties in The Waste Land?

1. Fragmentation

  • YES: Multiple voices, languages, and scenes are disconnected.

  • NO: Mythic structures provide hidden unity.

2. Intertextuality

  • YES: The poem is packed with references to literature, religion, mythology, and history.

  • NO: Many references are so obscure that readers may miss them.

3. Obscurity/Difficulty

  • YES: The poem is intentionally challenging and fragmented.

  • NO: Eliot's notes and recurring themes help create some coherence.

10
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What are the 3 most important modernist properties in Endgame?

1. Fragmentation

  • YES: The plot, language, bodies, and world are fragmented.

  • NO: Repetition and symmetry create a certain structure.

2. Lack of Closure

  • YES: We never know whether Clov leaves and nothing is fully resolved.

  • NO: The play reaches its "endgame" and feels like a conclusion.

3. A(nti)-Historical

  • YES: No specific historical time or place is given.

  • NO: The play can be read as reflecting WWII, the Holocaust, or nuclear destruction.