Chapter 25: Radical Modernism

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Last updated 2:30 AM on 4/16/26
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25 Terms

1
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How did radical modernists think of their work in relation to that of the past?

they viewed their work as a continuing innovations of previous composers

2
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What is the term that refers to music that is not best described as “tonal?”

post-tonal

3
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COMPOSER (LAST NAME) had two goals for his music: to continue the tradition and to say something that had never been said before.

Schoenburg

4
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Schoenberg disliked the term "atonal," so he called his music BLANK instead.

pantonal

5
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What does your professor think of the following quote from the book? "Schoenberg came by his musical heritage honestly."

She thinks it's stupid

6
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7
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What is "developing variation?"

building upon the germ of an idea

8
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What are the characteristics of expressionism?

unrelenting dissonance, exaggerated gestures, angular melodies

9
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The vocal style known as BLANK follows rhythm precisely but approximates pitch.

sprechstimme

10
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What are the four ways to use a tone row?

prime, inversion, retrograde, retrograde inversion

11
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Schoenberg's Piano Suite op. 25 is modeled on the keyboard works of BLANK (last name only).

Bach

12
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Why did Schoenberg only use eight row forms through all of the movements of his Piano Suite Op. 25?

it was comparable to establishing unity through tonality

13
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What word best describes the music of Wozzeck?

atonal

14
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How does Wozzeck reflect musical traditions?

uses traditional forms like suite and sonata form

15
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In a series of lectures, Webern argues what about twelve-tone music?

that it is inevitable and discovered instead of invented

16
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What is a crucial part of the melody in Webern's Symphony, Op. 21?

the succession of timbres

17
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BLANK create static blocks of sound in The Rite of Spring and are crucial to the sound of the piece.

Ostinatos

18
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What was the most controversial aspect of The Rite of Spring?

the choreography

19
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Stravinsky was the most prominent composer of the BLANK movement.

neoclassical

20
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If a piece asserts a tonal center but does not follow the rules of traditional harmony, it is called BLANK.

neotonal

21
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Name the three periods of Stravinsky.

Russian, neoclassical, serial

22
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What did Bartók derive from the peasant tradition?

irregular meters and modal scales

23
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In his experimental music, Ives changed some but preserved most of:

the traditional rules

24
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Ives reversed the normal events in traditional forms so that the development happened first and themes appeared in their entirety only at the end. This is called BLANK (two words).

cumulative form

25
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When was Ives's influence most strongly felt?

after World War II