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Seamus Perry AO5’s on Magi
“there is a Prufrockian inability to conceptualise what has been significant to you”
“transitional poem”
Lord Harris on the ending of the poem AO5
It ends in a paradox
Roz Kaveney AO5 on religion in the poem
“His religion is the poetic technique in which he can express things … a language that will express everything”
“‘A cold coming we had of it,”
collective plural pronoun - ambiguity to who the implied listener is
Quoting from a sermon preached by Bishop of Winchester in 1622
“worst … deep … sharp … dead”
superlatives - suggesting a hopelessness
images of decay and mortality
The motif of a bitter winter
suggesting there will be suffering in the journey towards faith
dead - harsh, dental diction
“a journey … long journey”
extended metaphor of the difficulties faced on the journey to faith and spiritual rebirth
repetition hyperbolises the difficulty
“melting snow” “summer palaces”
suggesting life before transition in faith
time passing reflects how long the journey has been going on
“And …. And …. And”
Anaphora reflecting growing frustration
“cursing and grumbling …. liquor and women”
motif of sin and greed
reflecting the life before jesus sacrificed himself for humans
suggesting this is the state humans would exist in without faith
“hostile … unfriendly … dirty”
motif of suffering that exists in a life without faith
“saying/ That this was all folly.”
mocking in tone
suggesting there is a struggle to maintain faith in a cynical world
“temperate valley … smelling of vegetation”
imagery of fertility and fecundity
The shift in the poem/ volta
anti-wasteland imagery
suggesting renewal and hope
“running stream … three trees … vine leaves”
biblical allusions
perhaps conveying a hopeful tone
“tavern … empty wine-skins”
images representing human sin
weakness, wasteland of human world
Form
dramatic monologue
“Birth or death?”
Ambiguous - referring to Jesus? or of speakers old identity
repetition of antithesis
reflecting another Christian belief that earthly death is a rebirth into spiritual life
“We returned to our places, these Kingdoms, But no longer at ease here”
suggesting that the speaker has become alienated by their new faith in this immoral land
“in the old dispensation”
referring to the old political, religious, social systems
the speakers life before faith
“their gods”
referencing a pre-Christian astrology - paganism
What it is about vs what it is really about
extended allusion to wise men as an allegory for a journey to spiritual fulfilment
framing the journey of individuals towards spiritual renewal
reflects the difficulty one has fulfilling their spiritual journey
Ao3 - eliots religion
had a spiritual anagnorisis before writing poem
converted to Anglo-Christian Church just before writing
mass everyday
Ao3 - broader than just eliot
limiting to view poem just through eliot’s own religious journey
reflects how modernist people wrestled with religious institutions and ideologies
analyses the alienation that comes with spiritual fulfilment when disconnected to the religious views of others
In general many people had difficulty defining their religious beliefs after the war - suffering crisis of faiths
Structure of the poem
Verse paragraphs
free verse
This is a symbolist poem - what is symbolism poetry
emotional experience through suggestions and symbols
rejected realism
What collection was it apart of
The Ariel poems
Konald Bush AO5 quote on the ariel poems
“mediate on spiritual growth”
Rowan Williams on Eliot’s work
it gave “ a new perspective on everything and a new restlessness in a tired and chilly world”