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A.C. Bradley
“Hamlet is a tragedy of thought, not just action.”
Elaine Showalter
"Ophelia is deprived of thought, sexuality, and language."
2009 RSC with CCTV
Modern productions highlight the surveillance and paranoia
Goethe
“Hamlet is an intellectual who moralises rather than acts.”
Kenneth Branagh Interpretation
Use of mirrors echoes theme of surveillance/ appearance versus reality
Voltaire
One would imagine the play to be the work of a drunken savage
Olivier
Hamlet approaches life like an actor, always trying on new characteristics
Discovering Hamlet Doc
Hamlet is his own obstacle to desire
Gregory Doran
Hamlet is both the avenger and the barrier to that revenge
Jonathan Bate
“Hamlet is the only Shakespearean hero whose greatest enemy is his own mind.”
David Tenant
“He’s a man at war with himself.”
Stephen Greenblatt
“Hamlet is haunted not only by his father’s ghost but by the fear that he might become like Claudius.”
Emma Smith
“Hamlet is a play that always seems to be about something else.”
Hytner
Hamlet uses theatre as a "weapon to discover the truth"
Woods
Hamlet "polices the boundaries between performance and reality"
Johnson
Hamlet is, through the whole play, rather an instrument than an agent"
Wilson
Hamlet recognises himself as an instrument of justice
Leverenz
Hamlets disgust at the feminine passivity in himself is translated as a violent revulsion towards women, and his brutal behaviour towards ophelia
Bush
Hamlets revenge is barbaric and holy at the same time
Belsey
Revenge exists on a margin between justice and crime
Knight
Hamlet is the ambassador of death walking among life
1990 Zeffirelli with Mel Gibson as Hamlet
Act 3 scene 4, Hamlet uses inappropriate body language, oedipal
1948 Laurence Olivier
shift between gentleness and violence with ophelia in act 3 scene 1, more like a warning? trying to convey something he is unable to say
1990 Zeffirelli with Mel Gibson as Hamlet
Ophelia’s madness depicted as deeply emotional and melancholic among others