AP Art History 250

Highlights = Acceptable exam identifiers

T: Apollo 11 Stones

L: Cave in the Huns Mountains (Namibia, Africa)

E: Paleolithic

A: Unknown

F: Charcoal and ochre on quartzite

P: Unknown

D: 25,500 – 25,300 B.C.E.

F: Early man’s observations of their surroundings

T: Great Hall of the Bulls

L: Lascaux, France

E: Paleolithic Europe

A: Unknown

F: Natural Pigments on Calcite

P: Unknown

D: 15,000 – 13,000 B.C.E.

F: repetitive images of bulls to ensure a successful hunt

T: Camelid sacrum in the shape of a canine

L: Tequixquiac, Central Mexico

E: Paleolithic

A: Unknown

F: Bone

P: Unknown

D: 14,000 – 7,000 B.C.E.

F: Ritualistic or ceremonial function

T: Running horned woman

L: Tassili n’Ajjer, Algeria

E: Neolithic

A: Unknown

F: Natural Pigments on Stone

P: Unknown

D: 6,000 – 4,000 B.C.E.

F: A ritual/ceremony OR a supernatural being/deity

T: Beaker with ibex motifs

L: Royal Gravesite, Susa, Iran

E: Neolithic

A: Unknown

F: Painted Terra Cotta

P: Unknown

D: 4,200 – 3,500 B.C.E.

F: A funerary object

T: Anthropomorphic stele

L: Arabian Peninsula

E: Neolithic

A: Unknown

F: Carved Sandstone

P: Unknown

D: 4,000 – 3,000 B.C.E.

F: Honorary portrait/grave marker of a warrior

Title: Jade cong

L: Liangzhu, China

E: Neolithic

A: Unknown

F: Carved Jade

P: Unknown

D: 3,300 – 2,200 B.C.E.

F: Unknown… power, funerary, spiritual?

T: Stonehenge

L: Wiltshire, England

E: Neolithic Europe

A: Unknown

F: Sandstone

P: Unknown

D: 2,500 – 1,600 B.C.E.

F: Unknown… funerary, spiritual, healing, astrological?

T: The Ambum Stone

L: Ambum Valley, Enga Province, Papua New Guinea

E: Pre-Classic

A: Unknown

F: Greywacke

P: Unknown

D: 1,500 B.C.E.

F: Functional (daily life) or ritual/spiritual?

T: Tlatilco female figurine

L: Site of Tlatilco, Central Mexico

E: Pre-Classic

A: Unknown

F: Painted Ceramic

P: Unknown

D: 1,200 – 900 B.C.E.

F: Funerary or representations of physical deformity/duality?

T: Terra cotta fragment

L: Lapita, Solomon Islands, Reef Islands

E: Pre-Classic

A: Unknown

F: Incised Terra Cotta

P: Unknown

D: 1,000 B.C.E.

F: Food serving/storage

T: White Temple and its ziggurat

L: Uruk (modern Warka), Iraq

E: Sumerian Art

A: Unknown

F: Mudbrick (whitewashed)

P: Unknown

D: 3,517-3,358 B.C.E.

F: Commercial, governmental, civic, and religious center

T: Palette of King Narmer

L: Hierakonpolis

E: Predynastic Egypt

A: Unknown

F: Low-Relief Carved Slate (College Board: Greywacke)

P: King Narmer

D: 3,000-2,920 B.C.E.

F: A thin board or tablet that a painter uses to hold and mix paint (maybe makeup)

T: Statues of votive figures

L: Square Temple of Eshnunna, Iraq (modern Tell Asmar)

E: Sumerian Art

A: Unknown

F: Alabaster, shell, limestone, bitumen (College Board: Gypsum inlaid with shell and black limestone)

P: Unknown

D: 2,900-2,600 B.C.E. (College Board: 2,700 B.C.E.)

