periods and films film final100

Workers Leaving the Lumière Factory, Louis Lumière

(1895, France)

Le Voyage dans la Lune, Georges Méliès,

(1902, France)

The Birth of a Nation, D.W. Griffith,

(1915, USA)

Within Our Gates, Oscar Micheaux,

(1920, USA)

The Cabinet of Dr. Caligari, Robert Weine

(1920, Germany)

Nosferatu, F.W. Murnau

(1922, Germany)

The Ten Commandments, Cecil B. DeMille

(1923, USA)

Battleship Potemkin, Sergei Eisenstein

(1925, USSR)

The General, Clyde Bruckman & Buster Keaton

(1926, USA)

Metropolis, Fritz Lang

(1927, Germany)

Man with a Movie Camera

(Dziga Vertov, 1929, USSR)

The Rules of the Game, Jean Renoir

(1939, France)

Rome, Open City, Roberto Rossellini

(1945, Italy)

The Bicycle Thieves, Vittorio De Sica

(1948, Italy)

Look Back in Anger, Tony Richardson

(1959, UK)

A Woman is a Woman, Jean-Luc Godard

(1961, France)

Daisies, Věra Chytilová

(1966, Czechoslovakia)

Playtime, Jacques Tati

(1967, France)

Hour of the Furnaces, Octavio Getino & Fernando Solanas

(1968, Argentina)

Jaws, Steven Spielberg

(1975, USA)

Star Wars, George Lucas

(1977, USA)

In the Mood for Love, Wong Kar-wai

(2000, Hong Kong & France)

Speed Racer, Lana & Lilly Wachowski

(2008, USA & Australia & Germany & Japan)

Silent Cinema

1895-1929

Early Cinema

1895-1915

Consolidation of Feature Form

1915-1929

Classical Cinema

1929-1945

Postwar Cinema

1945-1975

Cinematic Globalization

1975-2000

Cinema in the digital era

(2000-present)