Expressionism, Dada, Surrealism, Harlem Renaissance, Abstract Expressionism, Pop, Modernism

Fountain (second version). Marcel Duchamp.

1950 C.E. (original 1917).

Readymade glazed sanitary china with black paint, 1’ high.

Object (Le Déjeuner en fourrure). Meret Oppenheim.

1936 C.E.

Fur-covered cup, saucer, and spoon,

Museum of Modern Art, New York.

The Two Fridas. Frida Kahlo.

1939 C.E.

Oil on canvas,

. Museo de Arte Moderno, Instituto Nacional de Bellas Artes, Mexico City, Mexico. (surrealism?)

The Jungle. Wifredo Lam.

1943 C.E.

Gouache on paper mounted on canvas,

”. Museum of Modern Art, New York.

The Migration of the Negro, Panel no. 49. Jacob Lawrence.

1940–1941 C.E.

Casein tempera on hardboard

Phillips Collection, Washington, DC. All of the 30 odd panels are in the Phillips Collection, Washington, DC. The 30 even panels are in the Museum of Modern Art, New York.

Dream of a Sunday Afternoon in the Alameda Park. Diego Rivera.

1947–1948 C.E.

Fresco.

Museo Mural Diego Rivera, Mexico City, Mexico; originally, Hotel del Prado, Mexico, City, Mexico

Palace of Westminster (Houses of Parliament). London, England. Charles Barry and Augustus W. N. Pugin (architects).

1840–1870 C.E.

Limestone masonry and glass.

Carson, Pirie, Scott and Company Building. Chicago, Illinois, U.S. Louis Sullivan (architect).

1899–1903 C.E.

Iron, steel, glass, and terra cotta.

Villa Savoye. Poissy-sur-Seine, France. Le Corbusier (architect).

1929 C.E.

Steel and reinforced concrete.

Fallingwater. Pennsylvania, U.S. Frank Lloyd Wright (architect).

1936–1939 C.E.

Reinforced concrete, sandstone, steel, and glass.

Seagram Building. New York City, U.S. Ludwig Mies van der Rohe and Philip Johnson (architects).

1954–1958 C.E.

Steel frame with glass curtain wall and bronze.

House in New Castle County. Delaware, U.S. Robert Venturi, John Rauch, and Denise Scott Brown (architects).

1978–1983 C.E.

Wood frame and stucco.

Woman, I. Willem de Kooning.

1950–1952 C.E

. Oil on canvas

Museum of Modern Art, New York.

The Bay. Helen Frankenthaler.

1963 C.E.

Acrylic on canvas,

Detroit Institute of Arts, Detroit, Michigan.  

147. Marilyn Diptych. Andy Warhol. 1962 C.E. Oil, acrylic, and silkscreen enamel on canvas, two panels, each 6’10” x 4’9”. Tate, London, England.

150. Lipstick (Ascending) on Caterpillar Tracks. Claes Oldenburg. 1969–1974 C.E. Cor-Ten steel, steel, aluminum, and cast resin; painted with polyurethane enamel, 21’ x 19’ 5 ½” x 10’11”. Yale University Art Gallery, New Haven, Connecticut.