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Workers Leaving the Lumière Factory, Louis Lumière
(1895, France)
Le Voyage dans la Lune, Georges Méliès,
(1902, France)
The Birth of a Nation, D.W. Griffith,
(1915, USA)
Within Our Gates, Oscar Micheaux,
(1920, USA)
The Cabinet of Dr. Caligari, Robert Weine
(1920, Germany)
Nosferatu, F.W. Murnau
(1922, Germany)
The Ten Commandments, Cecil B. DeMille
(1923, USA)
Battleship Potemkin, Sergei Eisenstein
(1925, USSR)
The General, Clyde Bruckman & Buster Keaton
(1926, USA)
Metropolis, Fritz Lang
(1927, Germany)
Man with a Movie Camera
(Dziga Vertov, 1929, USSR)
The Rules of the Game, Jean Renoir
(1939, France)
Rome, Open City, Roberto Rossellini
(1945, Italy)
The Bicycle Thieves, Vittorio De Sica
(1948, Italy)
Look Back in Anger, Tony Richardson
(1959, UK)
A Woman is a Woman, Jean-Luc Godard
(1961, France)
Daisies, Věra Chytilová
(1966, Czechoslovakia)
Playtime, Jacques Tati
(1967, France)
Hour of the Furnaces, Octavio Getino & Fernando Solanas
(1968, Argentina)
Jaws, Steven Spielberg
(1975, USA)
Star Wars, George Lucas
(1977, USA)
In the Mood for Love, Wong Kar-wai
(2000, Hong Kong & France)
Speed Racer, Lana & Lilly Wachowski
(2008, USA & Australia & Germany & Japan)
Silent Cinema
1895-1929
Early Cinema
1895-1915
Consolidation of Feature Form
1915-1929
Classical Cinema
1929-1945
Postwar Cinema
1945-1975
Cinematic Globalization
1975-2000
Cinema in the digital era
(2000-present)