F: Individual stand-in for eternal worship

T: Seated scribe

L: Saqqara, Stepped Pyramid of Djoser, Egypt

E: Old Kingdom, Fourth Dynasty

A: Unknown

F: Painted Limestone (rock crystal)

P: Pharaoh Djoser

D: 2,620 – 2,500 B.C.E.

F: Individualistic and non-idealized portrait of a scribe

T: Standard of Ur

L: Royal Ur Graves (College Board: Royal Tombs at Ur), Iraq

E: Sumerian Art

A: Unknown

F: Wood inlaid with shell, red limestone, lapis lazuli, bitumen

P: Unknown

D: 2,600-2,400 B.C.E.

F: Rallying point for troops, marks spot of general

T: Great Pyramids and Great Sphinx

L: Giza, Egypt

E: Old Kingdom, Fourth Dynasty

A: Unknown

F: Cut Limestone (Gold Capstones)

P: Pharaohs Khufu, Khafre, and Menkaure

D: 2,551-2,472 B.C.E. (College Board: c. 2550-2490 B.C.E.)

F: Tombs and palaces for the afterlife

T: King Menkaura and queen

L: Pyramid of Menkaure

E: Old Kingdom, Fourth Dynasty

A: Unknown

F: High-Relief Carved Greywacke

P: King Menkaure

D: 2,490–2,472 B.C.E.

F: Idealized double portrait of a pharaoh and queen

T: The Code of Hammurabi

L: Khuzestan Iran (College Board: Babylon (modern Iran))

E: Babylonian (College Board: Susian)

A: Unknown

F: Basalt

P: Unknown

D: 1,792 – 1,750 B.C.E.

F: First recorded code of laws, STELE!

T: Temple of Amun-Re and Hypostyle Hall

L: Karnak, Luxor, Egypt

E: Middle -> New Kingdom, 18th and 19th Dynasties

A: Unknown

F: Cut sandstone and mudbrick

P: Many Pharaohs

D: 1,550-1,250 B.C.E.

F: at it’s time, the largest religious site in ancient Egypt as well as the center of power and wealth

T: Mortuary temple of Hatshepsut

L: Deir el-Bahari, Luxor, Egypt

E: New Kingdom, 18th Dynasty

A: Senmut

F: Rock-cut sandstone and red granite

P: Queen Hatshepsut

D: 1,473-1,458 B.C.E.

F: Funerary Temple

T: Akhenaton, Nefertiti, and three daughters

L: Tell-el Amarna (capital city)

E: Amarna Period (New Kingdom), 18th Dynasty

A: Unknown

F: Low-Relief Carved Limestone

P: King Akhenaten

D: 1,353-1,335 B.C.E.

F: Unique domestic family portrait

T: Tutankhamun’s Tomb and Innermost Coffin

L: Valley of the Kings

E: New Kingdom, 18th Dynasty

A: Unknown

F: Wood, gold with inlay of enamel, semi-precious stones

P: King Tutankhamun

D: 1,333-1,323 B.C.E.

F: Burial tomb and Sarcophagus

T: Last judgment of Hu-Nefer

L: Tomb of Hu-Nefer, (Book of the Dead)

E: New Kingdom, 19th Dynasty

A: Unknown

F: Painted Papyrus Scroll

P: Hu-Nefer

D: 1,290-1,280 B.C.E. (College Board: c. 1,275 B.C.E.)

F: Record of journey to the afterlife

T: Lamassu

L: Citadel of Sargon II, Dur Sharrukin, Iraq (modern day Khorsabad, Iraq)

E: Neo-Assyrian

A: Unknown

F: Alabaster

P: Unknown

D: 720 – 705 B.C.E.

F: Protection

T: Athenian agora

L: Athens, Greece

E: Archaic Greece through Hellenistic Greece

A: Unknown

F: Marble, brick, stone

P: Unknown

D: 600 B.C.E. - 150 C.E.

