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Thesis
Both Atwood and Shelley use storytelling and memory to shape reality
Atwood, influenced by growing censorship from 20th century totalitarian regimes, explore how storytelling and memory are necessary for survival and resistance
While Shelley, influenced by Romantic concepts surrounding tabula rasa, explore how storytelling and memory can influence identity and destruction
perhaps the authors aim to emphasise the power of weaponising knowledge
both = storytelling and memory shape reality
HMT = storytelling and memory in religious indoctrination
Frank = storytelling and memory shape our perception of the creature
AO1
HMT
roles in society = commanders, wives, handmaids, angels, eyes
‘all flesh is weak. all flesh is grass, I corrected her’
‘God made them that way but he did not make you that way’
‘forgive them, for they not know what they do’
‘blessed are the meek. she didn’t go on to say anything about inheritying the earth’
‘blessed are the silent. I knoew they made that up’
epigraph = rachel and leah
Frank = creature narrative vs victors
‘such a thing that Dante could not have conceieved’
‘wretch’ ‘miserable monster’ ‘demonical corpse’ ‘half extinguished light’
‘the deformity of its aspect more hideous than belongs to humanity’
‘I ought to be thy Adam, but I am rather the fallen angel’
‘I was benevolent and good, misery made me a fiend’
‘shall I respect man who he condemns me’
‘did I request thee, maker, from my clay to mould me man, did I solicit thee from darkness to promote me?’
AO2
HMT
juxtapostion
biblical allusion
grass = Isaiah 40:6
blessed = beatitudes
declarative sentences
significance of subordinate clause
metaphor
Frank
pronoun ‘it’
grotesque imagery
hyperbole
metaphor
rehtorical question
eloquent language
unreliable narrators
AO3
HMT
cold war surveillance
feminism
politics and religion
rachel and leah
Frank
noble savage
rousseau
paradise lost
dantes inferno
AO4
HMT AO3
cold war surveillance
feminism
politics and religion
Reagan emphasised conservatism and his belief in family values alluding to the traditional, heterosexual, nuclear family
he appealed to the white working class americans who felt racist resentment against the advances that black people had made during the civil rights movement
rachel and leah
It is a teaching from the book of Genesis that forms the basis of the relationship between Handmaids, Commanders and Wives.
It sets up sanctioned adultery within marriage as long as the goal is to have children.
Frank AO3
noble savage = stock character that embodies a ‘native’ or ‘outsider’ who has not been corrupted by civilisation, symbol
rousseau = His theory was that people begin life as innocents, and may become corrupted/evil over time due to culture and society
paradise lost
dantes inferno = It is an allegorical story about the human soul’s journey to God, depicted as a harrowing, guided tour through the nine concentric circles of Hell
Both = necessary for identity
HMT = necessary for survival of identity
Frank = necessary for shaping identity
AO1
HMT
‘I could smell, faintly like an afterimage, the pungent scent of sweat, shot through with the sweet taint of chewing gum and perfume from the watching girls’ - gymnasium chpt 1 - find more
the wall = ‘when it used to be a university’ ‘its red brick and must have once been plan but handsome’
‘my name isn’t Offred, I have another name, which nobody uses not because its forbidden
‘I keep the knowledge of this name like something hidden, som treasure I’ll comeback to dig up, one day’
‘lip read’ ‘Alma. Janine. Moira. June.’ vs ‘we’
‘I remember’
Frank
‘paradise lost’ and ‘the Sorrows of werter’
‘like Adam, I was apparently united by no link to any other being in existence’
‘like [satan] when I viewed the bliss of my protectors, the bitter gall of envy rose within me’
‘I ought to be thy Adam, but I am rather a fallen angel’
‘memory brought madness with it and when I thought of what had passed, a real insanity possessed me’
‘filthy creation’
‘such a thing that Dante could not have conceieved’
‘wretch’ ‘miserable monster’ ‘demonical corpse’ ‘half extinguished light’
AO2
HMT
oflactory imagery = smell
sensory imagery
past tense
metaphor
collective pronoun
sentence fragments
punctuation
deliberate ambiguity
repetition
Frank
hyperbole
semantic field of dehumanising language
metaphor
biblical allusions
AO3
HMT
iranian revolution
feminism
totalitarian regimes
cold war
Frank
paradise lost
sorrows of werter
dantes inferno
AO3
HTM AO3
Frank AO3
Both = action
HMT = necessary for resistance
Frank = necessary for destruction
AO1
HMT
‘the pen between my fingers is sensuous, alive almost, I can feel its power, the power of the words it contains. Pen Is Envy.’
‘I would like to believe this is a story I’m telling. I need to believe it'
‘if it is a story I’m telling, then I have control over the ending’
‘you don’t tell a story to yourself’
‘I will say you, you, like an old love song. you can mean more than one. you can mean thousands’
‘nolite to bastardes carborundorum’
‘there must be a resistance … I believe in the resistance as I believe there can be no light without shadow; or rather, now shadow unless there is also light.
‘i believe your’re there, I believe you into being. because I’m telling you this story I will your existence. I tell therefore you are’
Frank
‘if i cannot inspire love, i will cause fear’
‘shall I respect man when he condemns me?’
‘revenge dearer than light or food’
AO2
HMT
capitalisation
short sentence
personification
modal verb
metaphor
repetition
model verb
Frank
rhetorical question
juxtaposition
AO3
HMT
Frank
AO3
HMT AO3
Frank AO3