orchestration

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Last updated 2:54 PM on 4/22/26
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25 Terms

1
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What was early symphonic orchestration like?

String-dominated with basso continuo; limited forces and mainly supportive rather than colour-focused.

2
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What was a “Sinfonia a 8”?

A standard early orchestra: 4 string parts + 2 oboes/flutes + horns.

3
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How did Johann Stamitz expand orchestration?

Used varied orchestra sizes; in Op. 3 No. 2 in D (1750) added trumpets and timpani beyond the usual “Sinfonia a 8.”

4
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What is notable about Stamitz Op. 3 No. 2 (1750)?

Includes continuo keyboard, larger forces, and some independent woodwind in the 2nd movement.

5
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How is orchestration used in Carl Philipp Emanuel Bach Symphony in G minor Wq. 178 (1756–59)?

Movements 1 & 3: antiphonal wind writing, horns reinforce harmony; Movement 2: wind + strings double melody.

6
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What are features of Joseph Haydn Symphony No. 2 in C (1760)?

“Sinfonia a 8” scoring; chamber-like slow movement; continuo fills harmonies.

7
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How did orchestration change in the Classical period?

Became more standardised and balanced, but still restrained and controlled.

8
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What is notable about Joseph Haydn Symphony No. 31 in D (1765)?

Prominent horn writing; expanded “Sinfonia a 8” with flute + extra horns; continuo less important.

9
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What instruments are used in Wolfgang Amadeus Mozart Symphony No. 40 (1788)?

Flute, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, strings.

10
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How does Mozart use orchestration in Symphony No. 40 (1788)?

Highly independent woodwind and brass, especially in the Trio (3rd movement).

11
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What defines orchestration in Joseph Haydn Symphony No. 104?

Mature Classical style with fuller orchestra but brass still mainly harmonic support.

12
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What instruments are in Haydn 104?

2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani + strings.

13
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What is unusual about texture in Haydn 104 (1st movement recap)?

A passage scored only for flute + oboes in a 3-part texture.

14
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How did Ludwig van Beethoven change orchestration?

Made it more dramatic, expressive, and independent between sections.

15
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What is significant about Beethoven Symphony No. 3 “Eroica” (1804)?

Slightly larger orchestra, cellos and basses independent, more demanding brass, full double woodwind.

16
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What additions appear in Beethoven Symphony No. 5 (1808)?

Piccolo, contrabassoon, and 3 trombones in the finale → greater power.

17
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How is orchestration used in Beethoven Symphony No. 6 “Pastorale” (1808)?

Programmatic effects: Thunder → low strings + dissonance; Lightning → tremolo in high woodwind.

18
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How does Felix Mendelssohn Symphony No. 4 use orchestration?

Classical-sized orchestra but more colourful, with solos and richer timbre.

19
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What is the key change in Mendelssohn’s orchestration style?

Maintains clarity but increases instrumental individuality and expression.

20
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What defines Romantic orchestration?

Large orchestras, wide range of timbres, and greater technical demands.

21
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Why is Hector Berlioz Symphonie Fantastique (1830) important?

Uses a groundbreaking large orchestra with new instruments and effects.

22
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What instruments are included in Symphonie Fantastique (1830)?

Piccolo, cor anglais, 4 bassoons, 2 harps, tubular bells + expanded percussion.

23
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How does Antonín Dvořák Symphony No. 9 “New World” use orchestration?

Double woodwind + cor anglais; subtle, controlled use of percussion.

24
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What defines orchestration in Gustav Mahler Symphony No. 2?

Massive forces, offstage players, expanded brass, and use of choir + soloists.

25
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How did orchestration evolve between 1750–1900?

From small, functional, string-led ensembles → large, expressive, colourful orchestras shaping the symphony’s identity.