History of Art Post World War II Final Exam FC

Homage to New York by Tinguely. 1960. Mixed media, motorized.

Cut Piece by Ono. 1964. As staged at Yamaichi Concert Hall, Kyoto, Japan. Black-and-white photographs of performance.

Bay by Frankenthaler. 1963. Acrylic on canvas.

The Tree by Martin. 1964. Oil and pencil on canvas.

Untitled by Judd. 1965. Iron.

American Gothic, Washington, D.C. by Parks. 1942. Gelatin silver print.

22Jan.1973 (Today Series) by Kawara. 1973. Acrylic paint on canvas.

Plan for Fifteen-Part Drawing Using Four Colors and All Variations by LeWitt. 6 July 1973. Signed certification.

Untitled (Silueta Series). [La Ventosa, Mexico, version] by Mendieta. 1976 (printed 1991). C-print on Kodak Professional paper of earth-body work with sand and red tempera.

Right After by Hesse. 1969. Fiberglass over string. And detail.

Lightning Field by De Maria. Outside Quemado, New Mexico (Dia). 400 stainless steel poles, with solid stainless steel pointed tips, arranged in a rectangular grid (16 poles wide by 25 poles long), spaced 220 feet apart, average pole height 20 feet 7 inches, but rising to form an even plane. Details with and without lightning.

Self-Portrait by Lawrence. 1977. Gouache on paper.

Chanel by Flack. 1974. Acrylic on canvas.

Semiotics of the Kitchen Rosler. 1975. Video still and clip.

Sad Yellow Man by Baselitz. 1982. Oil on canvas.

Quality Meats for the Public by Basquiat. 1982. Acrylic and oil stick on canvas.

Supernova by Murakami. Acrylic on Canvas mounted on board, 7 panels. And as exhibited at Marianne Boesky Gallery, NYC, 2001.

Self-Portrait by Mapplethorpe. 1988. Gelatin silver print.

Untitled (Portrait of Ross in LA) by Gonzalez-Torres. 1991. 175 pounds of individually wrapped candies.

The Parthenon of Books by Minujín. 1983. Buenos Aires. Steel scaffolding approximately 25,000 books, plastic and wire.

House by Whiteread. 1993. East London. Spray-cast steel-reinforced concrete.

Untitled Film Still # 6 by Sherman. 1977. Gelatin silver print.