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Last updated 6:06 AM on 4/17/26
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81 Terms

1
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Concertino for Clarinet and Orchestra

Carl Maria von Weber

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Concertino for Clarinet and Orchestra

small, short concerto in condensed form and usually one movement

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Carl Maria von Weber

a piano virtuoso and a major influence on liszt and wagner

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Romeo and Juliet Fantasy Orchestra

this piece tells the story in full

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Romeo and Juliet Fantasy Orchestra

Piotr Ilich Tchaikovsky

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Piotr Ilich Tchaikovsky

had the three most popular ballets in the repertory

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Scheherazade: Movement III

solo violin plays main character throughout

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Scheherazade: Movement III

Nikolai Rimsky-Korsakov

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Nikolai Rimsky-Korsakov

part of the mighty five

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Don Quixote

cello is the character of don quixote

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Don Quixote

Richard Strauss

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Richard Strauss

tone poems and operas

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"Enigma" Variation

each variation was dedicated to a friend/collegue of elgar’s

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"Enigma" Variation

Edward Elgar

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Edward Elgar

first british composer to acheive international status in 200 years

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Slavonic Dance, Op. 46, No. 1

has furiant - couple dance in triple meter

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Slavonic Dance, Op. 46, No. 1

Antonín Dvorák

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Antonín Dvorák

preferred to incorporate own folk like melodies with national dance styles

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"Deep River"

one of the best known african american spiruals

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"Deep River"

Harry T. Burleigh

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Harry T. Burleigh

friendship with antonin dvorak, baritone voice

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"Steal Away"

one of the first african american spirtuals to be performed in concert

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"Steal Away"

Fisk Jubilee Singers

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Fisk Jubilee Singers

choir of emancipated enslaved persons

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Symphony in E Minor, Op. 32 ("Gaelic Symphony"): Movement II

Amy Cheney Beach

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Symphony in E Minor, Op. 32 ("Gaelic Symphony"): Movement II

this song created a different definition of an american sound and was based on the little field of barley

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Amy Cheney Beach

excluded from teaching at university and wrote large scale works to show women were capable of creating them

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"The Dauntless Battalion"

combines military with lighter dance elements

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"The Dauntless Battalion"

John Philip Sousa

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John Philip Sousa

conducted the united states marine band

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Treemonisha: Act III "A Real Slow Drag" 

themes of education as liberation, community empowerment, and black american leadership grounded in dignity and intellect

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Treemonisha: Act III "A Real Slow Drag" 

Scott Joplin

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Scott Joplin

“king of ragtime”

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"Memphis Blues"

finisher to concerts and had short solo interjections with note bends and swoops

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"Memphis Blues"

James Reese Europe

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James Reese Europe

organized the clef club and formed hellfighters band, was also stabbed by band member

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Kindertotenlieder: "Nun will die Sonn' so hell aufgeh'n

songs on the death of children

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Kindertotenlieder: "Nun will die Sonn' so hell aufgeh'n

Gustav Mahler

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Gustav Mahler

incorporated folk songs, marches, chorales, and humor into works and was jewish born which led to difficulties

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"Prelude to the Afternoon of a Faun"

Claude Debussy

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"Prelude to the Afternoon of a Faun"

about a mythical creature, half man/half goat

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Claude Debussy

passed from colon canser and was entered into the paris conservatoire at age 10, was influenced by symbolist poetry, javanese gamelan, and non-western musical traditions

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Jeux d'eau

impressionist piece inspired by debussy and liszt

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Jeux d'eau

Maurice Ravel

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Maurice Ravel

studied with gabriel faure and tried to win the prix de rome five times

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"Dried Embryons"

mocks beethoven’s symphony

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"Dried Embryons"

Erik Satie

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Erik Satie

laziest student in the paris converatory

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"Asturias"

sudden chordal outbursts

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"Asturias"

Isaac Albéniz

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Isaac Albéniz

works often evoke specific locales, festivals, and landscapes of spain

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Homenaje "Le Tombeau de Debussy"

homage to the death of debussy, habanera rhythms and famenco guitar styles

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Homenaje "Le Tombeau de Debussy"

Manuel de Falla

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Manuel de Falla

collected and arranged national folk songs with modernist influence

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Fantasia on a Theme by Thomas Tallis

double string quartet

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Fantasia on a Theme by Thomas Tallis

Ralph Vaughan Williams

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Ralph Vaughan Williams

one of the first ethnomusicologists

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First Suite in E-Flat: I. Chaconne

combined classical with military band

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First Suite in E-Flat: I. Chaconne

Gustav Holst

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Gustav Holst

trombonist and was during the sanskrit period

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"Vers la flamme"

targets the earth’s continuing heat that would lead to destruction, descending half steps and whole steps melodic motive

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"Vers la flamme"

Alexander Scriabin

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Alexander Scriabin

liked the mystic chord and had synesthesia

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Prelude in G Minor

Sergei Rachmaninov

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Prelude in G Minor

both hands involved in accompaniment and melody at all times

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Sergei Rachmaninov

giant hands

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Pierrot lunaire: No. 8, "Die Nacht"

sprechstimme - speaking voice

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Pierrot lunaire: No. 8, "Die Nacht"

Arnold Schoenberg

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Arnold Schoenberg

schoenberg developed the twelve tone method and was a modernist

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Wozzeck: Act III

based on real event in which a man who may have been insane was executed for killing the woman he lived with and is one of the most successful modern operas and by far the most popular atonal opera

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Wozzeck: Act III

Alban Berg

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Alban Berg

studied with schoenberg but had greater popular sucess, also wrote works with much more tonal sense

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Symphony Opus 21: Movement I

has succession of timbres similar to shoenberg’s concept of klangfarbenmelodie (tone-color melody), can be compared to pointilism

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Symphony Opus 21: Movement I

Anton Webern

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Anton Webern

felt that evolution in art was necessary and that history can only move forward

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The Rite of Spring: Dance of the Adolescents

primitivism

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The Rite of Spring: Dance of the Adolescents

Igor Stravinsky

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Igor Stravinsky

serge diaghilev commisionned strqavinsky to compose for the ballet russes

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Symphony of Psalms: Movement I

uses psalms from the latinvulgate bible and has baroque features

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Symphony of Psalms: Movement I

Igor Stravinsky