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women’s role in 19th century (text) - DRACULA
Of Queens’ Gardens (Ruskin 1865) - ‘separate spheres’ of gender in supporting one another, women’s role as moral guardians in domestic
New Woman - DRACULA
New Woman (Sarah Grand coins 1894) - does female strength undermine male strength?
male equivalent (re gender anxieties) was the Dandy
masculine heroism - DRACULA
On Heroes and Hero-Worship (Carlyle 1841) - importance of masculine heroism which JH undermines
19th century view on emotions - DRACULA
The Descent of Man (Darwin 1871) - emotional control key differentiator between human and animals, key to evolution
intersection of masculinity and christianity - DRACULA
Tom Brown’s Schooldays (1857) - popularised Victorian ‘muscular Christianity’ linking Christian manhood to physical + moral vigour
The White Man’s Burden (1899) - post Dracula but speaks to belief of white Western man as God’s instrument, (Transylvanian Drac is threat to be overcome)
fin de sèicle gender anxieties - religion still a corner stone of society
husband’s role - DRACULA
late 19th century men still legal providers for women
gender exploration in gothic - DRACULA
Castle of Otranto (Walpole 1764)
Carmilla (Le Fanu 1872)
masculinity as biologically inherited - DRACULA
Social Darwinism + Galton’s ‘eugenics’ (coined 1883) - masculine virtue was heritable/biological
Criminal Man (Lombroso 1876) - physiognomy
new American masculinity - DRACULA
Frontier Thesis (Jackson Turner 1893) - argued rugged American frontier had forged new, masculine national character - a foil to the feminized Genteel Eastern creature
violent sexuality asserting masculinity - DRACULA
The Monk (lEwis 1796) - sees attempt to enforce patriarchal attitudes onto women through sexual acts
violent masculinity curing women - DRACULA
violence as a cure - Lucy’s vampirism is a disease (treated with blood transfusion - 1st successful 1818), violent masculinity cures it (and her sexuality which Mausley suggested was a hysteria)
erotic masculinity for entertainment - DRACULA
critics’ understanding - Kiss Me with Those Red Lips (Craft 1984) explores this
19th century/gothic homosexual anxieties - DRACULA
late Victorian homosexual panic - Oscar Wilde’s trials 2 yrs pre Drac
gothic exploration of homosexuality - Carmilla (Le Fanu) on lesbian vampires
sexual desire in masculinity - DRACULA
The Functions and Disorders of the Reproductive Organs (Acton 1857) - respectable masculine men don’t experience ucnontrolled sexual desire
femme fatale role in sexual masculinity - DRACULA
power of the femme fatale emasculates - staples in Romantic + Victorian literature (La Belle Dame Sans Merci - Keats 1819), vampiric feminism subverts masculinity
enslaved men’s status - BELOVED
Dred Scott case (1857) - enslaved men property rather than persons, Sethe restores manhood
(white) violence on black men - BELOVED
Narrative of the Life of Frederick Douglass (1845) - whippings, rape, violence as destruction of black
Twelve Years a Slave (Solomon Northup 1853) - describes the use of the bit on other slaves
The Wretched of the Earth (1961) highlighted colonial violence’s destructiveness on perp + victim
‘Masculinities’ (Connell) - “hegemonic masculinity among whites sustains the institutional oppression and physical terror that have framed the making of masculinities in black communities”
patriarchy/patriarchal beliefs within slavery - BELOVED
maintains ideas of provider and masculinity to overcome the subjugation enforced by slavery
but also Toni Cade Bambara Black feminist work (1970s/80s) - explored the displacement of Black men’s trauma onto black women
‘hiring-out’ system - BELOVED
black slaves could work on Sundays for credit (often to buy freedom over many years)
working on Sabbath was technically a sin
slave Samuel Johnson worked 10 years to buy freedom
power/significance of black workforce - BELOVED
enslaved men provided huge amounts to whites (worked 80% of cotton-farming south as sharecroppers, with $50mil in CW)
emasculation of not being able to take freedom - BELOVED
‘freedom is not something that anybody can be given, freedom is something people take and people are as free as they want to be’ - Baldwin
Patterson’s Slavery and Social Death (1982) arguing that slavery is not just a legal but ‘social death’ - black men reduced by slavery to non-people
tree as images of vitality/brotherhood - BELOVED
men gather round ‘Brother’ tree, a place of their masculinity now destroyed
biblical importance of trees?
‘broken twig’ quote
white violence against supposed black rape - BELOVED
white masculinity enforced through lynching of black men accused of rape (eg Sam Hose 1899) although no evidence of cases
black men cannot do same to white
intersectionality of feminism and black experience - BELOVED
Morrison wrote in feminist movement - intersection of Black Rights Movement and Women’s Rights Movement 1970s
chain gangs - BELOVED
Black Codes of 1870s - increased use of them
mentioned in The Narrative of the Life of Frederick Douglass
mentioned in WPA Narratives
tenderness in black masculinity - BELOVED
Blues, Ideology, and Afro-American Literature (Baker 1984) - emerging idea that AA masculinity historically expressed through communal nurture and in the vernacular (not dominance - not possible)
reclaiming narrative about black violence - BELOVED
000s lynchings late 19th century, blamed black men for violence (untrue)
Paul D’s ‘wrecking’ is for good intensions of care for Sethe, reclaims manhood - Paul D is a protector
sexual masculinity by white to oppress black - BELOVED
black men seen as different creatures - homosexuality cemented that
race>gender in importance - Mama’s Baby, Papa’s Baby (Spiller also 1987) argued slavery ‘ungendered’ black people
lack of black male sexual control inverts white gothic male tradition - BELOVED
The Monk (Miller 1796) sees priest trying to rape sleeping girl - here ‘sleeping’ girl rapes man