F: City center/down town

T: Anavysos Kouros

L: Cemetery in Anavysos (just outside Athens)

E: Archaic Greece

A: Unknown

F: Painted Marble

P: Unknown

D: 530 B.C.E.

F: Grave marker

T: Peplos Kore

L: Acropolis, Athens, Greece

E: Archaic Greece

A: Unknown

F: Painted marble

P: Unknown

D: 530 B.C.E.

F: Votive offering for Athena

T: Sarcophagus of the Spouses

L: Cerveteri, Italy (Banditaccia Necropolis)

E: Etruscan Art

A: Unknown

F: Painted Terracotta

P: Elite patron

D: 520 B.C.E.

F: Coffin for a husband and wife

T: Audience Hall of Darius and Xerxes

L: Persepolis, Iran

E: Persian

A: Unknown

F: Limestone, mudbrick and wood

P: Darius & Xerxes

D: 520 – 465 B.C.E.

F: Throne room and palace

T: Temple of Minerva and sculpture of Apollo

L: Veii, Italy

E: Etruscan Art

A: Master sculptor Vulca

F: Wood, mudbrick, and tufa. Terracotta sculpture

P: Unknown

D: 510-500 B.C.E.

F: Temple dedicated to Minerva (Athena), Tinia (Zeus) and Uni (Hera)

T: Tomb of the Triclinium
L: Tarquinia, Italy

E: Etruscan Art

A: Unknown

F: Rock-Cut Tufa & Fresco

P: Unknown

D: 480 - 470 B.C.E.

F: subterranean tomb with banquet space and decorative murals of funerary celebration in a necropolis

T: Niobides Krater

L: Athens, Greece

E: Archaic (Severe) Greece

A: the Niobid Painter

F: Terracotta, glaze (College Board: Clay, red-figure technique)

P: Unknown

D: 460-450 B.C.E.

F: krater, mix water with wine, narrative, tells the story of Niobid & gods

T: Doryphoros

L: Palestra at Pompeii

E: Classical Era

A: Polykleitos

F: Roman Marble Copy of Original Greek Bronze

P: Unknown

D: 450-440 B.C.E.

F: Represent perfect canons

T: Acropolis

L: Athens, Greece

E: Classical Greece

A: Various (Iktinos/Kallikrates = architects/Phidias = sculpture)

F: Marble

P: Pericles

D: 447-410 B.C.E.

F: Religious center dedicated to Athena

T: Grave stele of Hegeso

L: Dipylon Cemetery, Athens, Greece

E: Classical Greece

A: Kallimachos

F: Painted Marble

P: Hegeso or Proxenos (father)

D: 410 B.C.E.

F: Grave markers

T: Winged Victory of Samothrace

L: Island of Samothrace

E: Hellenistic Greece

A: Unknown

F: Marble

P: Unknown

D: 190 B.C.E.

F: Military victory monument, originally part of a fountain shaped like the prow of a boat

T: Great Altar of Zeus and Athena at Pergamon

L: Asia Minor (present-day Turkey)

E: Hellenistic Greece

A: Unknown

F: Marble

P: Eumenes II

D: 175 B.C.E.

F: Memorial of battle victory, Altar to the gods Zeus and Athena, symbolized victory of order over chaos and commemorated the kingdom’s prevention of barbarian invasion in 300 B.C.E.

T: House of the Vettii

L: Pompeii, Italy

E: Early Roman Empire (College Board: Imperial Roman)

A: Unknown

F: Cut stone and fresco (fourth style)

P: Aulus Vetticus Conviva & Aulus Vetticus Restitutus (freed slaves)

D: 62 - 79 C.E.

F: Private home

T: Alexander Mosaic

L: The House of the Faun, Pompeii

E: Hellenistic Greece/Roman Republic (Republican Roman)

A: Unknown

F: Roman Mosaic Copy of Greek Mural Painting

P: Unknown

D: 100 B.C.E.

