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Hero / heroine
A main character in a story whose special abilities, characteristics and achievements make him/her appear noble and ideal.
Setting
The location and time frame in which the action of a story takes place.
Plot
The sequence of main events in a story.
5-Act structure
When a play is organised into five main acts, which are structured to show the rising and falling tensions in the play, as well as the climax.
Exposition
The part in a narrative in which the setting and plot are introduced, and in which impending tensions and/or conflicts are established.
Rising action
The part in a narrative in which tensions and/or conflicts are intensified.
Climax
The part in a narrative in which tensions and/or conflicts reach their highest point; turning point
Falling action
The part in a narrative in which tensions and/or conflicts begin to be resolved.
Denouement
The part in a narrative in which tensions and/or conflicts are resolved, and a new sense of order is established.
Genre
A method of categorising texts based on the perception of conventions and/or commonalities.
The Globe Theatre
A round, open-air theatre in which Shakespeare's plays were performed.
Subject-verb agreement
Plural subjects must have plural verbs. Singular subjects must have singular verbs
Simple Sentence
A sentence consisting of one independent clause and no dependent clause
Great Chain of Being
Everything in existence had its fixed place, from God and angels at the top, down through kings, nobles, commoners, animals, plants, and even minerals. The king ruled by divine right, appointed by God, and to challenge this order was to challenge God's will. God, cherub, archangels, angels, star controllers of destiny, moon, king, church, prince, noble, man, lion, other animals, oak and rose, other plants, gold, other minerals
Fool
A common character type in Shakespeare's plays who is funny and irreverent, and whose use of humour allows him to speak truths where others cannot.
Hippolyta
Queen of the Amazons, engaged to Theseus
Theseus
Duke of Athens
Titania
Queen of the fairies, married to Oberon
Oberon
King of the fairies, married to Titania
Hermia
An Athenian noblewoman; daughter of Egeus; in love with Lysander
Lysander
An Athenian man in love with Hermia
Demetrius
An Athenian man in love with Hermia with consent from her father; a player
Love
Love is a central theme in A Midsummer Night's Dream, and it motivates the characters and their actions. Early on, we see the problems that can be caused when love goes wrong. Demetrius loves Hermia - or, at least thinks he does - but she loves Lysander. Hermia's father, however, does not want Lysander for a son-in-law. And because Demetrius, who once swore he loved Helena, now says he loves Hermia instead, poor Helena feels devastated.
APPEARANCE AND REALITY
The play tells us that we cannot always trust what our senses tell us. The truth or reality of a person can be different to what they present on the surface, and our emotions and infatuations can alter our view of reality. The play's title warns us of the illusions our imaginations can conjure up, and reminds us that we can be persuaded by other people to believe untrue things.
CHAOS AND ORDER
In A Midsummer Night's Dream, the characters - and audience along with them - motivated by the madness of love, run from the ordered world of Athens into the chaos of the forest. The play reminds us that the civilised world is not always stable and secure. Chaos can intrude into romantic and family relationships and shatter our usual expectations of society and life.
Athens
the capital and largest city of Greece; a space that symbolises civilised order. This can can be seen in the first scene where Theseus, King of Athens, sets out laws and structures to bring order to the disorder love is causing.
Line
A group of spoken words that ends at the right hand margin of the page.
Scene
The action that occurs between a first character's entrance onto an empty stage and the final character's exit.
Act
a collection of scenes that, together, perform an overall function in the overall narrative.