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Evidence - “Infirm of purpose!…”
In addition, (Act 2, Scene 2) Lady Macbeth further states, “Infirm of purpose!... The sleeping and the dead / Are but as pictures."
She includes the imperative language….
She includes the imperative language of ‘infirm’ to highlight Macbeth’s weakness and meek willpower, weaponising emasculating diction to attack his virility.
The term connotes fragility…
The term connotes fragility and incapability, ultimately underlining masculine authority by insulting Macbeth, especially as his wife which reflects a shift in power dynamics.
By criticising his incapacity…
By criticising his incapacity and softness, Lady Macbeth juxtaposes her husband's struggle as a dominant and cruel commander.
Correspondingly, she heightens this…
Correspondingly, she heightens this with the belittling simile of corpses as pictures to suggest her perception of the lifeless as insignificant and empty.
This reduction entails…
This reduction entails her desensitisation to violence, with ‘pictures’ assigning deceased as emotionless imagery, allowing her to become emotionally detached.
By eliciting Lady Macbeth’s values…
By eliciting Lady Macbeth’s values in the dead, Shakespeare critiques ambition as indifferent to sympathy, diminishing death as a guiltless ‘sleep’ rather than a permanent deprivation.
As a result, he invites the audience…
As a result, he invites the audience to interpret obsessive ambition as heartless and blinding, as well as reinstating the pressures of socially constructed expectations which corrupt an individuals conscience.
Ultimately, these demonstrate how Shakespeare portrays the…
Ultimately, these demonstrate how Shakespeare portrays the concern of gender dynamics through the titular character and his wife, where traditional masculinity is a display of honorable, yet aggressive dominance, paralleled by the compassionate feminine nature situated with motherhood and nourishment.