F: Depicts the Battle of Issus, Alexander the Great VS Darius III (Macedonian troops defeated Persian forces)

T: Seated boxer

L: near Baths of Constantine

E: Hellenistic Greece

A: Unknown

F: Bronze

P: Unknown

D: 100 B.C.E.

F: Emotional representation of a professional boxer or the idea of one (a generic character). Showing the rare emotion/moment of defeat

T: Head of a Roman patrician

L: Otricoli, Italy

E: Roman Republic

A: Unknown

F: Painted Marble

P: Unknown

D: 75-50 B.C.E.

F: Veristic male bust sculpture

T: Augustus of Prima Porta

L: Villa of Livia at Prima Porta (near Rome), Italy

E: Early Roman Empire (College Board: Imperial Roman)

A: Unknown

F: Marble Copy of Original Bronze

P: Augustus

D: 20 CE (College Board: Early first century C.E.)

F: propaganda portrait of a Roman ruler

T: Colosseum (Flavian Amphitheater)

L: Rome, Italy

E: Early Roman Empire (College Board: Imperial Roman)

A: Vespasian → Titus

F: Concrete, Limestone, Tufa (College Board: Stone and concrete)

P: Flavian Family

D: 70-80 B.C.E.

F: Entertainment Arena

T: Forum of Trajan

L: Rome, Italy

E: High Roman Empire

A: Apollodorus of Damascus

F: Brick and concrete

P: Trajan

D: 106 – 112 B.C.E.

F: Public Square (forum), Public Building as a Law Court and Assemblies (basilica), Monument to Dacian Conquest (column), Commercial Complex (markets)

T: Pantheon

L: Rome, Italy

E: High Roman Empire (College Board: Imperial Roman)

A: Unknown (maybe Apollodorus of Damascus?)

F: Concrete with stone facing

P: Marcus Agrippa (Hadrian → Reconstruction)

D: original… 27 B.C.E. (Agrippa), reconstruction… 118-125 C.E. (Hadrian)

F: temple to 12 Roman gods (Dei Consentes), then a throne room for Hadrian, then (609

CE)/now Christian church, also a tomb (Raphael, Annibale Carracci, & 2 Italian Kings)

T: Ludovisi Battle Sarcophagus

L: Found in a tomb near an exit gate from the city of Rome

E: Late Roman Empire (College Board: Imperial Roman)

A: Unknown

F: Marble

P: Unknown

D: 250 C.E.

F: sarcophagus of a son of Emperor Decius, high-relief carving of a battle between Romans & Goths

T: Treasury and Great Temple of Petra

L: Petra, Jordan

E: Nabataean Kingdom (sacked by Trajan in 106 C.E.) (College Board: Nabataean Ptolemaic and Roman)

A: Unknown

F: Cut rock (sandstone)

P: King Aretas IV

D: 1st century C.E. (College Board: 400 B.C.E. - 100 C.E.)

F: palace, mausoleum, storage room for spoils of war

T: Catacomb of Priscilla

L: Rome, Italy

E: Late Antiquity Europe

A: Unknown

F: Tufa and Fresco

P: Priscilla (named after the wife of the Consul Manius Acilius Glabrio; he is said to have become a Christian and was killed on the orders of Domitian.)

D: 200-400 C.E.

F: a subterranean burial space for Christian people

T: Santa Sabina

L: Rome, Italy

E: Late Antiquity Europe

A: Peter of Illyria

F: Brick and Stone (wooden roof)

P: Dominican Order of Christians

D: 422-432 C.E.

F: Oldest basilica plan church and mother church of Dominican Order (earlier site was of Imperial Roman homes)

T: Vienna Genesis

L: Vienna, Austria

E: Early Byzantine European Art

A: Unknown

F: Tempera, Gold and Silver on Vellum

P: Unknown

D: 500-550 C.E. (College Board: Early sixth century C.E.)

