Quotes and critical ideas: term and definition to learn (Romanticism)

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Last updated 7:43 PM on 5/8/26
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64 Terms

1
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Come Reason, come!

An appeal for rational thought amidst rebellion.

2
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Vaunted Sovereign

A term referring to Reason as a powerful ruler of the mind.

3
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‘Magic’ of Reason

The seemingly miraculous control that Reason exerts.

4
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Phaon’s ‘melodious tongue’

A reference to charm or eloquence contrasted by danger (murderous eyes).

5
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Why is rapture so allied to pain?

An exploration of the relationship between joy and suffering.

6
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Pleasing torture of excessive joy

The paradox of joy that can cause distress.

7
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Slow through each fibre creeps

Describing the gradual onset of subtle pain.

8
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Wild is the foaming sea!

An exclamation reflecting chaos and turmoil.

9
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Mute on the ground

A depiction of a neglected lyre, symbolizing silence.

10
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How can love exulting reason quell?

Questioning how love can dampen rational thought.

11
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Yet O my country, name beloved

A term of endearment towards one's homeland.

12
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Milton’s tones the raptured ear enthrall

Referencing the powerful allure of Milton's poetry amidst nature’s chaos.

13
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Wide spreads thy race

Acknowledgment of a broad geographic influence.

14
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The mighty city

A depiction of urban expansion and its implications.

15
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Thy Midas dream is over

A phrase indicating the end of an era of prosperity.

16
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The golden tide of commerce

The flow of wealth that has abandoned the land.

17
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Thou who has shared the guilt

Recognition of shared responsibility and its consequences.

18
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Written in the dust

A metaphor for impermanence and oblivion.

19
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Arts, arms and wealth destroy

Criticism of how prosperity can lead to loss.

20
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With frantic man in strife

Nature providing resources amid human conflict.

21
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To other climes the genius soars

The idea of creativity transcending borders.

22
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England, the seat of arts

A description of England’s cultural heritage juxtaposed with decay.

23
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With throbbing bosoms shall the wanderers tread

An evocative line about those who visit the resting places of the dead.

24
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The beadsman’s fingers were numb

A description reflecting physical and emotional coldness.

25
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It is St Agnes Eve

Indicating a time associated with innocence and violence.

26
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She sighed for Agnes’ dreams

Nostalgia for a time of purity and hope.

27
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Burning Porphyro

Evocation of intense emotion represented by the character Porphyro.

28
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Chaste chamber

Symbolizing purity and an idealized space.

29
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Those sad eyes were spiritual and clear

A description that contrasts sorrow with clarity of vision.

30
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These lovers fled away

The notion of lovers escaping reality into chaos.

31
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How changed thou art!

A lament for lost vitality and joy.

32
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Her eyes were open but she still beheld

The idea of perception without understanding.

33
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Let nature’s commoners enjoy

A call for equal appreciation of nature's gifts.

34
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God seeth thee

A reminder of divine oversight and moral judgment.

35
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Anne Mellor’s stable/coherent subjectivity

An idea that promotes a consistent self-narrative.

36
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Judith Pascoe’s publicity hound

Criticism of authors seeking fame over substance.

37
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Whitney Arnold’s duty to make themselves known

The expectation for authors to assert their presence.

38
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John Wilson Croker's intervention of a lady-author

A critique suggesting that a woman’s writing could have prevented loss.

39
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Critical commentary's use of enjambed heroic couplets

Describing a complex poetic structure that affects comprehension.

40
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Maggie Favretti’s male-dominated genre prophecy

Anticipating a future reflecting gender inequalities in literary traditions.

41
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Anne Mellor’s political discourse

Connecting female authorship to revolutionary ideas.

42
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Jessie Reeder’s oscillating structure

An observation on the dynamic form of narrative.

43
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Homi Bhabha’s shared narratives

Highlighting the importance of collective stories among nations.

44
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Critics’ absence of rhetorical centre

Pointing to a perceived lack of coherence in arguments.

45
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Stillinger’s real life entry into fantasy

The transition between reality and imagination.

46
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Nancy Rosenfeld’s Madeline like Eve

Exploring themes of womanhood and victimization.

47
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John Jones’s vision of her sleep

Linking dreams to realities perceived by women.

48
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Critical context's original more sexual

Commentary on the evolution of themes in women’s writing.

49
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Mary Wollstonecraft’s revolution in female manners

A call for a transformation in societal views of women.

50
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Lecture idea’s reason should rule

An emphasis on logic over emotion in human conduct.

51
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Lecture idea’s possibilities of feeling

Exploring the balance between feeling and reason.

52
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William Blake’s critic of reason

Positioning Blake as a challenger of rational thought.

53
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Lecture idea’s egotistical sublime

Central Romantic concern about self-expression.

54
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Lecture idea’s revaluing emotion

Recognizing the importance of feelings while acknowledging destructiveness.

55
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Edmund Burke’s Burkean sublimity

The idea of sublime experiences being complex and masculine.

56
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Lecture idea’s beauty as feminine

A perception of beauty traditionally associated with femininity.

57
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Critics’ too feminine criticism of Keats

Discussion on Keats' perceived over-feminine qualities.

58
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Susan Matthews’ sex and sexuality meanings in the 1790s

Analyzing how gender topics were understood then.

59
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Susan Matthews’ unsexed definition

Describing deviation from traditional gender norms.

60
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Susan Matthews’ sexuality vs. sex

Distinction between gender behavior and biological identity.

61
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Mary Wollstonecraft's gender constructed theory

Arguing that gender roles are socially derived.

62
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Mary Wollstonecraft's natural differences of men

Indicating that physical strength is the only inherent difference.

63
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Jean-Jacques Rousseau’s return to nature

Advocating for a return to innate state, rejecting societal norms.

64
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Mary Wollstonecraft's women as victims

Describing the impact of social structures on women's lives.