Module 4: Italian Sculpture and Painting

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Last updated 2:44 AM on 4/16/26
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16 Terms

1
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What were the two main reasons for the Italian Renaissance hyperfixation on beauty and the make figure?

  1. The revival of classical art forms and ancient philosophies in Florence.

  2. Renaissance Humanism, which encouraged visual representations of human bodies and emotions.

2
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What is “Diotima’s Ladders”?

A metaphorical story from Plato’s Symposium describing how physical beauty serves as the first step toward intellectual growth and spiritual enlightenment.

3
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List the steps of “Diotima’s Ladder” (The Ladder of Love) in order.

  1. A beautiful body

  2. All beautiful bodies

  3. Beautiful souls

  4. The beauty of laws and institutions

  5. The beauty of knowledge

  6. Beauty itself

4
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How did Renaissance beauty differ from Greco-Roman (Classical) beauty?

Classical artists modeled bodies after mythic heroes to represent virtue and social status, while Renaissance artists focused on mathematical exactness, proportion, and scientific anatomical detail.

5
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Who was a multi-talented High Renaissance artist known for dissecting cadavers to study anatomy?

Leonardo da Vinci

6
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What are the key facts about Michelangelo’s David statue?

It is a 17-foot-tall marble sculpture created between 1501-1504; it holds a political purpose representing Florentine strength, intelligence, and courage.

7
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Define the “Fresco” painting technique used on the Sistine Chapel ceiling.

Derived from the Italian word for “fresh,” it involves painting quickly with pigments directly onto a freshly laid area of wet plaster so the art is locked in as it dries.

8
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What are sybils and ignudi in the context of the Sistine Chapel?

Sybils are ancient prophetesses depicted as hyper-muscular figures to show how pagans foresaw Christ’s coming; ignudi are 20 nude male figures framing the biblical narratives, representing God’s perfect creation.

9
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What three major factors caused the shift from the Renaissance to the Baroque era?

  1. The Counter-Reformation (Catholic Revival).

  2. The rise of absolute monarchies.

  3. A cultural desire for real, exciting, and “messy” emotions.

10
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What were the primary characteristics of Baroque art?

Chaotic emotional intensity, drama, grandness, exaggerated movement, and sharp, contrasting colors.

11
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Define “Tenebrism.”

An artistic technique using extreme contrasts of light and dark, where shadows often dominate the background to create drama and suspense.

12
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How did absolute monarchs like Louis XIV use Baroque architecture?

They used grand, elaborate designs (like the Palace of Versailles) to symbolize their wealth, dominance, and “divine right” to rule.

13
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Who was Artemisia Gentileschi?

A prominent 17th-century Baroque painter and the first woman recognized to join the art academy in Florence.

14
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How did Artemisia Gentileschi’s personal like influence her art?

Her experiences with sexual assault and a traumatic trial led her to imbue her female subject with agency, physical strength, and “female rage,” often using her own face for her characters.

15
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Compare Artemisia Gentileschi’s Susanna and the Elders to male artists’ versions.

While male artists often eroticized Susanna as a passive victim, Artemisia focused on her fear, objection, and psychological discomfort, depicting the men as threateningly close.

16
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What distinguishes Artemisia’s Judith Slaying Holofernes?

It is excessively violent and gory, showing Judith and her maid as active strong, and strategically intentional participants rather than hesitant or ladylike.