F: Earliest surviving first chapter of the Bible

T: San Vitale

L: Ravenna, Italy

E: Early Byzantine European Art

A: Unknown

F: Brick, marble, and stone veneer

P: Julianus Argentarius (and a rich banker helped finance)

D: 526-547 C.E.

F: Central-planned church for Saint Vitalis, Ravenna’s patron saint

T: Hagia Sophia

L: Constantinople (Istanbul), Turkey

E: Byzantine Art

A: Anthemius of Tralles & Isidorus of Miletus

F: Ceramic, Stone, Mosaic

P: Justinian & Theodora

D: 532-537 C.E.

F: Central & Basilica Planned Church. Later a mosque (Sultan Mehmed II) to symbolize triumph of Islam over West and Christianity

T: Merovingian looped fibula

L: Arles, France

E: Early Medieval European Art

A: Unknown

F: Silver, gilt, garnet & stone inlay

P: Unknown

D: 550 C.E. (College Board: Mid sixth century C.E.)

F: clasp used to fasten a garment

T: Virgin Theotokos and Child Between Saints Theodore and George

L: Monastery of St. Catherine, Mount Sinai, Egypt

E: Early Byzantine European Art

A: Unknown

F: Encaustic on wood

P: Unknown

D: 6th or early 7th Century

F: devotional object for an altar

T: Lindisfarne Gospels

L: United Kingdom

E: Early Medieval European Art

A: Eadfrith

F: Tempera on Parchment (College Board: Illuminated manuscript (ink, pigments, and gold on vellum))

P: Unknown

D: 700 C.E.

F: Illuminated Manuscript of the 4 Gospels (Matthew, Mark, Luke, and John)

T: Great Mosque of Cordoba

L: Cordoba, Andalusia Spain

E: Early Islamic Architecture (College Board: Umayyad)

A: Unknown

F: Stone Masonry

P: Umayyad Dynasty (Abd al-Rahman)

D: 785-786 C.E.

F: Hypostyle Mosque

T: Pyxis of al-Mughira

L: Cordoba, Spain (now in the Louvre)

E: Medieval Islamic Art (College Board: Umayyad)

A: Unknown

F: Incised Ivory

P: Umayyad Dynasty

D: 968 C.E.

F: Coming-of-Age Pyxis

T: Church of Saint-Foy

L: Conques, France

E: Romanesque European Art

A: Unknown

F: Stone (College Board: Stone, paint, gold, silver, gemstones, and enamel over wood)

P: Unknown

D: 1050-1130 C.E.

F: martyr church & pilgrimage stop

T: Bayeux Tapestry

L: Bayeux Cathedral, Bayeux, France

E: Romanesque European Art

A: Unknown

F: Embroidered wool on linen

P: Bishop Odo

D: 1066-1080 C.E.

F: tells the story of the victory of the Battle of Hastings (William the Conqueror (duke of Normandy) vs Harold II of England)

T: Chartres Cathedral

L: Chartres, France

E: French Gothic Art (College Board: Gothic European Art)

A: Unknown

F: Limestone & Stained Glass

P: Unknown

D: 1145-1155 C.E. (1194-1220 C.E. Reconstruction)

F: Cruciform Gothic French Catholic Cathedral

T: Dedication Page with Blanche of Castile and King Louis IX of France, Scenes from the Apocalypse from Bibles moralisées (the Moralizing Bible)

L: Paris, France

E: Gothic European Art

A: Unknown

F: Ink, tempera & gold leaf on vellum

P: Queen Blanche of Castile

D: 1225-1245 C.E.

F: Luxury Item & Illuminated Manuscript. Personal for French Royal Family to teach good morals to future rulers

T: Röttgen Pietà

L: Rhineland, Germany

E: German Gothic Art (College Board: Late Medieval European Art)

A: Unknown

F: Painted Wood

P: Unknown

D: 1300-1325 C.E.

F: Devotional image used as a focal point for contemplation and prayer

T: Arena (Scrovegni) Chapel

L: Padua, Italy
E: Pre-Italian Renaissance (1200-1400)
A: Giotto di Bondone
F: Brick & Masonry (exterior) Fresco (interior)
P: Enrico Scrovegni
D: 1303-1305 C.E.
F: Private family chapel for worship

T: Golden Haggadah

L: Barcelona, Spain

E: Jewish Gothic Art (College Board: Late medieval Spanish art)

A: Unknown

F: Gold Leaf and Pigments on Vellum

P: Unknown

D: 1320 C.E.

F: The book used to tell the story of Passover around the seder table each year, known as a haggadah (haggadot, pl)

T: Alhambra

L: Granada, Andalusia Spain

E: Medieval Islamic Architecture (College Board: Nasrid Dynasty)

A: Unknown

F: Whitewashed Adobe Stucco, Wood, Tile, Paint, and Gilding (Gold)

P: Nasrid Dynasty

D: 1354-1391 C.E.

F: OG → fortress (889 C.E.) THEN → Royal Palace

T: Annunciation Triptych (Merode Altarpiece)

L: Tournai, Belgium

E: Northern European Renaissance

A: Workshop of Robert Campin

F: Oil on Wood

P: Unknown

D: 1427-1432 C.E.

F: Triptych Altarpiece depicting the Annunciation

T: Pazzi Chapel

L: Santa Croce, Florence, Italy
E: Early Italian Renaissance
A: Filippo Brunelleschi
F: Concrete & Masonry
P: Andrea de’Pazzi (wealthy family second to only the Medicis)
D: 1429-1461 C.E.
F: Chapter House (not a church), served as a meeting place for Franciscan monks & represented the Pazzi power

T: The Arnolfini Portrait

L: Berlin, Germany

E: Northern European Renaissance

A: Jan van Eyck

F: Oil on Wood

P: Giovanni Arnolfini

D: 1434 C.E.

F: Wedding portrait of Giovanni Arnolfini & his wife

T: David

L: Medici Palace Courtyard, Florence, Italy
E: Early Italian Renaissance
A: Donatello
F: Bronze
P: Cosimo de’Medici
D: 1440-1460 C.E.
F: life-size sculpture of the biblical figure of David who has just defeated Goliath

T: Palazzo Rucellai

L: Florence, Italy
E: Early Italian Renaissance
A: Leon Battista Alberti
F: Stone & Masonry
P: Giovanni Rucellai (a wealthy merchant)
D: 1450 C.E.
F: Business offices & private family home

T: Madonna and Child with Two Angels

L: Uffizi Gallery, Florence, Italy
E: Early Italian Renaissance
A: Fra Filippo Lippi
F: Tempera on Wood
P: Giovanni de’Medici for the King of Naples
D: 1465 C.E.
F: humanist depiction of Mary and JC

T: Birth of Venus

L: Uffizi Gallery, Florence, Italy
E: Early Italian Renaissance
A: Sandro Botticelli
F: Tempera on Canvas
P: Lorenzo de’Medici
D: 1484-1486 C.E.
F: depiction of the moment Venus emerged from the sea

T: Last Supper

L: Refectory (dining hall) of the Santa Maria della Grazie, Milan

E: High Italian Renaissance

A: Leonardo da Vinci

F: Oil and Tempera on Plaster

P: Sforza of Milan (ruling family)

D: 1494-1498 C.E.

F: connect the relationship between friars eating and a biblical meal

T: Adam and Eve

L: Nuremberg, Germany

E: Northern European Renaissance

A: Albrecht Dürer

F: Engraving (burin on a copper plate, ink to print)

P: Unknown

D: 1504 C.E.

F: Shows the figures of Adam and Eve in the Garden of Paradise before the “fall of man”

T: Sistine Chapel ceiling and altar wall frescoes

L: Vatican City, Italy

E: High Italian Renaissance

A: Michelangelo Buonarroti

F: Fresco

P: Pope Julius II

D: 1508-1512 C.E.

F: building where the next pope is elected

T: School of Athens

L: Stanza della Segnatura (Papal Library), Vatican City, Rome

E: High Italian Renaissance

A: Raphael (Raffaello Sanzio, from Urbino)

F: Fresco

P: Pope Julius II

D: 1509-1511 C.E.

F: decorates the walls of the papal library, specifically displayed above books around philosophy for an environment of learning

T: Isenheim altarpiece

L: Chapel of Saint Anthony (Isenheim, Germany)

E: Northern European Renaissance

A: Matthias Grünewald

F: Oil on Wood

P: Guy Guers (hospital preceptor (instructor))

D: 1512-1516 C.E.

F: Triptych, multi-layered (polyptych) altarpiece placed in a monastery hospital

T: Entombment of Christ

L: Capponi Chapel, Santa Felicita, Florence, Italy

E: High Italian Renaissance

A: Jacopo da Pontormo

F: Oil on Wood

P: original made for the Florence Charterhouse

(aka Carthusian monastery)

D: 1525-1528 C.E.

F: Mannerist style entombment (or deposition, we can’t be sure)

T: Allegory of Law and Grace

L: Wittenberg, Germany

E: Northern European Renaissance

A: Lucas Cranach the Elder (court painter, chief artist of the Reformation)

F: Woodcut and letterpress

P: Followers of the Reformation

D: 1530 C.E.

F: Diptych (2 sides) illustrating Lutheran beliefs, guidelines, rewards, and punishments

T: Venus of Urbino

L: Venice, Italy (then Urbino Office) (now Uffizi)

E: High Italian Renaissance

A: Titian

F: Oil on Canvas

P: Guildobaldo della Rovere of Urbino

D: 1538 C.E.

F: a portrait of a reclining nude woman

T: Frontispiece of the Codex Mendoza

L: Mexico City, Mexico

E: Art of New Spain

A: Indigenous Artists, annotated in Spanish by a priest

F: Ink and color (pigment) on paper

P: Antonio de Mendoza (first viceroy of Viceroyalty of New Spain) for King Charles V of Spain

D: 1541-42 C.E.

F: a book meant to record information about Aztec Empire & the lords of Tenochtitlan (capital), paid tribute to Aztecs, and included accounts of life “from year to year”

T: Church of Il Gesú, including Triumph of the Name of Jesus ceiling fresco

L: Rome, Italy

E: Italian Baroque Art

A: Giacomo da Vignola (architect), Giacomo della Porta (architect), Giovanni Battista Gaulli (ceiling fresco artist) TOOK INSPO FROM BERNINI

F: Brick, Marble, Fresco, and Stucco

P: Alexander Farnese (rich, powerful, art-loving Cardinal)

D: 1568-1584 C.E.

F: Founded as the mother church of the Jesuit Order

T: Hunters in the Snow

L: Antwerp, Belgium

E: Northern European Renaissance

A: Pieter Bruegel the Elder

F: Oil on Wood

P: Nicolaes Jonghelinck (merchant who wanted the images to hang in the dining room of his suburban Antwerp home)

D: 1565 C.E.

F: 1 of six secular paintings that depict the different seasons, this one being November and December

T: Mosque of Selim II

L: Edirne, Turkey

E: Late Islamic Architecture

A: Sinan

F: Limestone & Glazed Ceramic Tile (College Board: Brick and stone)

P: Ottoman Dynasty

D: 1568-1575 C.E.

F: Centrally-Planned Mosque

T: Calling of Saint Matthew

L: Contarelli Chapel, San Luigi dei Francesi, Rome

E: Italian Baroque Art

A: Caravaggio

F: Oil on Canvas

P: Matthew Contarelli

D: 1597-1601 C.E.

F: 1 of a 3-part series showing the life of Saint Matthew in a chapel dedicated to him by the Contarelli family

T: Henri IV Receives a Portrait of Marie de’ Medici

L: Luxembourg Palace (she was exiled there by her son King Louis XIII)

E: French Baroque Art

A: Peter Paul Rubens (lived and worked in Antwerp)

F: Oil on Canvas

P: Marie de’ Medici

D: 1621-1625 C.E.

F: 1 of 21 huge historical paintings allegorically retelling the life of Marie de’ Medici, Queen of France, wife of Henri IV

T: Self-Portrait with Saskia

L: Leiden & Amsterdam, Dutch Republic

E: Dutch Baroque Art

A: Rembrandt van Rijn

F: Etching

P: none… meant for private purposes, not for general sale

D: 1636 C.E.

F: double portrait (couple portrait, marriage portrait, whatever ya wanna call it)

T: San Carlo alle Quattro Fontane

L: Rome, Italy

E: Italian Baroque Art

A: Francesco Borromini

F: Stone & Stucco

P: Trinitarian Religious Order

D: 1638-1646 C.E.

F: Christian place of worship for the Trinitarian Religious Order

T: Ecstasy of Saint Teresa

L: Cornaro Chapel, Santa Maria della Vittoria, Rome, Italy

E: Italian Baroque Art

A: Gian Lorenzo Bernini

F: Marble, Stucco, & Gilt Bronze

P: Cornaro family (Cardinal in Venice but had important ties to Rome)

D: 1647-1652 C.E.

F: Depiction of a scene from St. Teresa’s diary of a spiritual vision located within a chapel for the Cornaro family

T: Angel with Arquebus, Asiel Timor Dei

L: Calamarca, Bolivia

E: Art of New Spain

A: Jose Lopez de los Rios (Master of Calamarca)

(La Paz School, after Leonardo Flores)

F: Oil on Canvas

P: Viceroyalty of Peru

D: 1680 C.E. (College Board: 17th century C.E.)

F: representative of both the wealth & power of the Spaniards over indigenous people and protection offered to faithful Christians

T: Las Meninas

L: Madrid, Spain

E: Spanish Baroque Art

A: Diego Velazquez

F: Oil on Canvas

P: King Philip IV of Spain (for his study)

D: 1656 C.E.

F: Genre Scene, Group Portrait, Artist Promotion

T: Woman Holding a Balance

L: Delft, Dutch Republic

E: Dutch Baroque Art

A: Johannes Vermeer

F: Oil on Canvas

P: Pieter Claesz van Ruijvan

D: 1664 C.E.

F: genre painting showing a moment of stillness and timelessness, weighing and judgement.

T: The Palace at Versailles

L: Versailles, France

E: French Baroque Art

A: Louis Le Vau and Jules Hardouin-Mansart (architects)

F: Masonry, stone, wood, iron, gold leaf

P: King Louis XIV

D: 1669 C.E. (begun)

F: created as a palace to move court (of over 20,000 people) out of Paris (previously was a small hunting lodge). Symbolically meant to emphasize Louis’ importance (“Sun King”)

T: Screen with the Siege of Belgrade and hunting scene

L: Mexico City, Mexico

E: Art of New Spain

A: Circle of the González Family

F: Tempera and resin on wood, shell inlay

P: Gonzalez Family (Viceroyalty of New Spain)

D: 1697-1701 C.E.

F: divided room of a home, intended to be viewed by a separate audience for each side

T: The Virgin of Guadalupe (Virgen de Guadalupe)

L: Basilica of Guadalupe,Mexico City, Mexico

E: Art of New Spain

A: Miguel González

F: Oil and mother of pearl on canvas (on wood)

P: Viceroyalty of New Spain

D: 1698 C.E.

F: holy image created after an inspiring Christian miracle that took place in Mexico City